Need to make donation 4that alien flow friend

AHHHH!! How much do you want Nico? I need a wav copy of this.

Sounds like there are samples from 2001 a space odyssey in the intro O.o

Brilliant timeless track, pounding you into submission!

And this ladies and gentlemen is why Nico No U Turn will always be the greatest of all time!

Taken from Blunted Breaks Vol 2. Out now on Western Lore.

Slipmat Edition:
- Blunted Breaks Vol.2 3x12" heavyweight (180g) vinyl LP
- 1 x pair of Blunted Breaks Vol.2 slipmats
- Blunted Breaks (& Other Dubs) Vol.2 mixtape >> white cassette tape in jewel case w/ printed J-cards, containing a 90 minute bonus mix by Dead Man's Chest(digital d/l included).
- 2 x Trading cards (LORELP03 + LORELP03s)
- Blunted Breaks Vol.2 sticker

Collector's Edition:
- Blunted Breaks Vol.2 3x12" heavyweight (180g) vinyl LP
- Blunted Breaks (& Other Dubs) Vol.2 mixtape >> white cassette tape in jewel case w/ printed J-cards, containing a 90 minute bonus mix by Dead Man's Chest(digital d/l included).
- 2 x Trading cards (LORELP03 + LORELP03s)
- Blunted Breaks Vol.2 sticker

www.westernlore.co.uk

Law - Trapped In Paradise (Blunted Breaks Vol 2 - Western Lore)

Out on July 1st 11am GMT from www.over-shadow.co.uk

DJ Trax - Out Of Love - Over Shadow 12 (Out July 1st)

Officially asked by @DJRap to remix her 1995 classic but we both weren't 100% on it so the track is unreleased.

DJ Rap links

DJ Rap - Intelligent Woman (Soul Intents Stepper Relick)

Recording of my guest mix for @soundslikem0 radio show on London's Reprezent Radio.

Tracklist ->
01. Peshay - Ride The Rhythm
02. Gremino - Aqua Transistor
03. Dwarde & Tim Reaper - Holding On
04. Puffin' Billy - SALTBEEF04
05. DJ Chromz - Love & Unity
06. Gremino - Trouble
07. Kloke - Future Dayz
08. Gremino - Timestretch Orchestra
09. Duburban - What's Going On
10. Gremnio - Blows Your Mind

Instagram ->
www.instagram.com/greminomusic

TikTok ->
https://www.tiktok.com/@greminotiktok

Reprezent Radio Guest Mix

LTJ Bukem & Flytronix - Consciousness (1993, unreleased)

This was a track I made for the Exit Vs Headz clash, not sure I played it but you're welcome to

The Burnt King (Clash Dub)

Another version of Lo.  The original released on Torque album in 1997.

Lo  (unheard) - Nico

Paradox │ Decagon / Hakai │ PM038

The 38th Paradox Music 12"
Released : May 31st 2019

● bit.ly/pm038_unearthed
● bit.ly/pm038_voidvinyl
● bit.ly/pm038_7thstory
● bit.ly/pm038_hardwax
● bit.ly/pm038_paradox
● bit.ly/pm038_redeye
● bit.ly/pm038_deejay
● bit.ly/pm038_ebloc
● bit.ly/pm038_juno
● bit.ly/pm038_hhv

Invisible digital

● bit.ly/pm038_junodownload
● bit.ly/pm038_googleplay
● bit.ly/pm038_bandcamp
● bit.ly/pm038_beatport
● bit.ly/pm038_boomkat
● bit.ly/pm038_amazon
● bit.ly/pm038_spotify
● bit.ly/pm038_itunes
● bit.ly/pm038_bleep

Paradox Bookings : as@bassic.co
www.instagram.com/devparadox
www.twitter.com/paradoxmusic
͏
͏

PM038

Decagon

●●● Buy 12''

Paradox - 'Decagon' (Paradox Music 12" 038)

Champa B and Drum Cypha are both hugely established and respected in the underground scene and have released on some major labels including numerous releases on their own imprint Holotype Audio. 
This is the debut for Champa B on Skeleton, where Drum Cypha had his debut track (Reflection Hologram) on the XXV Project album. 
Watch out for this one... It's been causing damage on the floor.

SKELR17

Skeleton Keys

Champa B - Skeleton Keys (Audio Clip)

I.L.R. Studios

Ink, Loxy & Resound

All tracks written and produced by G. Mensah, A. Campbell and I. Karkkainen
Website: https://ilrstudios.com/

Instagram:  @ilrstudiox

Bandcamp: https://ilrstudios.bandcamp.com

Cat Number: ILR 004DD

Ink, Loxy & Resound - Stop Motion - OUT NOW

I was going to put this up as a free download when I reached 1000 followers (like the cools kids do) but I'm already pretty much there so fuck it. D/L enabled lads and lasses.

Polarity - Stronghold (Free D/L)

A collection of tracks recorded and mixed by Nico No U Turn featuring collaborations with DJ's mainly from  Barnes, London.   

Most uploaded tracks are from the original DAT masters.  

The 'No U Turn sound' known throughout the drum and bass scene was the culmination of a recording process, honed in over 4 years from 1992 in one room - a studio on the third floor of an industrial building in Acton, London.  

The repetition of DJ's making tracks at No U Turn, often cutting them as exclusive dub plates, playing them out in clubs then seeing the audience reaction before returning to base to try out another idea, led to the creation of a 'new bass sound’.  This essentially involved adding distortion to an already popular bass sound form the world of Jungle/Drum and Bass.  Nico got the idea of adding distortion to the bass from Larry Graham, the great American bass player.  By adding a little distortion to often deep bass lines, the bass could now be heard on even the smallest speakers.  
This bass sound, made No U Turn records stand out from the rest.  You could 'hear' a No U Turn release in a genre where a lot of records often sounded very similar.  

Another feature of a No U Turn record was the final mix down, which was always a live recording of the computer playing back the track whilst Nico 'dubbed' at the desk.  Minimal flicks of eq's and mutes, reverb splashes and sweeping of the bass frequencies were all done live during the final mix down.  
This is why the end of No U Turn record often sounds different from the beginning.  
Things have changed along the way.  
The dubbing process, added a dimension to these drum and bass records.  It made them a bit different. 

All the No U Turn records were completely inspired by the great records of the time.  
Doc Scott’s records in particular.  

BACK IN THE DAY
Nico: “Ed Rush grew up across the street.  His parents had jukebox and encouraged Ed’s love of music.  One summer Ed started playing me all these crazy records, unlike anything I’d ever heard.  These were UK hardcore records.  He had two turntables?  I thought it was weird.   I’d knock on Ed’s door and his mum would say:  “He’s upstairs….he’s in the mix.”  This must have been 1990.  
Ed Rush: “I just want to play out to a live audience, but it’s so hard to get a booking when no one knows who you are.”  
Nico: “How about you have a record with your name on it?  People might get to know you for the music you make and then you’d be nearer to getting a booking because people might have heard of you.”
Nico: “I’ve made records before but never this sort thing!  Let’s give it a go.  I’ve just bought a sampler.”

We made our first record.  Our third was a tune called Bludclot Artattack.   The plan worked.   

The No U Turn ethic was, and still is, about the power of effective collaboration.  
Nico:  “It's just more fun and often turns out better to make music with other people and a computer, rather than alone with the machine. “

Lo (unheard) - Nico

messingaboutwithsounds

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