"Ulonanunde"
Dark ambient track created with use of HG Fortune's synthesizers (https://soundcloud.com/hgf-synthesonics, http://www.hgf-synthesizer.com)
SerenityPro, The Tiger, UltraSwampPro. No additional effects or processing.


Ulonanunde

(EN) The second Fair_Play compilation brings together 80 works by 90 female identifying or trans artists not only from French speaking countries but also from India, Tasmania, Syria, Brazil, Egypt, Estonia, Denmark, Sweden, Germany, Austria, USA, UK, Australia, Spain, Canada, Czech Republic, Mexico, Argentina, Ireland, Italy, Poland, Zimbabwe, China, Morocco ...

(FR) La deuxième compilation Fair_Play rassemble 80 œuvres de 90 artistes se reconnaissant comme femmes ou trans, non seulement de pays francophones mais aussi d'Inde, Tasmanie, Syrie, Brésil, Egypte, Estonie, Danemark, Suède, Allemagne, Autriche, USA, Royaume-Uni, Australie, Espagne, Canada, République tchèque, Mexique, Argentine, Irlande, Italie, Pologne, Zimbabwe, Chine, Maroc ...


Avec/with
Alexandra SPENCE, Aline PENITOT, Amandine CASADAMONT, Ana Maria ROMANO, Anaïs DENAUX, Andrea-Jane CORNELL, Anna RAIMONDO, Anne DROID, Anne LEPERE, Asmaa Farag AZOUZ, Cabiria CHOMEL, Canary BURTON, Friederike JAGER, Cendrine ROBELIN, Chantal DUMAS, Charo CALVO, Chloe DESPAX, Christine GROULT, Claudia WEGENER, Chiza MWINDE, crrmbl, Daniela DIURISI, Death of CODES, DinahBird, DJ Kwe FAVEL, Dong ZHOU, EDH, Emilia ALVAREZ, FATRASSONS - Sarah CLÉNET, Rosa PARLATO, Floriane POCHON, Hélène PREVOST, Isa STRAGLIATI, Fadma KADDOURI, Isabel NOGUEIRA, Jacqueline GEORGE, Kholoud ADAL, Joan SCHUMAN, Julia Hanadi AL ABED, Julia SEEHOLZER, Julie MANSION-VAQUIE, Julie ROUSSE, TELEVISION PICKUP, Katrine AMSLER, L Attitude Transversale, Aline HÉMAGI FERNANDE, Pôm BOUVIER B., LAIR, Lea BERTUCCI, Loise BULOT, Lola AJIMA, Luci SCHNEIDER, Maria Cristina KASEM, Maria PONCE, Marie LISEL, Marine QUINIOU, Marlo EGGPLANT, Martina CLAUSSEN, Lady MARU, Meryll AMPE, Molly JOYCE, Monika PICH, Myriam PRUVOT, Nadia LENA BLUE, Nima IKKI, Odio SIS, Pompon SAUVAGE, prOphecy sun, Sage PBBBT, Sarmistha TALUKDAR , Sassy HERTZ, Severine MORFIN, SHITNEY, Maria FAUST, Katrine AMSLER, Sigolene VALAX, Sisters AKOUSMATICA, Julia DROUHIN, Pip STAFFORD, Soizic LEBRAT, Solveig RISACHER, Sophie COURONNE, Chloé DELAUME, Sophie LACAZE, Stefanie HONEDER, Sue RYNHART, Suha NABHAN, Trihn LO, Valérie BOURQUIN, Valerie VIVANCOS, Vendula GUHOVA, Violaine LOCHU, Wild ANIMA, Alex ALEXOPOULOS 
crédits

(EN) The proceeds of this compilation, go towards building visibility and distribution tools for the artists, such as a website, events, a label.
For the last 2 years featuring the work of more than 150 artists has been a labour of love, help us get off the ground and shatter the glass ceiling!

(FR) Les bénéfices de cette compilation serviront à a construire des outils de visibilité et distribution pour les artistes (site, evènements, label). Depuis 2 ans nous travailions sans relache et bénévolement pour mettre en lumière le travail de plus de 150 artistes, votre soutien nous aidera à décoller ensemble pour faire exploser le plafond de verre,! En avant! >>

Lettre d'infos en FR: eepurl.com/bS7mfj
Newsletter in EN: eepurl.com/bS2yZP

www.facebook.com/groups/fairplaynetwork
twitter.com/fairplaynetwork
fairplaynetwork.bandcamp.com

Production: DinahBird, Valérie Vivancos, Aline Pénitot, Sophie Couronne, Myriam Pruvot, Marie Lisel, Pôm Bouvier b.
Cover art / visuel : Pôm Bouvier b.

RITUAL FOR WAVES ANIMALS & HUMANS

it / that

Of Its Noise, The Earth. Echos Of Dry Joy.

Buy: https://scapeone.bandcamp.com/album/event-transfer
Stream: https://share.amuse.io/P1-JqRuOLwnI

Event Transfer

NAVIARHAIKU536 – TALL, WIDE-ARCHING TREES
April 10, 2024
Tall, wide-arching trees
Assume a cathedral shape
Until darkness falls
by: John Hinks

Sit tibi terra levis.

Un ipotetico viaggio tra stanze, idee e ricordi. La memoria è lo strumento per rispettare e trattenere vite presenti e passate.


Sit tibi terra levis.

A hypothetical journey through rooms, ideas and memories. Memory is the tool to respect and retain present and past lives.

John's Rooms(naviarhaiku536)

Marco Lucchi, based in Modena, Italy, and Henrik Meierkord, based in Stockholm, Sweden, have a lengthy collaboration to their reciprocal credit, and they accomplish it far and near alike. A testament to the interplay of their work together is that a listener might be hard-pressed to discern which of their recordings are the result of long-distance file-trading, and which occurred when the two managed to be in the same place at the same time.

Several aspects of their respective music-making serve them well as creative partners. First of all, both tend toward the ambient, given as they are generally to a slow pace and to a sensibility that manages to be at once radiant and intimate. Secondly, while both are multi-instrumentalists, there is a complementary nature to their specialties, Lucchi being more of a keyboardist, Meierkord more of a string player. Thirdly, and perhaps most importantly, they are both immersed in techniques drawn from electronic music.

In particular, both men are experienced with live multitrack recording, in which they process and layer their own performances in real time. Meierkord is fond of layering sinuous tones to create scenarios of unique dimensions. It becomes uncertain — even unimportant — to the listener what preceded what, so intricate is his deployment of interplay. Lucchi likewise finds parallels between classical orchestration and the opportunity for drones lent by modern synthesizers; in a small room he can create a vast space. There is often an oceanic depth to such efforts, part composed and part improvisatory, in which playing is a tool toward composition, rather than the other way around.

Throughout their new record, there is an underlying melancholy, a nostalgic beauty, and a reflective consideration — a virtue that is foundational to their ongoing collaboration. The result is particularly rich in plaintive scene setting, as on the glacially paced “La bestia umana,” which emerges from a neighborly field recording of a dog barking, and “Kosmisk Strålning II,” which maintains a dream-like quietude, more shadow than light. One “Like tears in rain”, what sounds like a synthesizer is, in fact, a piano, a recording of which has been stretched beyond the point of it being readily identifiable.

On first listen, their leaning toward unimpeachable steadiness can seem uniform, but listen more closely and you’ll recognize how explicitly they emote on a track like “The Third Stage,” due not just to the reaching melodic surges (which, in turn, match the sampled recordings of bird calls) but to the slight discordances that suggest trouble and tension. In a different manner, there is “A warm and golden October,” which balances breaking-dawn hush with piercing overtones. That track features a motif at the end, played on a celesta; those bell-like tones edge the piece out of dreaminess without entirely breaking the spell.

The greatest outlier — dog barking notwithstanding — may be on “Oändlig,” not just for its fierce pulse, but because of its more immediately electronic vibe. “Oändlig” is an exceptional piece, bringing to mind the minimalism of Terry Riley and the rave classics of Underworld.

Marc Weidenbaum 


Produced and mixed by Marco Lucchi and Henrik Meierkord
Marco Lucchi: mellotron, piano, celesta and synthesizers
Henrik Meierkord: cello, viola, zither, piano, organ and FX
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Lieder Ohne Worte

Furore Che Sogna

Oändlig

In ancient French folklore Mélusine is a female water spirit usually depicted as a serpent or fish woman from the waist down. Except very unlike theoretically inert mermaid, Mélusine's two tails make her a siren of sexual possibility and erotic chaos in place of patriarchal order, a goddess of duality, exquisite chaos and enlightenment. 

Coming from a place of pain I considered the Seine and wondered if I use the controlled chaotic, of a process of creating sound meant to soothe by distracting me from the process of making sound to soothe even as listening to the results was only a temporary ‘yes’ of relief? Is there such a thing as 'only', ever?

Anyway, using the syntax of ambient to craft a regenerating pastoral viva new protocols, "La Chanson De Mélusine" seeks to dab a brisk but salving antiseptic on treatable wounds

La Chanson De Mélusine

ø̵̵͈͔̾ͥ_̧̳͚͔̠̗̘͇̪̱̝͕̥ͭͨ̅͊̾͒̊̓͆ͮ̏̽ͧ̓̆ͨ͢͝Ö̢̥͔̠̙̯̲͉̯̳͆́̆͘ͅ_̸̗̤̜͇͉̫̗͕̖ͫͮ̽͆̆ͯͫ́̾͗̐̕͢͝͝ö̵̡̡̝͈̳̻̦̫̫͍͉͔̫̭̺͚̬̘̒̄͊̽̊̏ͧͪ̓̾͗̊͌̎͊̾ͧͬ̿ͤ̚͝͞Ö̜͍̰̜̣̳͓̼̜̮̠ͨ͗ͤ́̈́ͮ͆̇͜͢͠o̷͉̪̜̥̯̰̗̱̺̩̺͖͖̟͙̼ͣ̉̍̅ͦ̀̈́̉̉̾ͪͪ̂ͥ̾ͬ̉̔ͫ͜

Like the rustling of the forest, we pay attention to the wind-borne thoughts that paint our imagination with stormy colors. The path is paved with the foliage of nocturnal sorrows and the disarray cleared by love. It passes beneath the gaze of the eagle stretching its wings of darkness, uncovering hidden meanings and tales from lost moments.
...Ţ̷̡̯̱͇̼͆̽̃̒͂h̷͔͈͇̙͈͙̺̰̓͂͒̐͆̌͒͝3̴̡̢̼̥͍̰̹̓̌̂͒̕ ̵̢̞͖̞̰̿̽̋̌̊͜͝͠ͅb̷͚͍͙͙͙̥̞͈͗ọ̸̬̭͎̖͓͎̜̑̋̑̌̊͠ͅũ̴̞̭̘͈̪̦͚̇̅̈́̿̈́̅̔͠ṅ̴̢̫̰̂̄̈́͛̚d̸͓̯̠͔͚͒̌͊̍̏́͜͝a̶͓͖͔̞͕͌̓̿̇͐͐̚r̸̢̊͌̈́̂͜i̵̟͔̙͋̆̉̕3̶͉͔̺̮͑͌̕5̷̛̣̩̞̋͊̍͊̋͐̔̔ ̶̨̲̹̠͊̆̓̕b̵̡̰̦̟̎̇̈́̕ĕ̸͓͈̖̞̋̐̇̈́̈́̄̚t̵̨͖̰̣͉̳̘̪́̂̆̆͑̏̃̕͠ͅw̸͉͉͉̲̝̙̫͒̍͋͋̚͜͝ę̶̝̹̥̌͛̏͑̂͋͒̓͝3̵̳̙͙͈̞̽̈̀n̴̨̡̫̣͙̳͇̘͙͂ ̶̣̟̟̐̊̏̎̈́͑̚̕r̴̥͔͕͖̻̞̥̠̠̊3̸̼͚̘̞̫̠̓͒̽̄̿͊̀͆͜a̵̩͔̗̬͐͆ͅl̶̛̖̻͖͎͍͍̱̤̺̅͒͑̒̑̑î̴̛̘̇͝t̵̨̻͍̦̿͋͂͊͊͛͑͝͠y̸͇̭̠͇͋̋̏̽̀ ̵̞̦͂̆̿̄͗̍͘b̴̛̩̳̟͍̰̩̘͓͍͍̀̈̉̀͋̔̽ĕ̸̛̘̠͚̞̦̭͐̓g̷̡͙͎̍i̴̝͇͙̜͗͑̒̕͝ņ̴̢̪̺̯̜̠̥͋̋͑̄̅͆͝ ̶̰͔̪͕̳̰̞̆͐̔̀̌̎͝t̵̨͖̲͊͒̆̑̋͠ơ
Waves wash their message written in emptiness - secrets whispered along the coral pathways accompanying the journey into the sea. How many fleeting moments are drowned in the depths of its chilly embrace? Their shimmer reflects in daylight through the pale mist, and as stars scattered across the night sky.

As the rain flows gently on the skin, we are reminded of the bitterness of parting and the sweetness of rebirth. Drop by drop, like a broken song that seeks the care of a mender - the needle and thread together create new wholeness in the midst of boundless confines.

Travelers pass each other amid gusts of glances - in a fleeting moment, pausing in the wings of birdsong. Each bird sings its own tale soaring above others, but only a few hear the quiet notes that counterbalance the brightly clanging melody.

With eyes wide open, we seek the long-lost keys whose steel resonates through the hearts that span the night.


ø͋Ö̶̫͎̹̜͙̪̳̹͖̲͛̽͆ͩ͆̈͋ͪ̃̅̕͝ö̡Ö͚͓ͩ̈́ͥ̉ͪ̓͗̓̍ͮ̔͠͠ǫ̴̸̨̛̥͚̟̼̱͚̖̪͓̫̼͕̗ͣ̎ͭ̾̓̍̒͒͛͆̆͆͂͊ͬ͢

ø̵̵͈͔̾ͥ_̧̳͚͔̠̗̘͇̪̱̝͕̥ͭͨ̅͊̾͒̊̓͆ͮ̏̽ͧ̓̆ͨ͢͝Ö̢̥͔̠̙̯̲͉̯̳͆́̆͘ͅoÖ̜͍̰̜̣̳͓̼̜̮̠ͨ͗ͤ́̈́ͮ͆̇͜͢͠ö

14Jul24

https://soundcloud.com/stan_magendanz/sets/soundscape-experiments

:D

Soundscape Experiment #110

For best experience with my tracks use headphones.

Contact me if you want to use of my music in your projects.

Join me and other ambient music passionates at https://www.ambientonline.org

Ulonanunde

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