A small demonstration of Drezno -> Lipsk -> Erfurt

Drezno Lipsk Erfurt demo

A small rundown on the following combination of modules:

Lipsk -> Erfurt -> Odessa

First things first:

-Both outputs of Odessa are used: A slow triangle lfo and its inverted version pans both across both speakers.

-Two other slow lfo's modulate peaking and density. Initially the modulation is 0.

-Odessa is sequenced with Moskwa II: A slow 8 step melody

-Odessa: Bank parameter: +8 and Harmonic factor 1:2

-Erfurt: register is clean and its clock is not updated so we can ignore Erfurt for the moment.

-Lipsk: all bits are 0, therefore you will not hear a very bright timbre as most partials in Odessa are off.

-Effects: A littel bit of delay from beads -> Desmodus Versio reverb...Both set to taste


The Ostankino II module provides one gate output at every step of the sequence. As the melody loops, I plug more and more cables from Ostankino's step n into lipsk's bit n until all 8 steps light up the corresponding bit on Lipsk. You will hear this: At every step a specific partial on Odessa is turned on...Only to be turned off again on the next step. The timbre changes step after step as a direct result.

Next: I plug a static voltage into the Hell expander. Two notes play ate avery step: 0 and +5 semitones

Next: Slowly move the bank parameter from +8 to -8

Next: plug a clock from Pamela into the clock increase input of Erfurt, creating all kinds of bit/timbre combinations per step as Erfurt frequently overflows.

Odessa Partials

A progressive mix with records of 2003 to 2005. I tried to generate a mix which should be timeless and features a classic buildup.

Comments welcome

progressive mix

A liveset I am currently working on, using the Elektron trinity

liveset missing an audience

Just a producer who still has a lot to learn here:)

Merlin

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