Beautiful mix! Id here please @myles-mac ? <3

AAA LISTEN LIST

DJ Possum and Myles Mac return with a three hour trip full of saxy summer time slow jams, deep balearic burners, soulful UK garage and loungin' 90s house & hip hop. Mellow to its core, this one invites you to hit recline and see where the vibe might take you. One for the boom bappers and the chill steppers!   

Tracklist and full info: melbournedeepcast.net/portfolio/myles-mac-dj-possum

A little bit about the mix..

@djpossums:

Collaborating with Myles is fun because it's where we find a point of intersection with our djing styles and music tastes. I'm an unpinned DJ in terms of genre but together we find cohesiveness to tell a story that is reminiscent of our upbringings and nostalgic memories; UK Underground street soul, 90s Hip Hop, funny South African Kwaito tunes that we sing along to even though we don't know the language, soulful electronic love songs, early house classics and many more..

Some pretty banging songs that are precious to me from the message in the lyrics, the feeling they create, the fun vibes or just their awesome production are: Can't Stop (One World 12'' Mix) by After 7, U.N.I.T.Y. by Queen Latifah, Scratched by Etienne de Crecy and the Brazilian balearic classic Tudo Faz Sentido by Taciana to name a few.

@myles-mac:

One of the few upsides of extended periods at home this year thanks to all the lockdowns has been the time to trawl through old Ibiza chill CDs, youtube channel wormholes and bandcamp compilations to discover classic or relatively unknown 90s downtempo gems that have managed to last the test of time. With this mix, Maria and I put our heads together to tell a story of the past that somehow still sounds fresh to our ears today, trying to squeeze in a bunch of styles from both of our collections while making it all flow and sound somewhat cohesive over three hours and a variety of tempos.

Inspirations for the mix come from all over the map, but there's a definite focus on the link between the UK and Ibiza in the early-mid 90s, with old Dj Alfredo live recordings, José Padilla's Café del Mar compilations, psychedelic mixes from the late great Andrew Weatherall, the absolutely insane discography of UK Street Soul pioneer Toyin Agbetu (the producer behind 2 Tuff, Deluxe, Shades Of Black, Robyn, Mary Pearce and many more), the crisp jazzy productions of downtempo master Paul Hardcastle from Kiss The Sky (a ton of which he's uploaded to bandcamp) and the don of deep &amp; soulful UK Garage Mike Millrain (aka D Base, DJ South Central, Vibes Alive, Stone Cold Steppaz).

A few special mentions go to our friend Dust-e-1 in Montreal for his chillout monster of a remix for Pascale Project, the late Richard H. Kirk aka Sandoz who recently passed but left us with an infinite resource of beautiful electronic dance music, and Alaska's Kwaito classic "Accuse" that will always put a smile on our faces no matter the occasion.

www.melbournedeepcast.net

MDC.265 Myles Mac & DJ Possum

Myles Mac guides us through a masterful 90 minutes of lush grooves, deep atmospherics and hazy moods. As co-founder of the incredible Melbourne Deepcast, the mix series royalty has spent over a decade filling our living rooms with quality mixes by global powerhouses and, perhaps more important, introducing us to exciting new talent, as well as giving interesting insights in their latest adventures. With restrictions just lifted in Melbourne, we caught up to hear about his summer plans, among other things. And Myles, we salute you for your tireless work mate, keep them coming!

Full interview with Myles here: https://oddysee.fm/podcasts/myles-mac/

https://soundcloud.com/myles-mac
https://soundcloud.com/melbourne-deepcast

Interview

Oddysee 037 | 'Deep Future' by Myles Mac

Chief of the undercover cross over jam, the humble downtempo don and Rhapsodise head honcho @daniel_pisano adds his own slice of paradise to the series, with a dance focussed blend of beachside 90s breezers dusted off and smuggled from their mysterious cyber caves. Cruise control >> on! 

Q. Hey Daniel, what inspiration did you draw upon when putting this mix together? Is there a sound, feeling, or time/place in dance music history that connects all the different elements in one way or another?

A. The mix is inspired by my love of 90s dance music. As with most of my mixes, the records used are exclusively from this era, or at least draw inspirations from it. The sounds I like from this era tend to have a similar feel to them - breakbeaty, progressive and always with a touch of balearic energy. I haven’t recorded a dance-floor mix for a couple of years so it was fun putting this together with some of my favourite records and CDs I’ve collected since then.

Q. Are there any records in the mix that are especially close to your heart, or new or old favourites that you’ve been keeping up your sleeve for the right moment?

A. The first track I used in the mix is from a remix CD by Australian electronic music project ‘Kiva’. I went blind on their self-titled album last year and soon realised how good all of their other CDs were. I think I had naturally been drawn to look for music from the UK, Europe and the US and around this time I started researching a lot more into local artists. My appreciation for home grown electronic music definitely started to shift, which you could see in mixes and uploads to my YT channel.

Q. We’re big fans of your Rhapsodise YT channel over here, with some extraordinary finds being uploaded frequently over there by your good self! Tell us a bit more about that project and how you go about curating it, and what characteristics might you be looking for when deciding what tunes to share?

A. Thanks so much for the kind words :) The project was inspired by the other channels in the community that upload amazing finds. Internationally I was always blown away by No Frills, Customs, oddSample, Modern Art and local friends such as Mike Who, Daniel Lupica and Mirren. In terms of curation, I really just upload things that I enjoy that haven’t yet hit YouTube. Most of these uploads form part of mixes that I put together so the uploads I find are generally similar in style to the mix I’m preparing at the time. I’ve recently moved to London, so hopefully there’s some new uploads in the coming months!

MDC.288 Daniel Pisano

@myles-mac and @djpossums closing out The Grove, 4:00-6:30am Friday night at Sustain-Release Year 9.

@sustain-release-nyc

Myles Mac & DJ Possum @ Sustain-Release 2023

A fairly large live set by @ebbsnflow at @papercutslimited

The Sizeable Mix Vol. 25: Ebbs 'N' Flow (LIVE)

space•cast 020 comes from Lisene, one of the most talented producers of the modern era. As a DJ, he's crafted a unique sound that sits in the sweet spot between the deeper shades of techno and the darker tracks from the progressive trance universe. 

This mix was recorded live at a space•lab party in 2023 and here we get Lisene in full flow - the place was absolutely rocking and I'm so happy it's finally out in the wild. 

Be sure to check out his new album that's just dropped on OnRotation: 

https://soundcloud.com/on-rotation-music/lisene-science-friction-onro07-clips

Enjoy!

https://www.instagram.com/lisenemusic/
https://soundcloud.com/liseneuk
https://soundcloud.com/on-rotation-music

space•cast 020 - Lisene live at Love Inn, Bristol

Listen to the complete Livity Sound Mix Series at Apple Music :

https://music.apple.com/us/curator/livity-sound-mixes/1635606882

Caragh - Livity Sound Mix Series 019

New Sound Metaphors DJs promo mix 2025. 
Thanks for your support! ❤️

For bookings (Sound Metaphors DJs):
dominic@thepool-london.com

H.A.N.D. MIX 066 : Sound Metaphors DJs

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Slurp down some BOYMEETSGIRL vibrations. 

BOYMEETSGIRL - Space'd Residency 047

Ahead of his set in Glasgow at Sub Club with Untold and Clark on Friday July 3rd, Barker unearths an hour of twisted techno recorded live at Leisure System.  

For the main event they’ve also invited a true innovator in electronic music, the mighty Clark and with him the challenge of shoehorning his enormous live show into our intimate venue. The best experiences don’t happen without breaking a little sweat, so use your perspirationally beaded head and get a ticket quick smart and stylish. Advance tickets on sale here: http://www.residentadvisor.net/event.aspx?723548

Barker’s Sub Club Mix [Recorded Live @ Leisure System]


Record store, label, web shop and distribution based in Brussels, Belgium. Since 2016 Crevette Records has united a group of people with various backgrounds around their mutual passion for music.
The brick and mortar shop in one of Brussels’ most beautiful neighborhoods serves as the operating base for all activities. The shop focuses on a strong selection of new and second-hand titles that span all corners of the electronic music spectrum and beyond.
The webshop is the latest addition to the Crevette brand and aims to curate a selection of releases that are special to us and that we believe are crucial to your collection.


Crevette Records w/ Ben Kamal @ Kiosk Radio 07.07.2025

A beautiful deep house track with atmospheric vibes.

🎧 Discover extended deep house mixes and live sets on our YouTube channel: https://www.youtube.com/@DeepHouse-v5g — Subscribe for hours of underground vibes!

Frozen Lights

Lucas Pietra - Midnight Talks (Original Mix)

Low Tape flexes some serious electronic muscle for Of Paradise with a 60min workout that’ll leave you fully drenched. From twisted electro through to mind-altering acid and shimmering house sounds, this one is the real deal and the perfect companion to his ‘Walking The Streets’ EP.

Low Tape

OP Mix 05 - Low Tape

00] Hole In One - Spiritual Ideas For Virtual Reality
[09] The Primitive Painter - Levitation [Klang Elektronik - KLANG 1]
[18] Dubtribe Sound System - Sunshine's Theme (Sunshine's Remix) [Organico - ORG 004]
[23] State Of Flux - Mercury [Finiflex - FF1009]
[29] The Primitive Painter - Cathedral [Klang Elektronik - KLANG 1]
[36] Ebi - Chuu [Space Teddy - ST 007]
[43] Some Other People - Astralise [Infinite Mass - MASS 018 T]
[52] The Primitive Painter - Invisible Landscapes [Klang Elektronik - KLANG 1]
[58] Squid - Emprisoning Sound On A Piece Of Wax [Apollo - APOLLO 16]
[64] The Keyprocessor - Feary Tales [Eevo Lute Muzique - EEVO 008]
[68] State Of Flux - The News [Bold! Stars - BR 2009-1]
[71] Ian Pooley And Alec Empire - Untitled (Pulse Code E.P. Side A) [Mille Plateaux - MP 3]
[83] Ebi - Sou [Space Teddy - ST 007]

Myles Mac & DJ Possum @ Sustain-Release 2023

Melbourne Deepcast

Recent comments

sweet.strawbeby

Tony!

mabo

KEUT

Related tracks