Moneda

Living Room n°6 ~ @tibslc

q. is there a story behind the mix? how did it come together?

> Love

q. describe a favourite object in your living room...

> ever-changing 

q. are you working on any projects right now (music or not music)?

> Just finished everything.

~~~

Tracklist:

Yu Su - Touch Me Not
Ulla - Inside Means
Emily A. Sprague - Star Gazing
Ulla - 40th And Spruce
Mica Levi - Ride Till We Die
Jean P’ark - Birds And Brushes
Miki Yui - Dial Sun
Silvia Kastel - The Closer The Stranger
Aylu - Quatro Vier
Aylu - ( . ) ( . )
Ulla - Inside Me
Beatrice Dillon - Workaround Three
Myriam Bleau - Coastin
FRKTL - Ex Ante
Mica Levi - Ruff Dog
Aircode - Skogsrå
Meara O'Reilly - Hockets for Two Voices 01 I.
Perila - atm
Jean P’ark - Sunny Sonnenallee
Noémi Büchi - Ne Parle Pas De Secrets
Carla dal Forno - The Garden
Justin - 2 _ lite
Lucrecia Dalt - Mono
Aylu - Kritik
Perila - Mouth Full Of Tahini
Amby Downs - yuuruu (run off)
Beatrice Dillon - Workaround Five
Inky Lee & Jean P'ark - Whale
Polly - Silver Needle
Naemi - Milau (2020 instrumental mix)
Perila - All Morning Watching Clouds
Perila -Can We Just Be Real
Emily A. Sprague - Piano 2 (Mount Vision)
Myriam Bleau - Darling

Living Room n°6 ~ TIBSLC

@irlhuman

Canada Resonance Agency - live @ Basilica Hudson 24-h Drone
Khotin - planetarium
??? - ????
Naemi - milau
Ben Bondy - writhe in solitude (ft. pontiac streator)
Pavel Milyakov - pd sp
Perila- all morning watching clouds
Sasika - my lips get hot
C Lavender - myth of equilibrium
Nurse with wound - rock n roll station
c- with Perila - stat eera
Aquaventure - anemonica
Nadia Khan - rain again
Liai - ashe
J Albert - open

IRL - seven cups, pink moon

3 version AU - 2

info: https://radio.syg.ma/episodes/pba-katatonic-silentio
https://katatonicsilentio.bandcamp.com
https://soundcloud.com/katatonicsilentio

Katatonic Silentio

PBA – Katatonic Silentio

There’s a body of water in the woods near Carrboro. Dappled light on the trail leads you to it. Crunch of leaves underfoot. A river feeds the swimming hole where people plunge, naked and alive. On a chair you sit reminiscing about the future. After a dip, you lay on a big smooth rock - let the sun bake you dry. Then you walk further into the woods.

Like coming upon some keyboardists situated at the mouth of a cave, the entreaties on this record are calming but enigmatic, tinged with melancholy and reflection. Recurring motifs are given room to grow—there’s much space, and the progressions percolate, an auditory mapping of emotional crevices. Sentimentalism given a rougher edge. It lures you in; an orb appears, bright and buzzing. It motions for you to continue. As you do, a fragrance floats through the cave and fills your psyche, like a thousand roses hidden in the dark.

On "Keyboard Suite Vol. 1", MARV imbues analog subtractive and FM synthesis with a distinct physicality. Dub studio techniques and rigorously hand-played performances create an 'environmental' keyboard masterpiece strongly connected to the lineage of 1970s-80s private press ambient and electronic recordings-- but elegantly modern sound design and production methods center the album in the present day. A timeless quality pervades "Keyboard Suite Vol. 1", allowing for easy repeats, marinating the subconscious ache of loss with a dreamily resolute hope.

keyboards and effects ~ Geoff Schilling and Nathan Taylor
french horn (A2) ~ Aaron Smithers
mixdown assistance ~ Glyn Maier
audio finalization ~ Nathan Taylor
design and layout ~ Joe Bastardo (www.josephbastardo.com)

all proceeds to Carolina Abortion Fund (Durham, NC) ~ www.carolinaabortionfund.org

ALSO WILL BE STOCKED BY:

Tobira Records (JP)
All Day Records (US)
Commend (US)
Boomkat (UK)
Industrial Coast (UK)

LP details ~
black vinyl, printed center labels
lacquer cut ~ Amy Dragon
recycled black paper jackets ~ Middle Press
silkscreened with water/soy-based ink ~ Goatmother Industrial
recycled plantable seed paper insert ~ Greenfield Paper, debossed with Braille text* ~ Middle Press
custom scent ~ Meadow Maker Apothecary (www.instagram.com/_meadowmakers_/)

*may not be readable due to paper thickness and texture

*ALL LPS WILL BE SHIPPED OUTSIDE OF JACKET FOR SAFETY*

Keyboard Suite I

MARV - Stable Mate (ENM10)

f035 - Deflector

A mix for movement...

𝑇ℎ𝑒 𝑠ℎ𝑜𝑟𝑡 𝑠𝑡𝑜𝑟𝑦 𝑏𝑒𝑙𝑜𝑤 𝑤𝑎𝑠 𝑤𝑟𝑖𝑡𝑡𝑒𝑛 𝑏𝑦 𝑅𝑜𝑏 𝐺𝑜𝑦𝑎𝑛𝑒𝑠 𝑤ℎ𝑖𝑙𝑒 𝑙𝑖𝑠𝑡𝑒𝑛𝑖𝑛𝑔:

As a child, Aggy liked to steal their parents’ phones and send texts to random numbers. The messages Aggy sent were kindhearted and peculiar. Sometimes, Aggy would text complex questions of a spiritual nature. Kids’ radical lack of filters is what makes them wise, but also very annoying, is what the parents repeatedly agreed whenever Aggy did this. The strangers’ replies, which always arrived after the parents had their phones back, were usually bemused, and rarely, but sometimes, they were belligerent. Disciplining Aggy for this behavior wasn’t simple.

“Aggy, honey, you can’t keep doing this,” said one of the parents. “We know you’re not being mean, but it could be dangerous, talking to strangers like this.”

“No phone for a week,” the other said.

Aggy took these haranguings gracefully. As the verdict was read out a subversive crack appeared at the edges of Aggy’s mouth. Once communicated, Aggy accepted these punishments with a tiny but steadfast stoicism.

A young adult now, Aggy was on a bus to a faraway place.... [FULL STORY AVAILABLE AT: https://enmossed.bandcamp.com/album/walking-mix]

---

Florian T M Zeisig makes music, has OCD, recently completed studies in composition with Carsten Nicolai, and is currently trying to re-connect with himself.

artwork by Florian T M Zeisig and Glyn Maier.

all proceeds to Dounia Moussalli (𝘧𝘰𝘳 𝘩𝘦𝘳 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘺 𝘦𝘧𝘧𝘰𝘳𝘵𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘌𝘴𝘴𝘢𝘰𝘶𝘪𝘳𝘢 𝘢𝘳𝘦𝘢, 𝘔𝘰𝘳𝘰𝘤𝘤𝘰. 𝘚𝘩𝘦'𝘴 𝘣𝘦𝘦𝘯 𝘸𝘰𝘳𝘬𝘪𝘯𝘨 𝘧𝘢𝘤𝘦 𝘵𝘰 𝘧𝘢𝘤𝘦 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘺 𝘵𝘰𝘸𝘢𝘳𝘥𝘴 𝘣𝘶𝘪𝘭𝘥𝘪𝘯𝘨 𝘴𝘶𝘴𝘵𝘢𝘪𝘯𝘢𝘣𝘭𝘦 𝘢𝘯𝘥 𝘪𝘯𝘥𝘪𝘷𝘪𝘥𝘶𝘢𝘭 𝘴𝘰𝘭𝘶𝘵𝘪𝘰𝘯𝘴. 𝘛𝘩𝘪𝘴 𝘪𝘯𝘤𝘭𝘶𝘥𝘦𝘴 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘢𝘭 𝘦𝘥𝘶𝘤𝘢𝘵𝘪𝘰𝘯 𝘪𝘯 𝘴𝘤𝘩𝘰𝘰𝘭𝘴, 𝘧𝘪𝘹𝘪𝘯𝘨 𝘩𝘰𝘶𝘴𝘦𝘴, 𝘪𝘯𝘴𝘵𝘢𝘭𝘭𝘪𝘯𝘨 𝘸𝘢𝘵𝘦𝘳 𝘱𝘪𝘱𝘦𝘴, 𝘧𝘰𝘰𝘥 𝘱𝘢𝘤𝘬𝘢𝘨𝘦𝘴 𝘢𝘯𝘥 𝘩𝘦𝘭𝘱𝘪𝘯𝘨 𝘧𝘢𝘮𝘪𝘭𝘪𝘦𝘴 𝘸𝘪𝘵𝘩 𝘧𝘶𝘳𝘵𝘩𝘦𝘳 𝘦𝘹𝘱𝘦𝘯𝘴𝘦𝘴.)

Walking Mix

Florian T M Zeisig - Walking Mix [Side A Excerpt] (ENMX15)

SRT – fragle on top of the water like an orange in a window sea t

there are no words to describe it
the way we feel

https://perilazone.bandcamp.com/album/there-are-no-words-to-describe-it

stay together
wish hope unite believe support each other
look for a home inside

love you all
try to heal whenever you can in sound in nature in hug
sending warm warm warm energy

>>>>all proceeds will be donated to humanitarian funds and organisations fighting for justice helping political prisoners and freedom

hope it all to stop
hope it all to stop
'

Everyday Hope

For its 7th release, Moneda is proud to announce Cathedral, a work by Mihalis Shammas. It features a unique string instrument: the Lyraei, which Shammas designed, engineered and fabricated over the last two years.

The album is comprised of five longform drone compositions, captured over a series of one-take improvisations. They were recorded during isolation, in a period when Shammas, like many other artists, were unable to perform live. In a sense, the recordings capture the intention of those live performances that have been suspended indefinitely, droning away. Hence, our decision to share this work with some restrictions that serve not as a paywall, but as an invitation to enter through the walls of sound and experience the work in its totality, as an imaginary performance would have been.

The ‘Lyraei’ is an eight-string walnut instrument, featuring deconstructed and redesigned string exciters that oscillate according to the waveforms of analog signals; that is, the movements found in traditional analog synthesizers is transposed to the oscillating vibrations that resonate the metallic strings, to create different electric-dependent harmonics. This quality alone sets it miles apart from the more conventional layering of e-bowed guitar strings drone music. Especially, when one considers that the instrument features tuners that can be adjusted in real-time to explore microtonal dissonances and an eight-channel mixer to blend the signals of each string.

It is tempting to keep disseminating the instrument, but as the recordings of the performances reveal, Mihalis Shammas pays equal attention to expression. Already known as a well-versed live performer, in Cathedral, Shammas’ affinity to detail and nuance, make him unavoidably a master of the instrument.

For the artwork, Mihalis’ brother and frequent collaborator Demetris Shammas, takes the fabrication 3d drawings of this instrument a step further and reconceives it as an architectural structure of an imaginary cathedral, faintly reminding us of Lyonel Feininger’s cathedral woodcut on the Bauhaus manifesto, where Walter Gropius called artists to return to craft in the service of a metaphorical cathedral of the future.

In many ways, we think Cathedral pays tribute to that often-forgotten communal ethos found in early Bauhaus theory, one in which art is made in the workshop, with other fellow craftspeople, and, more importantly, for the people. An overarching ethos that Shammas’ work encapsulates where design, craftmanship, artistic expression and engineering, do not stampede for the recognition institutions impose but instead move freely between artist and artisan, architect and engineer, to offer a glimpse of what that ‘cathedral of the future’ might be. 

Released March 17, 2022

Performed, recorded, and mixed by Mihalis Shammas
Mastering by Giuseppe Ielasi
Artwork and design by Demetris Shammas
Artistic direction by Emiddio Vasquez

For more information on the instrument and Mihalis Shammas' work: mihalisshammas.com/Lyraei

Support

Mihalis Shammas - Ascending (MON007)

https://www.nts.live/shows/jon-k-presents-peking-spring/episodes/jon-k-presents-peking-spring-10th-may-2022

Peking Spring w/ Jon K &FOQL - 100522

instagram.com/stvgisnotreal
twitter.com/stvgisnotreal
www.patreon.com/STVG

STREAM/DL

CuddleMyCarcass

NTS SHOW 

https://www.nts.live/shows/pandoras-jukebox/episodes/pandora-s-jukebox-7th-september-2020

art: Superstudio 1969

STORY N*43 NTS 7920

À l’occasion de son exposition au Studio, Estelle Hanania invite le musicien et compositeur américain Stephen O’Malley à réaliser un programme radiophonique conçu spécialement pour la MEP, à partir des bandes son qu’il a conçues pour les pièces chorégraphiques de Giselle Vienne. 

Estelle Hanania et Stephen O’Malley poursuivent ainsi une collaboration de plusieurs années, qui a notamment donné lieu à la sortie du vinyle Eternelle Idole en 2015 et du vinyle The Pyre en 2019 aux éditions Shelter Press.  

Stephen O’Malley est un guitariste, producteur, compositeur et artiste visuel né en 1974 dans le New Hampshire (Etats-Unis). Il a participé depuis 20 ans à la fondation de nombreux groupes incontournables de drone doom, metal, musique expérimentale – SUNN O))), KTL, and Khanate comptent parmi les plus emblématiques. Particulièrement prolifique, l’oeuvre de  Stephen  O’Malley se caractérise par son ampleur, sa complexité, son approche expérimentale et minimaliste, son interdisciplinarité. 
Il collabore avec des artistes de tous horizons tels que le musicien et compositeur Scott Walker, la chorégraphe et metteuse en scène Gisèle Vienne, les auteurs Dennis Cooper et Alan Moore, le compositeur Alvin Lucier, le sculpteur Fujiko Nakaya, le cinéaste Jim Jarmusch, et avec les instituts de musique électronique IRCAM, INA-GRM (Paris), EMS (Stockholm). 

Artiste de scène incontesté, il ne cesse d’effectuer des tournées depuis 2003. Ses concerts en live sont une brume de réverbération née du minimalisme d’une guitare électrique, une sorcellerie sonore qui défie les frontières de l’espace et du temps.


Programme radiophonique réalisé par Stephen O’Malley pour l’exposition « It’s alive ! » d’Estelle Hanania à la MEP. Sélection de bandes sons des pièces chorégraphiques de Giselle Vienne qui ont été photographiées par Estelle Hanania. 

Durée : 2h43min45s

Titres des morceaux : 
Sexy Angel / This is how you will Disappear 2010
Glass X / The Pyre 2013
Hit / The Pyre 2013
Eternal Idol / Arrival of The Trainer / Eternelle Idole 2009
Lampshade / Crowd 2017
Last Spring / Last Spring: A Prequel 2011
Forest Floor 3, 4 / Kindertotenlieder 2007
Snow #4 / Kindertotenlieder 2007
Snow M+R / Kindertotenlieder 2007
Theme #2 / Kindertotenlieder 2007

Programme radiophonique - Stephen O’Malley

Lukas Danys, Lithuanian DJ and visual artist based in Copenhagen.

Lukas Danys [04.11.2020]

A mix of chance impressions and coincident piano sequences.

Programme radiophonique - Stephen O’Malley

MEP_Paris

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