Kardashev "Snow-Sleep" from the album "The Baring of Shadows"

The Baring of Shadows

Kardashev "Snow-Sleep"

Týr "Blood of Heroes" from the album "Valkyrja"

Týr "Blood of Heroes"

Behemoth "Bartzabel (Live)" from the album "In Absentia Dei"

In Absentia Dei

Behemoth "Bartzabel (Live)"

W.E.B. "Dark Web" from the album "Colosseum"

Colosseum

W.E.B. "Dark Web"

The Ocean "Jurassic | Cretaceous (Live at Roadburn Redux)" from the album "Phanerozoic Live"

Phanerozoic Live

The Ocean "Jurassic | Cretaceous (Live at Roadburn Redux)"

The Ocean "Eocene (Live at Roadburn Redux)" from the album "Phanerozoic Live"

The Ocean "Eocene (Live at Roadburn Redux)"

Powerwolf "We Drink Your Blood" from the album "Blood of the Saints"

Blood of the Saints

Powerwolf - We Drink Your Blood

Allegaeon "Into Embers" from the album "DAMNUM"

DAMNUM

Allegaeon "Into Embers"

Gutterflies

RXPTRS "Gutterflies"

Crusader

Sorcerer "Crusader"

Cult of Luna "Cold Burn" from the album "The Long Road North"

The Long Road North

Cult of Luna "Cold Burn"

Behemoth "Blow Your Trumpets Gabriel" from the album "The Satanist"

Blow Your Trumpets Gabriel

Behemoth "Blow Your Trumpets Gabriel"

Whitechapel "The Saw Is The Law" from the album "Our Endless War".

Whitechapel "The Saw Is The Law"

"Defenders" demo version. Finished version will appear on the upcoming album, "Maximum Overloard."

Buy from Metal Blade

DragonForce "Defenders"

Powerwolf "Saturday Satan" from the album "The History of Heresy I (2004-2008)"

Powerwolf "Saturday Satan"

DragonForce "The Game" from the album "Maximum Overload"

DragonForce "The Game"

Cannibal Corpse "Sadistic Embodiment" from the album "A Skeletal Domain"

Cannibal Corpse "Sadistic Embodiment"

"Sanctified With Dynamite" from the album "Blood of the Saints".

Powerwolf "Sanctified With Dynamite"

Cannibal Corpse "Hammer Smashed Face"

Slayer "Black Magic"

"Chemical Warfare" from "Haunting the Chapel".

Slayer "Chemical Warfare"

Slayer "Hell Awaits"

"The Clarion Call" from "Chapters from a Vale Forlorn".

Falconer "The Clarion Call"

Amon Amarth "Death In Fire"

"I Cum Blood" from "Tomb of the Mutilated".

Cannibal Corpse "I Cum Blood"

"The Pursuit Of Vikings" from the "Fate of Norns".

Amon Amarth "The Pursuit Of Vikings"

As I Lay Dying "Confined"

"Stripped, Raped, And Strangled" from "The Bleeding".

Cannibal Corpse "Stripped, Raped, And Strangled"

Powerwolf "Prayer In The Dark"

Job For A Cowboy "Entombment Of A Machine"

The title track from "Twilight Of The Thunder God".

Amon Amarth "Twilight Of The Thunder God"

The title track from "Evisceration Plague". 

Evisceration Plague

Cannibal Corpse "Evisceration Plague"

"Midnight Messiah" from "Bible of the Beast".

Powerwolf "Midnight Messiah"

Cannibal Corpse "Demented Aggression" from the album "Torture"

Cannibal Corpse "Demented Aggression"

"Satanic Rites of Drugula" from "Witchcult Today".

Electric Wizard "Satanic Rites of Drugula"

Killswitch Engage "I Am Broken Too" from the album "Atonement"

Atonement

Killswitch Engage "I Am Broken Too"

Amon Amarth "Deceiver of the Gods" from the album "Deceiver of the Gods"

Amon Amarth "Deceiver of the Gods"

IOTUNN "The Tower of Cosmic Nihility" from the album "Access All Worlds"

Access All Worlds

IOTUNN "The Tower of Cosmic Nihility"

Dvne "Towers" from the album "Etemen Ænka"

Etemen Ænka

Dvne "Towers"

"Father of the Wolf" from "Deceiver of the Gods."

Amon Amarth "Father of the Wolf"

Cannibal Corpse "Inhumane Harvest" from the album "Violence Unimagined"

Violence Unimagined

Cannibal Corpse "Inhumane Harvest"

Endseeker "Unholy Rites" from the album "Mount Carcass"

Mount Carcass

Endseeker "Unholy Rites"

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Metal Blade Records

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