You have a way of making pure beauty through sound!

your sounds tickles the ivories, tap shoes and the tonsils all at the same time! ;)

youknow I was just working on something else and this came on, anNI'm all "who is this"? turns out its  y rabudy Brn!  SOOOO OD DUDE!

Found this in a set of Mimi (Kater blau), very smooth... this uuh aah voice, incredible!

my favorite sounds in a playlist...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 9.

cloud.selector

cloud.selector vol.09

My Way

Penny Penny Remixes ATFA009
OUT NOW
iTunes (http://bit.ly/1yVscmi)
Juno (http://bit.ly/1pusW0o)
Boomkat (http://bit.ly/1kMoAC0)
Bleep (http://bit.ly/Xt4UZU)

01. Penny Penny — “Dance Khomela” 
02. DJ Moruti — “Milandu Bhe” 
03. Tshepang “Rambo” Ramoba — “Aye Papa Penny”
04. Ntsako — “Xirilo (Black People Msanzi Remix)” 

Tshepang Rambo Ramoba — Aye Papa Penny  (Penny Penny Remixes ATFA009)

New York based conceptual artist James Hoff returns to PAN with ‘Blaster’, a document of his explorations of computer viruses as agents within the composition process. Specifically, Hoff used the Blaster virus to infect 808 beats and then utilized the mutated results as building blocks for seven new compositions.

Hoff’s interest in computer viruses lies in their ability to self distribute through (and ultimately disrupt) networks of communication and Hoff’s agency as an artist centers on placing these parasitic forms into pre-existing genres, such as dance music. BLASTER is a timely exploration of the infectious qualities of sound, and how it too, as a carrier, makes it’s way through social networks, reduced to bits and programmed to infiltrate and replicate.

“Viruses, like art, need a host. Preferably a popular one.”

Interested in ways in which the virus works could mutate and spread socially, the first side of ‘Blaster’ contains these sonic presentations, and the second houses all of the artist’s infected samples and serves as a scratch record for DJ’s, an object of utility, and ultimately a provoca- tion, mobilizing its new hosts as a point of potential transmission.

Blaster is a logical progression from Hoff’s PAN debut LP “How Wheeling Feels when the Ground Walks Away”, which dealt with aural documents of riots and disruptions and the record is part of a larger body of work by the artist that also includes virus paintings.

The LP is mastered and cut by Rashad Becker at D&M. The artwork was constructed using viral images from the artist and typography by Bill Kouligas.

http://p-a-n.org

James Hoff 'ERBLAST' (PAN 55)

Available September 29th 2014. 

https://itunes.apple.com/us/artist/brian-mayhall/id602770571

http://www.beatport.com/label/mesa-recordings/31195

http://www.junodownload.com/labels/Mesa+Recordings/releases/?show_tracks=all

Brian Mayhall - New Mallertons (feat. Lily Taylor)

Neon Circuit - Minimal Techno

Coucher De Soleil (DOR Projects )

Buy on bandcamp

DJ Eef - Coucher De Soleil (DOR Projects )

Letha (Long play)

Kazamayé - Letha (Long play)

Release Date: December 22nd
Raw Main Facebook
https://www.facebook.com/rawmainmusic
Niconé
https://www.facebook.com/niconeyou
Raw Main - Maät EP (include Niconé rmx)

Raw Main - Maät
Raw Main - Lost in Africa
Raw Main - Osiris
Raw Main - Lost in Africa (Niconé rmx)

Beatport Pre-Order

Raw Main - Lost In Africa (original Mix)

Happy new Year to everyone! Enjoy this free track which is all about winter, snow and ice.
PLZ support, repost & share if you like it!

Yashin Express - Ice (Original Mix) [FREE DOWNLOAD]

johnny_ripper - Audrey (Holobody remix)

Working on New Ep 'Love And Other Things' with my bro @jonemusik
Side A preview

Donate

MBryan & Jone - Love And Other Things (A1)

The pampa, filled with enigmatic lines and geoglyphs known as Nazca, gives name to this record label.

Nazca Records was created to collect the music and art that Viracochas (beings of other worlds), shared with the ancient Nazca people, known for their love for music, dance and nature.

These recordings represent the music that was once played in another time and that will be played again in the future…They are the memories of the future.

Each vinyl and recording tells a story of the memories from each ceremony that took place in the Pampa Colorada, from music that was played, and of the figures and lines that the Nazcas used to show their gratitude to the Viracochas.

Maybe you’re wondering how its possible or how we were able to capture those recordings in Nazca Records to then press to vinyl. 
It has been discovered that if an intelligent or exotic species wanted to connect to others, they would use radio signals as they can travel any distance and require very little energy to send.
The logical wave frequency to communicate would be 1420 Megahertz, which is the frequency irradiated by the neutral hydrogen, when its atoms interact between each other.

Based on this info and knowing that hydrogen is the most abundant element in space, and after a lot of tries, in the end we were finally able to make the first contact with the Viracochas!

What is a culto cargo? This word defines an ethnological phenomenon that happens when a technologically primitive society enters in contact with a technologically advanced society.

This translates into a show of gratitude and admiration of one civilization for the other; in the case of Nazca, the culto cargo for the Viracochas, as a sign of gratitude, was represented by the lines, while the one of the Viracochas for the Nazca was shown through their music and art.

This seventh chapter collects the recording that the Viracochas, used to thank the Nazca people. His culto cargo is a record, a journey, a chapter narrated through 2 remixes, the first one by the magic Viracocha Timboletti, and the second by young Viracochas Innellea.

Thodoris Triantafillou - Tora (Timboletti Remix) - NAZCA007 (128 Kpbs)

Owl & Samantha Flores - Red

Label: @DelightsEarthly
Artist: @atalaiamusic

AtalaiA, Spicy rhythms, catchy vocals and Iberian flavors!
The Label of Earthly Delights.
Uniting artists from across the globe, we believe in creating culturally diverse soundscapes, which capture ethnically rich musical inspirations; from driving rhythms and hypnotic percussion to enchanting melodies and often spellbinding vocals… We believe in pushing the boundaries of genres and hope to entrance the listeners and dancefloors with multiplicity of sounds.

Continuum

Premiere: AtalaiA - Continuum [Earthly Delights]

Available 1, June on https://soundcloud.com/trampolinersthlm featuring https://soundcloud.com/autonomi

https://www.instagram.com/autonomi.mp3/
https://www.facebook.com/autonomimusic/
https://open.spotify.com/artist/4OKuugubMx9m0s4SDZo2mw?si=rbH922q3R7S_KuJa0XuOyA

https://www.instagram.com/trampolinersthlm/
https://www.facebook.com/trampolinersthlm
https://www.trampolinersthlm.com/

Nordanvind

Premiere: Autonomi - Nordanvind (Madmotormiquel Remix) [Trampoliner]

Mesa Recordings is dedicated to releasing music hand-picked for its unique ability to bridge the gap between an intimate headphone listen and an ecstatic dancefloor experience. Originally born to house the cross-genre explorations of D Numbers, Mesa Recordings is now proud to host a diverse and powerful roster of sonic adventurers from around the globe.

Brian Mayhall - New Mallertons (feat. Lily Taylor)

Mesa Recordings

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