Next up on Mesh is Throwing Snow’s ‘Jackals’, a five-track EP drawing on echoes of UK subcultures.

Written in Ireland late last year with the London 2010s in mind, ‘Jackals’ is Throwing Snow’s love letter to his time spent there, tapping into a detailed web of sounds and styles through a personal lens, but skillfully produced to resonate with many. Locating memories in a transient city that is constantly reconfiguring itself, each track is an attempt at honouring fragments of recent, but seemingly distant, musical history. Taking us from DMZ at Brixton Mass to FWD at Plastic People, or Future Garage Fridays in Soho (IYKYK) to early days of NTS, the EP captures some of the fleeting moments that continue to play a significant part in the city’s sonic patchwork.

Production-wise, all the tracks share the same sounds twisted in different directions. The hats are vocoded with noise and random LFOs, and much like the chaos of London, every bounce has a unique pattern.

Opening track ‘Jackals’ walks the line between dub and UK bass, quickly overtaken by a wonky synth lead that spirals eternally upwards. ‘Ohnein’ jumps in with a massive pad swirling above a half-time step. In Throwing Snow’s own words, ‘I had to check with Martyn whether I'd ripped him off, turns out I hadn't, but it's a heavy head nod crossed with Un Vingt from my first 12"’. ‘A Cloud Mountain’ - a nod to the timeless James Holden remix of Nathan Fake’s ‘The Sky Was Pink’, leans into a maximalist progression of deep chords and fractured synths. ‘Forged’ steps into a weightier space with sparse drums driven forward by a deep cut of bass and twitchy echoes. Rounding things off, ‘Path Dependency’ speeds things up with touches of DnB in the drums, distant echoes in the forefront and the occasional sub wobble holding things together.

‘Jackals’ drops Friday 12th September via Mesh. 

@https://soundcloud.com/throwingsnow
https://ffm.to/jackals

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Throwing Snow - Jackals

Information - EP

Cycles

Deep in a Mud

Burials / Mud

Mud Dub

Jackals

A Cloud Mountain

Forged

Path Dependency

Ohnein

Burning Hammer

Electric Ghost - Rage Trap Beat

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Echoes After Midnight is a genre-blending journey through dubstep, reggae, vocal house, bass house, and club house, crafted to balance deep rhythm with emotional warmth. Smooth reggae grooves and powerful basslines meet modern club energy, while expressive vocal house elements bring a touching, human feel that makes the music both uplifting and comforting. The vocals add soul and emotion, transforming the sound into a chill, relaxing experience that feels intimate and alive. This album is designed to help you unwind after a long, heavy day, let go of routine, and sink into a state of calm and comfort—whether you’re relaxing alone, driving at night, or slowly drifting away from everyday stress.

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A quietly elusive producer, @commodo's releases for Deep Medi, Bandulu and Black Acre has seen him established as one of UK bass music’s contemporary frontrunners, who continues to influence the wider landscape through the strength and imagination of his output alone.

His latest EP continues this theme apace, melding together supreme bass weight, texture and meticulous sampling (‘Loan Shark’, ‘Hot Pursuit’) and vivid, sepia-tone melodies (‘Contraband’) across a record that, as the track titles suggest, plays out like a filmic, magnum-plated car chase.

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