2014-09

primaparte - billahi.

Here is a FREE download in exchange for your emailadress. This remix by Jon Kennedy for Protassov´s song "Gorilla" was on the very first 12" Vinyl we put out on Switchstance Recordings in 2001.
GET IT HERE: 
http://emailunlock.com/switchstance-recordings/protassov-gorilla-jon-kennedy-remix

Protassov - Gorilla (Jon Kennedy Remix)

Clarity

Beat by:Teppo Mayknen (UK)
Track -Lyrics & Melody written and Produced by D'flower
Flute: Played and Arranged by D'flower

Say No- D'flower

wūf x primaparte - dreem

they ringin

📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀
📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀

#lofi #boombap #ambient

soul sample demos! ep - mix of jazz soul & funk samples from 1970's & 1980's united states

sound design, production, mixing, & mastering via - stracct

samples are used

artwork - stracct

contact me if you are interested in using any of my beats/instrumentals for whatever reason.

nowhere to go! [stracct] [73bpm Cmajor] [soundcloud exclusive]

Only When Im Dreaming

“La Dolce Vita Z – Roman Nights” revives the timeless decadence of Fellini’s Rome, reimagined for nightlife. Blending lo-fi house, dream pop, and sensual R&B with cinematic orchestral textures, this album is a soundtrack to forbidden romance and luxury excess. From moonlit Vespa rides to champagne-fueled rooftop affairs, every track drips with erotic glamour and nocturnal seduction. A modern love letter to passion, chaos, and desire under the Roman moon.


🎶 3. Via Veneto Nights 🌃🍸

GEE - 126 Prod By Scott Xylo

Shouts to @scottxylo 

gee.

126 Prod By Scott Xylo

KUNG FU KENNY - DNA [UZUMI EDIT]

In-2 the PM VoL. 1

The energy in this reflects the energy in my heart. 
\\
Cover Photos: DuarteCha
//
Tracklist:
1. Shine Like This
2. Now You See
3. MmHmm, That's Right
4. Crystal Clear
5. That Spot
6. Pleasures
7. Meant To Be

Show Me The Light - EP

Excursion

xoxo

Why You Should Quit Podcast: 001
w/ @imanomari & @Cavwins

DJ Mix by @Imanomari

Intro Jingle Lyric:
This is why you need to quit
hoooo yeahh!


Episode 001 
#VibeMusicCollective

Why You Should Quit Podcast w/ Iman Omari & Cavalier : EP 001

Although Charles may be new to some, she has held a long spanning relationship with music that goes back to girlhood. She was raised by a Haitian mother in Brooklyn where the sound waves in their home was filled with artists like Johnny Hodges, Frank Sinatra, Chaka Khan, and Nat King Cole. She attended the famed arts high school, LaGuardia High School for the Performing Arts where she studied flute and vocals. Her early life was full of stage performances; as a kid she participated in musical theater, pageants, and talent shows in New York City. Eventually, she landed at the School of Jazz and Contemporary Music at The New School for college where she met artists like alto saxophonist Lakecia Benjamin and others. Perhaps better known as a singer, Charles has earned her title as a bonefide flutist. Her playing adds vibrant swaths of color and emotional texture to her music.

The album opens with a breathtaking rendition of Billie Holiday’s “God Bless the Child.” This song, and the album overall, flexes Charles’ impressive arrangement skills. The song features a powerful group of musicians—Benjamin Julia on electric guitar, Dezron Douglas on upright bass, Anwar Marshall on drums, Shedrick Mitchell on organ, and Tayzaro on cello. On flute and vocals, Charles floats above the soulful current of the band, singing the song over a dramatic blanket of electronic sound. The lyrics ring with equal power as the music. When Charles sings the lines “Yes, the strong get more/While the weak ones fade,” the connection to black women’s struggle is palpable. “My experience moving in the world as a black girl has always been, I have to be strong. I have to keep it together; I have to sort of live up to the standard,” says Charles.

At its core, Y’all Don’t (Really) Care is a clarion call for a more intersectional vision of the world in which black women can live more freely. The interlude “Pay Black Women” offers the most explicit instruction on some of the ways that care can be expressed. It contains a sample from a film project produced by Charles in 2021 entitled Love Letter to Black Jazz Girls.  Through the voices of three black women, the track draws attention to the racial gender wage gap but also to the treatment of black women artistic producers more broadly.

Say No- D'flower

Melanie Charles is D'flower

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the daze

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