Hot Chip - Dark And Stormy

Purchase the single here: https://itunes.apple.com/au/album/dark-and-stormy/id658366722?i=658367347

Main Artist - Hot Chip
Composed by - Alexis Taylor/Joe Goddard/Owen Clarke/Felix Martin/Alan Doyle

Hot Chip - Dark And Stormy

Lauren O'Connell - House of the Rising Sun

From the album 'Civilian', out now on Merge Records.

Civilian

Buy on iTunes

Wye Oak "Civilian"

THE FAMILIAR - "Rooms" EP (2014)
WORLD ENDS VIDEO - youtu.be/73AATZ9m-qI
Tromsø, Norway/ Brooklyn, NYC
facebook.com/TheFamiliar
thefamiliar1.bandcamp.com

Rooms

World Ends

Young & Unafraid

Lykke Li - Get Some

Pre-order my new album 'In The Seams'!
itunes: http://smarturl.it/In-The-Seams (with instant free download of single 1)
My own store: http://po.st/seamsfans (with signed CDs and vinyl)
LIVE joint headline tour with Bill Ryder Jones on sale NOW http://bit.ly/ssbrjtour Come and see us! #intheseams


This Aint no Hymn

Taken from the album 'Covers' originally released 22nd September 2003 as a Bonus Disc with the release of the 'Sleeping With Ghosts' album. 

The album is available individually on iTunes now:  http://www.itunes.com/placebo

Placebo - Running Up That Hill

Asbjørn
The Criminal (Radio Edit)

(C) Body of Work, 2012

Single digitally available on iTunes, Spotify, WiMP, TDC PLAY 
and other relevant platforms

www.asbjornmusic.com
www.facebook.com/asbjornmusic

The Criminal (Radio Edit)

Artificial Nocturne

Telekinesis is both a band and a person. It’s taken Michael Benjamin Lerner, now a wizened, grizzled 26-year-old, four years to come to terms with this and understand what responsibilities it does and does not entail, although one would not, from listening to its/his previous two albums, 2009’s self-titled debut and 2011’s 12 Desperate Straight Lines, detect any hint of confusion or self-doubt, aside from the songs that were directly about confusion or self-doubt. His third album, Dormarion, is, then, in ways both practical and profound, the sound of a man figuring out exactly who he is. Also, it’s a total fucking hoot.
Lerner wrote the 12 songs that comprise Dormarion in early 2012—half at his home in West Seattle and half at his family’s house in the San Juan Islands—with the original intention of recording the album completely on his own. Instead, he road-tripped over the summer and made the record in two weeks with Spoon drummer Jim Eno in his Austin, TX studio, Public Hi-Fi. On Dormarion Lane, to be specific. “It’s a beautiful-sounding word, and if you Google it, nothing but this one tiny street comes up,” says Lerner, although this is obviously about to change. “No origin, no description. I can’t tell you what the word means. It’s like something from Lost.”
So there’s two drummers, and no one else, collaborating shoulder-to-shoulder on a musically adventurous album containing two centerpiece songs on which there are no drums whatsoever. The breakthrough, musically and otherwise, came with the eighth song written for the record, “Ghosts and Creatures,” a keyboard-driven, spacey, and darn near Goth turn that marks a conscious departure from his guitar-bass-drums power-pop racket. “That was the most unlike-me song I’d ever written.”
When you see Telekinesis perform this year, Lerner will be backed by Erik Walters of The Globes on guitar, Say Hi’s Eric Elbogen on bass, and Rebecca Cole of Wild Flag and The Minders on keyboards.

Telekinesis: Ghosts And Creatures

In 1998, songwriting & production duo Emily Haines & Jimmy Shaw formed what would become Metric and left Toronto for NYC in search of like-minded artists. In 2001/2002, they were joined by drummer Joules Scott Key & bassist Joshua Winstead, and found themselves at the center of the city’s burgeoning alt-rock scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol and more. Unlike their peers, Metric resisted major label offers, releasing albums that pushed boundaries on their own terms.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by Emily Haines & Jimmy Shaw is proof that you can amass an untouchable catalog without signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label MMI & Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera

Artificial Nocturne

Metric

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