did this track of yours ever get released? @duste1

Deep / Atmospheric / Hypnotic Techno  oct.  2019 - febr. 2020

B.P.T. Radio 036: Tornado Wallace

Sansibar at Solstice 2024

The Lot Radio Stage at Making Time ♾️ 2024

https://www.instagram.com/ageless_adab

ADAB @ MAKING TIME ♾️ 2024

naff0007 is from a close friend and one of our favorite DJs @livwutang

In Liv's words :

For this mix, I tried to find the sweet spot between sultry and haunting; cerebral yet somatic. It came together almost on its own—a gently cascading rabbit hole of tech and dubstep, guided by indulgent pads and dubbed-out chords.

Third track blends crafted for headphone listening : )

naffcast007 ⦾ ------  ࿔ ᶫwͥuͮtang ࿔ -------

The snack enthusiast and London based producer and DJ takes on the NTS airwaves. Stay tuned for mixes spanning the breadth of dance and club music. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/peach/episodes/peach-13th-august-2025

Peach 130825

Trushmix 243 presents Soos, out Mexico City! The Sunday Sunday resident DJ steps to make a two and two minutes mix. A session filled with balearic, street soul and house. 
Concentration on the mid late eighties to early nineties. A great summer breeze selection to enjoy on the beach at while home, or on a way to a late night of joy!

As always music from the top!

Enjoy!



Trushmix 243 - Soos

An hour of Tornado Wallace live from the Love International Sunrise Sessions in 2025. 

TP541 Tornado Wallace (Love International Sunrise Sessions)

#DeepHouse
#HouseMusic
#ElectronicMusic
#TechHouse
#ProgressiveHouse
#DeepHouseVibes
#HouseNation
#UndergroundHouse
#EDM
#ClubMusic
#HouseLovers
#ChillHouse
#NightlifeVibes
#DJLife
#HouseBeats
#DeepHouseMusic
#DanceMusic
#ElectronicBeats
#FestivalMusic
#MusicForTheSoul

Tropical Chill Deep House Mix 2025-Relaxing Summer Mix 1327 Beats Vibes USA

Barely Awake

Introducing the next instalment in our MNMT Events series. A sublime four hour trip with the amazing Valentino Mora, recorded at Blå in Oslo, Norway. We hope you enjoy.

Read more: https://mnmt.no/blog/2019/10/29/mnmt-events-valentino-mora-bla-oslo/

MNMT Events: Valentino Mora

Maneuvering deftly through texture and tempo and mixed with expert finesse, our latest podcast from Sweden's Vicky Zissou is a bold display from an artist fiercely in her element.  Her new collaborative EP with Hampus Bogren (Skóll) as Matilda and an appearance on the forthcoming NFEREE compilation mark an impressive year for the producer, one whose output we'll be watching closely.

More from Vicky:
@vicky-zissou

Sure Thing Mix 81: Vicky Zissou

He’s just as focussed on musical dynamics; with expansive chords but intimate effects, and how sounds move about in the club as well as in your head. He makes soundscapes rather than tracks, where euphoric moods and thunderous basslines can coexist, and where minute little details capture your mind’s eye while punchy drum work makes an immediate physical impact. He explores the rough and the smooth, the loud and the quiet, the cerebral and the visceral in aquatic and naturalistic worlds where electro, techno, dub and ambient are blurred into one. 

This means that as both a producer and comprehensive live act, the Dutchman can take you from the furthest reaches of outer space to the depths of an oceanic abyss via crackling and frozen tundras. He does so under three aliases—VC-118A, Mohlao, Multicast Dynamics, but all are interconnected and related, with a modular approach to making and performing music meaning that a pumping breakbeat live-set can easily be transformed into an abstract sonic landscape by reducing and modifying elements, playing with textures and reworking structures. 

“I’m always searching for a duality, something that marries dance floor functionality with an end of the world melodrama that gets deep inside your head,” says the artist. “My process is intuitive and unplanned, so I can start with sound design and atmospherics first, or get lost in rhythms.” This understanding of narrative, as well as groove, means that whatever alias he assumes, he can pump out a peak time festival set, twist you inside out with an intimate session in a cosy club or play an experimental soundscape set in more thought provoking settings with his own avant garde visuals. Dancers at cult places like Tresor, Denovali Festival and a Boiler Room showcase in Nijmegen have all experienced this in the recent past. 

Known by electronic music obsessives as one of electro’s shining lights, the last decade has seen van Dijk excel in both EP and LP format. His achingly beautiful melancholic moods and roomy, absorbing grooves are so fully realised that they work well beyond the club context and have come on top labels like Delsin, Frustrated Funk and Silent Season amongst others. They include highlights like the tension between raw machine sounds and ethereal pads that were explored on VC-118A’s underground classic Vaxna; Shift Register, which was made from largely one-take hardware jams with an instinctive and lo-fi finish, and the slow burning techno of Mohlao’s Landforms LP. Of course, his Multicast Dynamics album quadrilogy on Denovali also laid out immersive ambient worlds in truly escapist ways. 

The future will bring more multi-layered interplay between these varied but related projects on both solo and collaborative releases. This exploration of opposing forces will continue in the live arena, too, where van Dijk can arrest your attention with thrilling sets of guttural and gritty techno, take you into the future with his electro or zone you out with cathartic ambient. Whatever he does, dance floor experiences are rarely as immersive and emotional as those crafted by this multifaceted artist.

INVEINS \ Podcast \ 058 \ Mohlao

Born and raised in Fukuoka Japan. YUKIMASA started his musical carrier as turntablist in the late 90's in Anaheim California before heading back to Japan in 2001. Since then his sights eventually moved onto electronic music then all experiences are connected. Organiser of the “FORCE” party since 2007 and currently holding at Tokyo. He has recently released a series of podcasts from United States, Italy, Germany, South Korea, Mexico and Australia. Founder and owner of “Paradigma Records” established in Italy/Japan in collaboration with the Italian artist Drafted, will see the first release out this year 2019 under the duo's alias HIGMA.


https://soundcloud.com/djyukimasa
residentadvisor.net/dj/yukimasa
facebook.com/YUKIMASA.FORCE/

SCOPÁVIK 119 | YUKIMASA

Live from MUTEK with Montreal's master of chill. 

Interview with @duste1:

melbournedeepcast.net/portfolio/dust-e-1

About the mix..

"Ya! It was a blast to play at MUTEK this summer! I did so on Friday around 6 pm at the outdoor stage, sun was streaking out over the plaza (see picture) and people were filtering over from work, lying down on the floor and vibing, getting their evening going. The mood of my set catered well I think, very happy with how it all turned out! My setup was using one of my three laptops, midi controller and a recently acquired synthesizer. After thinking and working on the set for many months, it all came together the week before - finished up some old ideas and jammed out a bunch of new ones. That’s how things tend to go for me, many months of thinking and not really doing much, then a week or so of frenzied activity, getting stuff done. One or two things will be out at some stage but the large majority probably won’t? I’m not sure really… we’ll see."

www.melbournedeepcast.net

MDC.232 Dust-e-1

vurt podcast 10 - Ben Buitendijk (Rotterdam / Obique)
@benbui
이 셋은 2019년 8월 18일 서울의 클럽 vurt.에서 열린 vurtnight 에서 녹음되었습니다. 
The set recorded @ vurtnight, vurt. Seoul on 18th Aug 2019.

Storyteller based in Rotterdam.
장르나 스타일의 경계가 없는 Ben Buitendijk(벤 뷔젼다이크)의 음악은 그 독특한 맛이 특징이라 할 수 있다. 테크노 스펙트럼의 더욱 깊은 측면이라고 정의할 수 있는 벤 뷔젼다이크의 세트와 음악들은, 댄스 플로어와 내면의 소리들 사이에서 조화를 이루며 리스너들에게 깊은 여정을 선물한다. 

No boundaries for genres or styles, but characterized by a distinctive taste. Ben Buitendijk take the listener on a journey, a balance between music for the dancefloor and music for the mind. His sets and his productions are usually defined by the deeper side of the spectrum of techno.

vurt podcast 10 - Ben Buitendijk

This Was Belgium 1987-89 - 2 hours of New Beat favourites

New Beat was born and initially exploded in 1987, went supernova (in Belgium) in 1988 and then the formula morphed a bit and was declared dead in 1989. It was slow and initially all about the atmosphere with industrial strength beats - the main form of rhythmic propulsion being the pounding kick and heavy snare. It was often mainly instrumental and when there was lyrical content it often became more about slogans and giving commands - "Move Your Ass And Feel The Beat!", "Let There Be Brightness!", "Shout Out Loud!". While not really New Beat, it's no surprise Technotronic's "Pump Up Jam" was produced by a crew who had produced a ton of New Beat gems.

In 1989 one of New Beat's founders, Marc Grouls said "New Beat is atmosphere, beats, no lyrics, and sure as hell not commercial!!!!!" But, it was already too late. A zillion bandwagon jumpers had diluted the music and flooded the market with too many sub standard 12" singles. New Beat temple, the legendary Boccaccio nightclub, in Destelbergen, near Ghent, had been closed down and it looked like it was all over, but really, it was just the beginning. New Beat morphed into Hard Beat (many of the tracks on this mix are from the Hard Beat era) which quickly morphed into Belgian Rave, which was huge and hugely influential in the UK and is an often overlooked part of the DNA of UK Hardcore, and all that came after. Then from Ghent, R&S Records established itself as thee European Techno label and a huge wave of incredible Techno records emanated from it and many other mighty Belgian labels, but that is another story. 

New Beat arrived just as I first started DJing and I played a lot of it in my DJ sets and built up connections with several of the leading Belgian labels who would send me 12" singles so I had records nobody else here had any idea even existed. I would compile New Beat charts for the music paper The NME which may have given the impression there was a thriving New Beat scene in Scotland. The reality was very different; people here, many of whom would embrace the rave just a little while later never really took to it in a big way.

This mix is comprised of many of my personal favourites that I have loved since they came out (and two I missed at the time and only heard later). I think the tracks have aged like a fine wine, often sounding as good if not better today as they did then. There is definitely a faint whiff of fromage and a big dollop of stoopid in several of these tracks. Of course, it is not all about the cheese and many of these adhere to the "atmosphere, beats, no lyrics, and sure as hell not commercial" rule mentioned above. Some of the best programmed 303 Acid basslines ever made can be heard here along with transcendental hypno synths and those Belgian beats going on and on....! Slow and low, from under 100bpm up to 116, New Beat doesn't chug, it swings in a very distinct way. If you get to see any videos of Belgian clubs of the era, the way people moved to this music is incredible and so different to any dancing we see today.

Many of these tracks are made by the same people under various aliases, which will perhaps be audibly evident. Most of the names have been forgotten, if they were ever even known outside their native Belgium at all, but all are legends to me. 

This mix isn't any kind of attempt to tell the story of New Beat but rather a mix 33 of my favourite 12" singles from that era showing many of the various strains of the New Beat and Hard Beat sound. A lot of love went into this and I hope someone somewhere discovers this music for the first time and falls in love with it as I did way back when. This was Belgium!

This Was Belgium 1987-89 - 2 hours of New Beat favourites

I like smooth & metamorphic Tech, Ambient & Leftfield electronic music, new varieties of Patterns & Sequences,.. the possibility of a much wider world that corresponds to the already wide possibilities of modern music.----FREE PALESTINE  &  EQUAL HUMAN RIGHTS WORLDWIDE !!!

Michael B. (michiben), who reposted music here on a daily basis, 
died in the early hours of June 17th 2025 at 52 years of age.

Geheiligt werde seine schöne Seele und sein humorvoller Geist.
im Namen Jesu Christi   Amen

thank you for continuous listening

MDC.232 Dust-e-1

Melbourne Deepcast

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