The Linds original tracks with vocals plopped on top and Conrad drums live at lunch.
The Conrad recorded some drum rolls which were then dropped in at select spots by Miller High Life after five.

== LYRICS ==

We've got pictures in our head
Of how this is supposed to look
If one is white and nine is blue
Then ten is black
We can conclude
That Prime is a lovely thing
It sings a lonely string
For You
No one knows how it feels to be you
No one knows how it feels eleven, seven, five, three, two be you
Prime is a lonely lover
Smooth to the touch, the color of clover
And Prime can love you back
The way you want, the way you expect
And Prime won't know you're gone
As you slip out of bed
And stumble home
No Prime won't know you're gone
Prime won't know you're gone

Prime

Conrad arrived from the pharmacy on a Sunday to lay down drums on this.

=== LYRICS ===

Feels, feels like rain
Comin' closer now
Closin in

Sounds, sounds like wind
Blowin closer now
Blowin in

It all comes, it all goes
It comes, it goes

Where things don't change, we're not meant to go
Where hearts don't break, we're not going to know

Let it flow, let it go
What you know, let it go

Feels, feels like time
Moves faster now
Yours and mine

Sounds, sounds like rain
Comin lightly now
On our window pane

It all comes it all goes
It comes, it goes

Where things don't change, we're not meant to go
Where hearts don't break, we're now going to know

Let it flow, let it go
What you know, let it go
Let it flow, let it go
What you know, let it go

It all comes, it all goes
It comes, it goes
It all comes, it all goes
It comes, it goes

It All Goes

Just an idea. 
Pablo Conrad on Drums and Ipad

===LYRICS===

You told me how it's gonna be
This and that and how it's gonna be
And now you roll me, you roll me
On how it's gonna be
The lights come up and now I can see

Now I know how it's gonna be
Now I know how it's gonna be

Roll me roll me down to the sea
Dunk me in the water and try to set me free
Roll me roll away to the top
Now you let me go and see how far I drop
I say roll me baby as far as I can roll
Say you'll hold on and then you let me go

And now I know just how it's gonna be
Now I know how it's gonna be

Roll me, roll me, roll me, roll me, roll me, roll me

Now I know just how it's gonna be
Now I know just how it's gonna be

Roll me roll me down to the sea
Dunk me in the water and try to set me free
Roll me all the way to the top
And now you let me go and see how far I drop
I say roll me as far as I can roll
Say you'll hold on and then you let me know

Cause, now I know just how it's gonna be
Now I know just how it's just gonna be

Now I know just how it's gonna be
Now I know just how it's gonna be

Roll me, roll me, come on and roll me, roll me

Now I know just how it's gonna be
Now I know just how it's gonna be


Roll Me

MIX THREE

MIX THREE has been speeded up even more that mix 2.  More of a CB radio attempt on vocal. Removed what were determined as extraneous drums fills that seemed important under the influence of the beloved vaporizer. Brought out the bass line a bit more.

I think this is better than earlier mix but everything I think is eventually proven wrong.

A Linds riff that was adopted by The Conrad and Zimm at the conclusion of Garage Fest 2013


===LYRICS===


Turning on the science
I'm turning up the science
I'm turning on the science
I'm turning up the science

Now I've got you in in my doppler
I've got you in my house
Now I've got you in my doppler
You notice the effect?

Turning up the frequency
Turning up the wave
Turning up the frequency
Turning up the wave

Now it approaches, passes and recedes
That's all the proof that my science will concede
The velocity of you
The velocity of me
As we approach each other
The doppler always sees

Because I'm turning on the science
Turning up the science
Turning on the science
Turning up the science

Here's the result
Here's the effect
Here's the expectation
And the science to except
Here's the effect
Here's the result
Here's the science you need to consult

I'm turning on the frequency
Turning up the wave
You're my observer
Moving through space
Now it approaches passes and recedes
That's all the proof
That my science will succeed

Turning on the science
Turning up the science

Now I've got you in my doppler
I've got you in my house
Now I've got you in my doppler
There's no way out

Turning up the frequency
Turning up the wave
Turning up the frequency
Turning up the wave

Turning Up The Science

A short sample of my first day with the Korg Micro Station manual
Not much yet. But Fun. This manual used up all my printer ink and paper!

Mars Bar stub

Friday lunch jam with Linds of Bass, Conrad on ipad, Zimm on Korg and not even making the slightest effort to sing
Added terrifying backup vocals
An actual tambourine
And a bottomless Korg bass along with a clap sound or something



Corn Maze

This is Conrad's 'Flip It' drum and bass track
In which I stepped on it with an alleged song idea

Two Steps Back

Another in the 'Alone in the Garage' recordings (what the heck is that idiot doing out there?)

Based an an old song by Conrad and me that got lost in the Digital Divide. Doesn't do the sublime and fading memory of it justice, but whadayagonnado?

It's Father's Day! I suppose all us dads are waiting for the bats in one way way or another. I know I am.




Waiting for the Bats

Another in the Legendary PBR Can Exception Session in which Conrad drops drums on this previously recorded 'song'.

Once again, the snare rings like a gong and I am unable to determine the source of this nefarious enemy to all things sublime and somewhat correct.

Like the way you look 2

A weekend in the garage with honored guests

menswherehouse