Name: Bacchus Harsh - Crepusculum Mirabile by MESS Ltd. in Capacitor II
Duration: 5 min 34 s
Description: https://www.instagram.com/bacchusharsh/ https://www.facebook.com/BacchusHarsh

This compilation is a collection of work submitted by people who undertook the MESS Professional Development program in 2021. All tracks are self-produced by the artists. The PD program and this compilation were made possible with the support of the Victorian Government through Creative Victoria. MESS would also like to thank our supporting partners Australia Council for the Arts, Creative Victoria, City of Melbourne and the Meat Market Studio Program. LP artwork by Christian Bishop.

Capacitor II

Arglight

Faceless Bastard's 2016

https://www.instagram.com/bacchusharsh/ https://www.facebook.com/BacchusHarsh

Bacchus Harsh - Crepusculum Mirabile

Λ / Π - Do You Know What It Means?

https://www.instagram.com/fauxbrix/ 
https://www.facebook.com/BrixxOfficial

Brixx - Trigger Identification

https://www.instagram.com/iamtheblob 
https://www.twitter.com/iamtheblob

Catherine Ryan - Wintering

Hannah Wu - Images

https://www.instagram.com/ugh_ddt/       
https://horse-macgyver.bandcamp.com/

Horse Macgyver - Tardigrade

French producer Smog, delivers seven minutes of beautifully curated noise through ‘I/V‘. Taking you on a treacherous journey, drifting through droning synth, pitched sounds and industrial soundscapes . ‘I/V’ is the final track off of the six track ep STUXXXXX, due for release via @Tripalium-Corp apart of their Disturbed Mutant Series out April 22.

words: https://www.asifnoway.com/premiere-smog-t-v-tripalium-corp

STUXXXXX

Premiere: Smog - T/V (Tripalium Corp)

Lume - Minimal Synth Wave Sessions (out of a dream)

Luct Melod hails from Illinois, USA. He makes techno heavily influenced by post-industrial and EBM sounds. He has EP releases on New York Haunted, Industrial Techno United, Truc Record, The Hiddens Records, and Aerotek Recordings; has performed live sets for The Hiddens and Memphis Concrète; and has created DJ mixes for Synthetic Noise, Virtual Underground, Moment of Terror, N.I.M. (Northern Industrial Movement), Chaos, and Regression Records.
He has an affinity for DOS-based trackers, obscure EBM vinyl, and the 1995 movie Hackers.
Luct Melod believes Black lives matter and recognizes that Black culture created techno, so he is an artist who benefits from the labors of Black artists.
For live performances, he uses Ableton Live; a modular rig anchored by the Erica Synths Black Wavetable VCO and the Dreadbox Drips; and pedals by Dr. Scientist and Electro-Faustus.

Podcast 047 - Luct Melod Live x Brutal Forms

Exiles presents Classics, an interesting proposal in which five artists each present a different perspective of what we can understand as advanced electronic music. All these artists are from Budapest, the city where the label is located, and to a greater or lesser extent, they are producers associated with this platform, as they have published their music in previous releases. 

Classics is a heterogeneous EP, with a powerful sound and elaborate textures. Alley Catss opens the release with με σφυρί, a track that combines a bright sound environment, with melancholic pads and metallic rhythmic elements, typical of experimental electronica, with a forceful kick that transports you at times to the raw landscape of industrial. The second cut, prayersarestandinginline1, by OOO, is an abstract track, with a degraded sound treatment and a strange atmosphere.

In the third track FOR. chooses to adopt a dynamic aspect with server ed_22, as unlike the rest of the tracks, its syncopated rhythm is prominent, forceful and stands out from the rest of the sound components. Oyster Farm, by Juhász Tamás, is a singular piece, with a fast cadence and different sections that seem to operate anarchically, yet together they form an perfect alliance. Nemerov closes the EP with Liebeslied, IDM with a complex architectural composition, with polyrhythms and a futuristic sound design.

Release date: May 6th, 2022.

Premiere: FOR. - server ed_22 [Exiles]

"AMBIDEXTROUS. The electro-plasticky sculptural sonic opera that invites you in & out & in again. Presented in first-person, at other times in third but ALWAYS out-of-body. Like a beat up stroboscope slamming into a Walt Disney number, raggedy abstracted cartoonish characters are pumped, plumped & squashed into the adhoc scenery. A tree is now a paint tube or maybe a shoe horn but only because it has to be until it isn't, or maybe it never will be for you. Very filmy, sometimes flimsy and on occassion chunky; presenting to you, actual variety. Definitely not a tidy digital affair...you can hear the tape bias deep breathing & hasty splices popping with an immediacy that does not waste time to tinker. Shattered bronze becomes the glue, the glue becomes your dinner companion as well as the plate & window seat. Not unlike a Goldilocks and the Three Bears scenario, depending on your moody attention span, you may find certain characteristics to be too something or not enough something but perhaps just right. Open for interpretation & again for re-interpretation - this monument gives what you take."

Artist: Fashion Flesh
Title: Ambidextrous 
Label: Sons Of Traders Records
CAT: SOT007
Release Date: June 3, 2022
Buy: https://sonsoftradersrecords.bandcamp.com/album/fashion-flesh-ambidextrous-sot007

| Premiere | Fashion Flesh - Other Side Of A Door (First Movement) | [Sons Of Traders]

Full album → bit.ly/3JWPwfp
Artist: Amphibion
Title: Pride Makes People Do Stupid Things
Remixes: Bruit Fantôme & Delusions
Format: USB / Digital
Artwork: Campos De Beats
Catalogue:DRSS428
www.diffusereality.net

Amphibion - Dam (Bruit Fantome Remix)

gucci w/ TKJ

Neón y Lágrimas Negras

Brendon Moeller - 侍栽培一 
https://brendonmoellerechologistbeatpharmacy.bandcamp.com/album/-

Samurai Music heralds a new seam of spacious, rhythmically curious exploration with the launch of the Saibai sub label, opened in mesmerising fashion by Brendon Moeller. 

The overarching premise of Saibai is to nurture a more delicate, meditative inversion of Samurai's physical, dense sound, leaning less on the dynamics of the dancefloor while holding true to the intricate drum play and dubby principles that bind the label's sound together. 

In this open-eared, inquisitive environment, Moeller is the perfect fit as an artist with decades of diverse offerings across all kinds of dubwise manifestations. On SAIBAI1, the US-based, South Africa-born producer stretches out with a live-sounding drum palette and exquisitely rendered synth work loaded with detail, character and organic flourishes. It's a light-footed approach with plenty of air flowing through the mix, but there's considerable weight in every notch of the production, not least the imposing channels of sub bass coursing beneath the frequency range. 

SAIBAI1 is a feast for the senses, wholly immediate and front-loaded with fascination, setting the perfect tone for Saibai as a platform for charming, immersive electronics that take a fresh diversion from the fundamental core of Samurai's sharply defined sonic focus.

https://soundcloud.com/brendonmoeller
https://www.instagram.com/brendonmoeller/

Bacchus Harsh - Crepusculum Mirabile

MESS Ltd.

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