Official Ta-ku remix '187' from my Ep - Elevation (Coming Soon).

Check out the '187' OFFICIAL VIDEO Clip.
http://www.youtube.com/watch?v=KfLw604-Oy4

CVIRO - 187 (Ta-ku Remix)

Vocals by D'Flower
Mixed by Uplift for Dirty Tapes
Beats by Dil Withers

D'FLOWER -  Take it Back / Lovers No more

Grind(Mem0ir's Breakout Redux) (Prod. By Toro Y Moi)

One of New Zealand's most in-demand exports, modern soul outfit @electricwirehustle are set to make their triumphant return to your local "New Releases" crate. Following up on their acclaimed 2010 debut, their new album <i>Love Can Prevail</i> will see the light of day via @okayplayer and @somethinksounds on September 8th.

Shortening the wait and providing a preview of what is to come, the <i>If These Are The Last Days</i> EP features two stellar album cuts, along with @eliphino and RBMA grad @flako on remix duties. We are happy to premiere the latter's rework of "Bottom Line," which finds the London resident in fine form, swapping in pensively glacial key sounds for the original's resolute piano.

http://electricwirehustle.com
http://okayplayer.com
http://somethinksounds.com
http://redbullmusicacademy.com

Electric Wire Hustle - Bottom Line (Flako Remix)

SHADY NOOK prod. Wesley Curtis

Download/Stream - https://fanlink.tv/BDD24
Subscribe - @reelpeoplemusic

Reel People Music breaks new ground, in more ways than one, with the launch of fresh compilation series Broken, Deep & Dope. A spin-off from acclaimed compilation brand Soulful, Deep & Dope – introduced back in 2015 – this new series sees the much-loved independent imprint pushing further at the boundaries of soulful music. All with that customary Reel People feeling.

Broken, Deep & Dope 2024, the series’ first instalment, unleashes 20 superlative examples of the soulful ‘bruk’ (broken beat), nu beat and nu jazz sound that has so innovatively informed contemporary dancefloors around the world since its inception back in late Nineties West London. Bringing together classic cuts from the Reel People Music stable (including those by Daz-I-Kue, Monkey Brothers and Reel People) and key productions from some of its closest affiliates and biggest inspirations (such as Vikter Duplaix, Jazzanova, Bugz In The Attic, Kaidi Tatham, and Sean McCabe), this white-hot selection nips and tucks beautifully between stuttered Latin and Afro rhythms, deep house-edged jams and soaring flights of soul-jazz fancy.

30/70’s opener Acceptance was only released in January and, remixed by Ziggy Zeitgeist and Goodmood, delivers crisp, upbeat, sax-y flow that is wholly reflective of the feel-good vibes across the wider release. Bugz In The Attic’s remix of Reel People feat. Darien Dean’s Upside guides smooth vocals and pads over snappy beats with playful aplomb, and Afronaut’s ascendant take on Alison David’s Dreams sees singer (and crowd) pushing that urgent, infectious percussion every step of the way.

Elsewhere, Harold Matthews Jr & Sean McCabe get deep on Metronome which, remixed by Turbojazz, slinks deliciously upon pulses of synth and lowdown spoken word. McCabe’s dub of MrMilkDee & Jill Rock Jones’ 2 Positions provides similarly mesmeric blasts of synth beneath beat ‘n’ piano trickery, whilst Feiertag feat. Nego True’s swaggering Feel Me nudges effectively into house territory and Don Kamares & Stan Smith’s smokin’ Unwu (one of two tracks here courtesy of renowned Swedish label Local Talk) twists and turns smartly between intense sample loops, glacial keys and shufflin’ drums.

There are sexy, sultry Latin hustles, too; not least SMTHNG SMTIME’s Morning Love, where remixer Jonny Faith cuts stuttered beats with outrageously funky electro-bassline, and Bruk Rogers feat. Onj & Roberta Silva’s slightly looser, piano-sprinkled Deusa. Meanwhile, tracks by Envee (Styrax), Jazzanova (Mwela, Mwela) and Kuna Maze (Samosa) revel in their dynamic jazz-tastic settings – the latter cooking up especially abstract thrills.

None of this is to forget broken beat pioneer, and recent Reel People collaborator, Kaidi Tatham, whose indefinable influence is felt across several cuts on Broken, Deep & Dope 2024, including Alien @£^%(featuring Trian Kayhatu) as well as slick remixes of Monkey Brothers feat. Shaun Escoffery’s Losin’ My Head and Daz-I-Kue feat. Hadiya George’s Pedigree – both featuring on Tatham’s recent Reel People Music album Fusion Moves. Other artists on show include Incognito, Kv5 and Nathan Haines (with anthemic joint Doot Dude).

Reel People Music is a label borne out of the soulful success of acclaimed collective Reel People but representing so much more. Launched in late 2009, the imprint has built a fiercely loyal international fanbase through its passion for artist development, musicianship, song-craft and authentic soulful groove.

Broken, Deep & Dope 2024, with its scattered yet compulsive beats, frisky basslines and acrobatic melodies, promises to further expand Reel People Music’s reputation for soulful depth and drama. Gathering old and new favourites from some of the world’s finest taste-making DJs and producers, this is another scorching, oh-soul essential hustle. End of.

Broken Deep & Dope 2024

Shook Up

Stream/Download

Kv5 & Kaidi Tatham - Shook Up

Soft glimmers start again
Waking in a half-light world
Echoes trace forgotten scenes
Shadows form as quiet signs

Once more the looping image calls through fading corridors

Is this slow returning?
Is this gentle circling?
Moments fold into themselves
Searching for a hidden thread

Once more the looping image calls through fading corridors

Another inward passage
Breaths fall into silence
A calm rewind flows
Visions reach for something lost

Once more the looping image calls through fading corridors

Soft glimmers start again
Waking in a half-light world
Echoes trace forgotten scenes
Shadows form as quiet signs

Fading corridors

Sweetest Fantasy

My first collab with Dianne, 
Check out the original & remix on Spotify & iTunes as well.

Can You Handle It (Dantes Reyes Remix)

See Dee - Yee

Tohu Bohu n°1

Vidéoclip : https://www.youtube.com/watch?v=eDP4GBt-OG0&frags=pl%2Cwn

Lyrics : 

We took the road and we went south 
Where the river flows in the bay 
We were seeking for air and for good times
And we found it on a sunny day 
There were blue lights but we didn't know from where they came 
It made us lose sight of the reason why we came 

We came for freedom To give up all the shackles that held our mind For freedom 

The night fell fast we had to walk back 
To the lighthouse by the sand
 Our feet were cemented to the ground 
But our minds were flying away
 We used the moonlight as a means to light our way
 The waves would goove like they were here to give us help 

We came for freedom To give up all the shackles that held our mind For freedom

Grind(Mem0ir's Breakout Redux) (Prod. By Toro Y Moi)

Mem0ir

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