man, I justsaw you on Sway, That was fire, had to follow, respect!

Booty Sway

Third Time's The Charm

Here Comes The Morning (feat. Iotosh)

HEROES & VILLAINS

Metro Boomin, Future, Chris Brown - Superhero (Heroes & Villains)

Skeng X Valiant - Loyal Gyol

Click the link below for your FREE The Dorm Room EP download:

https://www.dropbox.com/sh/xfj34nmnt5qe7ne/AABba-sBAVZE2zHmpomjyADwa?dl=1

Nobody Has To Know Cover

Popcaan Drake Sean Paul Mash Up

Deep Medz

Behold The Conquering Lion

Nigy Boy - Judgement (Payment Plan Riddim) Dancehall 2024

Survival

Under License to https://soundcloud.com/tom-leo-records

Amazed by Kevin Cohen's performance on this masterpiece by Bill Withers at the French TV Show "Nouvelle Star" 2015, I decided to contact his producer to make a remix of his cover and here is the result :) 

Enjoy and share it if you like it :)

Kevin Cohen : https://www.facebook.com/LeBinx-320420188145804/
Tom Leo Records : http://www.tomleorecords.com/
Doumëa : www.facebook.com/doumea

--

Impréssionné par la performance de Kevin Cohen aux auditions de la Nouvelle Star 2015, J'ai décidé de contacter son producteur pour faire un remix de sa cover du célèbre "Just The Two Of Us" par Bill Withers. Voilà le résultat !

Partagez si vous aimez :)

Buy • Stream

Bill Withers - Just The Two Of Us (Kevin Cohen Cover)(Doumëa Remix)

Livin' @Lavish

Follow @goodluckforever

Follow @skipondabeat
http://twitter.com/skipondabeat

GOODLUCK FOREVER

YOKOHAMO - Forbidden Lust (Prod. SkipOnDaBeat)

1980 - Bob Marley - Pimpers Paradise (Uprising Rehearsal)

--->CLICK BUY FOR A FREE DOWNLOAD OF THE TRACK<---
Please share, <3, and repost if you like the track!

Artist: Metric Man
Producer: BigBob
Release date: 13 June 2016

Follow Metric Man on social media:
facebook.com/metricmanzone
twitter.com/metricman
@metricmanfreedom on Instagram


Minimum

RSNY - Journey 
The Journey Begins http://www.TEAMRSNY.com

The Journey Begins

Journey

Buy Now

JOURNEY

Thanks to Jean de la Fontaine, everybody now knows the difference between the oak and the reed. One boasts a certain virile majesty, a welcoming shade, an apparent strength and solidity. The other is seemingly so fragile, yet of a suppleness that allows it to bend without ever breaking. 

A symbol of the ability to endure everything and anything, of being able to stand fast during even the toughest of times, Roseaux (Reeds) is a musical project that is understated, yet impassioned and utterly compelling, born amidst the stormiest times yet seen in the annals of the recorded music industry. Roseaux is a collective that brings together a radio music scheduler (who’s also a DJ) and various musicians, artfully blending the skills of a guardian of musical knowledge and all the artistic feeling that characterizes a group of musicians who have each taken many different paths in the pursuit of their passion.

Roseaux began with Emile Omar, a music-lover with tastes as diverse as they are insatiable who sniffs out sounds without regard for the dictates of musical convention and genre. Some ten years ago his musical inquisitiveness led him to take on the management of Radio Nova’s record collection and then to play his part in finding the musical ingredients for the station’s celebrated ‘Grand Mix’ of innovative sounds. This gave him the opportunity to create Nova Tunes compilations and box sets – an eclectic essence of rare refinement drawn from a selection of new sounds and past musical wonders. Ever since his teenage years, Emile has also been adept at getting people on the dance floor – so adept, in fact, that he now DJs at themed evenings, delving into a repertoire of  classic soul, house, reggae, disco and tropical music. In this way Roseaux’s roots are firmly anchored in a cultural subsoil that comes straight from the racks of record dealers who specialize in a very unusual type of music – that which is able to delight the body and fire the soul at the same time. 

About 5 years ago Emile developed the desire to venture where it seemed that his status as a non-musician must surely bar him: the field of making music. 
Ever since Brian Eno knocked the ivory-tower idea of the existence of such a thing as musical legitimacy on the head, ever since Lee Perry, King Tubby and Tom Moulton turned the mixing table into an integral part of the creative process, ever since hip hop and electro DJs were able to demonstrate that creativity could be channelled through turntables and samplers in a kind of musical collage, the definition of what it is to be a musician has radically changed. 
He contacted 2 musician friends (musicians in the traditional sense of the word), cellist Clément Petit and multi-instrumentalist Alex Finkin, to ask them if they wanted to join with him in creating an album that would be based on the arrangement of ten or so of his favourite songs taken from a whole range of different genres.
The three got down to work, with Emile discovering Aloe Blacc, long before the American singer made the headlines with the hit I Need A Dollar. 
Although Aloe Blacc had little singing experience at the time, he launched himself into Emile’s project with enthusiasm and open-mindedness in equal measure.
Roseaux is therefore the product of a meeting of minds and hearts between an enlightened amateur and a group of musicians whose talent and adaptability made this project possible and gave it its artistic unity. 

The same lack of musical dogmatism as evinced by Emile’s choice of music for the Radio Nova playlist and his evenings on the turntables is on display here in the shape of such little-known gems as Strange Things by the Jamaican John Holt, Indifference by grunge band Pearl Jam, Patti Labelle’s More Than Material, Try Me by Esther Phillips and Clarao da Lua by Brazil’s Nazaré Peirera. The most famous track is undoubtedly Walking On The Moon by The Police. A world away from ‘carbon copy’ style cover versions,  each of the ‘guest tracks’ gets its own special treatment whereby it metamorphoses into something completely different (in the eyes of anyone who is familiar with the original version) and utterly enchanting. These are not covers in the narrow, generally accepted meaning of the word – they can best be classified as reinterpretations or even complete rewritings of songs. So, the Jamaican feel of Rad Bryan’s Girl you rock my soul gives way to polished folk guitar arrangements and string instruments, the swaying rhythm of Walking On The Moon falls into line with the jazzy footsteps of Nina Simone, John Holt’s rocksteady Strange Things takes the road to Rio, Missing You, the 90s underground house hit from Kim English is transformed into a soul ballad, before dropping into a long, cross-fade on the Fender Rhodes electric piano, Bill Evans style.

Could it be this way of gently bending these songs to their will that was the inspiration behind the name ‘Roseaux’? Or perhaps it’s the air of elegance that emanates from the album as a whole, a melancholy tide of post-soul and nocturnal jazz lapping against the shores of this scattering of songs through which the gentle, caressing tones of Aloe Blacc wend their way? One thing is certain, with Roseaux, Emile Omar and his partners have succeeded in investing this project with more than just a certain unity, more even than an identity – they have given it a soul. 


Roseaux  feat. Aloe Blacc - "More than material"

Jah Army - Stephen Marley ft Damian Marley & Buju Banton

The timely track “The Beginning of Time” by Eesah, Capleton & Lutan Fyah released around the official start of the decade according to the “New Style Calendar”.

A tribute to H.I.M. Haile Selassie (Power of the Trinity), recognized globally as a direct descendent of King Solomon & The Queen of Sheba. In 1930 crowned in Ethiopia with the extraordinary titles of Kings of Kings, Lord of Lords, Light of Saba, the Conquering Lion of the Tribe of Judah.

Members of the Rastafari movement & international recording artists Eesah, Capleton & Lutan Fyah deliver this message magnificently. From intro Eesah, the music industry veteran that is taking everyone by surprise, delivers in a mystical style. Mid verse comes the roar from globally respected artist Lutan Fyah, followed by one of the most recognized contemporary Reggae artists “King Shango” Capleton.

Irresistible music production from longtime tastemaker / DJ / Producer, King I-Vier and Grammy Nominated production duo Loud City. Co-production credit to Caspa Productions for help with recording. “The Beginning of Time” will be a Rasta anthem and a favorite of music fans for many years to come.


Eesah, Capleton & Lutan Fyah
“The Beginning of Time”

Label: King I-Vier Music
Release Date: January 22nd, 2021
Produced by King I-Vier, Loud City Music & Caspa Productions

The Beginning of Time [King I-Vier Music]

The BBeginning of Time

Eesah, Capleton & Lutan Fyah - The Beginning of Time

1/2 of @firealarmsound
#Musictheweapon
#Musicthemission 
U.S. / INT'L. BOOKING: bookmetricman@gmail.com


Brian Cummings, better known by his stage alias Metric Man, is a reggae and hip-hop musician based in New York and the D.C. area. Originally from Trinidad, Metric Man’s lifelong obsession with music started at the age of 6 in a local calypso competition. By the mid-90s, his work as part of the soca/reggae group Culture Clan put him on the map in Trinidad alongside other talents such as Bunji Garlin and MX Prime. In 1997, Metric Man joined the rapso fraternity, a prestigious niche with a devoted following in the Afro-Caribbean music community.

After moving to the United States in 2004, Metric Man began actively pursuing his roots in reggae because, as he put it, the genre “had the perfect BPM for his socially conscious lyrics.” Since coming to the U.S., he has shared line-ups with beloved artists such as Ky-Mani Marley, Yellowman, Barrington Levy, Sister Nancy, Junior Toots, and more. 2009 saw him on tour with renowned artist Bushman. In 2012, Metric Man was featured at Catalpa Festival which had him alongside Snoop Dogg, AraabMuzik, and A$AP Mob.

Most recently, Metric Man has collaborated with Proper Villains on a side project, Fire Alarm, which is currently signed to Feel Up Records and will see a full-length release in 2016.

His unique fusion of hip-hop, dancehall, reggae, and soca makes Metric Man an incredibly versatile performer whose voice can uniquely shape shift to match the vibe of his surroundings. With his mission statement to “achieve global unity, equal rights, and justice for all mankind” through the power of music, Metric Man’s focus on building a stronger community through his roots in Afro-Caribbean soundscapes makes him stand out amongst the pack.

Minimum

Metric Man

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