😌good song ive been listening to it since i was 4😌

пиздец, я этот трек 13 лет назад слушал

Taken from Wolf Alice's 'Blush' EP - out now.

iTunes: http://smarturl.it/BlushEP

https://www.facebook.com/wolfalicemusic
https://www.twitter.com/wolfalicemusic

Band: Johnny Hollow
Song: Devil's Night
Album: A Collection of Creatures


Johnny Hollow - Devil's Night

Taken from the LP: "Sometimes I Sit And Think, And Sometimes I Just Think" - Released on March 23rd Worldwide


Australia:
iTunes: Pre-order full album and get instant download of Pedestrian At Best http://smarturl.it/sometimesisit
Courtney's special pre-order: Deluxe orange LP/LP/CD with custom-made tote bag 'link'

UK/Europe/Rest of World:
iTunes: Pre-order full album and get instant download of Pedestrian At Best http://smarturl.it/sometimesisit
Amazon: Standard LP and CD http://smarturl.it/sometimesisitamzlp 
Rough Trade: Deluxe orange vinyl gatefold LP and CD http://smarturl.it/sometimesisitrt 
Courtney's special pre-order: Deluxe orange LP/LP/CD with custom-made tote bag 'link'
Recordstore: Standard LP and singed print http://smarturl.it/sometimesisitrs

USA/Canada:
iTunes: Pre-order full album and get instant download of Pedestrian At Best http://smarturl.it/sometimesisit
Amazon: Standard LP and CD http://smarturl.it/sometimesisitamzlp 
Courtney's special pre-order: Deluxe orange LP/LP/CD with custom-made tote bag http://po.st/sometimesisitmp

Listen:
http://po.st/SpotifyCB

Pedestrian At Best Available on 7" 16th March 2015 (pre-order link to Rough Trade)

Follow:
http://po.st/FacebookCB
http://po.st/TwitterCB
http://po.st/InstagramCB

Clip by Charlie Ford @ http://www.charliefofo.com

PEDESTRIAN AT BEST was written by Courtney Barnett

I love you I hate you 
I’m on the fence it all depends 
whether I’m up I’m down 
I’m on the mend 
transcending all reality. 
I like you despise you admire you 
what are we gonna do 
when everything all falls through? 
I must confess I’ve made a mess 
of what should be a small success 
but I digress 
at least I’ve tried my very best I guess. 
This that the other 
why even bother, 
it won’t be with me on my death bed, 
but I’ll still be in your head.

Put me on a pedestal and I’ll only disappoint you. 
Tell me I’m exceptional I promise to exploit you. 
Give me all your money and I’ll make some origami, honey. 
I think you’re a joke but I don’t find you very funny.

My internal monologue 
is saturated analogue, 
It’s scratched and drifting, 
I’ve become attached to the idea 
it’s all a shifting dream bitter sweet philosophy, 
I’ve got no idea how I even got here. 
I’m resentful 
I’m having an existential time crisis, 
what bliss, daylight savings won’t fix this mess. 
Underworked and oversexed 
I must express my disinterest, 
the rats are back inside my head 
what would Freud have said?

Put me on a pedestal and I’ll only disappoint you. 
Tell me I’m exceptional I promise to exploit you. 
Give me all your money and I’ll make some origami, honey. 
I think you’re a joke but I don’t find you very funny.

I wanna wash out my head with turpentine and cyanide,
I dislike this internal diatribe 
when I try to catch your eye 
I hate seeing you crying in the kitchen 
I don’t know why it affects me like this when you’re not even mine to consider.
Erroneous.
Harmonious.
I’m hardly sanctimonious.
Dirty clothes, I suppose, 
we all outgrow ourselves.
I’m a fake, 
I’m a phoney, 
I’m awake, 
I’m alone, 
I’m homely, 
I’m a Scorpio.

Put me on a pedestal and I’ll only disappoint you. 
Tell me I’m exceptional I promise to exploit you. 
Give me all your money and I’ll make some origami, honey. 
I think you’re a joke but I don’t find you very funny.

Buy on iTunes

Pedestrian At Best

Doin' Nothin'
(c) J. Murdock McInnes Vasey

[instrumental]

It was nothing that I said
It was nothing that I did
We were laying on his bed
I was keeping it all hid

It was nothing that I said
It was nothing that I did
We were laying on his bed
I was keeping it all hid

[bridge]

My baby left me
He did not say why
My baby left me
I think I'm going to die

[instrumental]

It was nothing that I said
Did I say nothing too long
It was nothing that I did
Did I do nothing wrong

Can you say nothing too often
Did I need to say it more
Can you say nothing to slow
He's headin' for the door

Can you do nothing too soon
Did I have to wait till noon
Can you do nothing too fast
I thought that it would last

[bridge]

My baby left me
He did not say why
My baby left me
I think I'm going to die

[instrumental]

It was nothing that I said
It was nothing that I did
We were laying on his bed
I was keeping it all hid

It was nothing that I said
It was nothing that I did
We were laying on his bed
I was keeping it all hid

[bridge]

My baby left me
He did not say why
My baby left me
I think I'm going to die

[instrumental]

It was nothing that I said
Did I say nothing too long
It was nothing that I did
Did I do nothing wrong

Can you say nothing too often
Did I need to say it more
Can you say nothing to slow
I cannot take the blow

Can you do nothing too soon
Did I have to wait till noon
Can you do nothing too fast
I thought that it would last

[instrumental]

My baby left me
He did not say why
My baby left me
I think I'm going to die

[instrumental]

Doin Nothin (ecrb hf)

Germ Free Adolescents

Germfree Adolescence

Dead Man's Bones

Pa Pa Power

Dead Disco

Monster Hospital

Sick Muse

Synthetica

In 1998, songwriting & production duo Emily Haines & Jimmy Shaw formed what would become Metric and left Toronto for NYC in search of like-minded artists. In 2001/2002, they were joined by drummer Joules Scott Key & bassist Joshua Winstead, and found themselves at the center of the city’s burgeoning alt-rock scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol and more. Unlike their peers, Metric resisted major label offers, releasing albums that pushed boundaries on their own terms.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by Emily Haines & Jimmy Shaw is proof that you can amass an untouchable catalog without signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label MMI & Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera

Dead Disco

Metric

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хотя бы 2 миллиона рублей

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