I CAN SEE MANA AT THE END OF THE LIGHT AM I ASCENDING

malice mizer

Malice Mizer - Kioku to Sora (Klaha version)

MALICE MIZER - Bel Air

Bara no Seidou (薔薇の聖堂) is the fourth and final album by the Japanese visual kei rock band Malice Mizer, released on August 23, 2000. The title roughly translates as "Church of Roses" or "Sanctuary of Roses".

Bara no Seidou is a major change from Malice Mizer's previous albums. The band's sound switched from an ordinary art rock sound into a dark, gothic metal one; however, they still continued to use the violins, harpsichords and other instruments present in their older works and also added in a pipe organ and a choir for a haunting, melancholic, and religious feel to the album. For example, the song "Seinaru Toki Eien no Inori" is based around an organ and choir but still includes dual guitars and drums, which gives it a gothic metal feel. Fan favorite "Kyomu no Naka de no Yuugi" is a track that uses an organ and harpsichord mixed with a synthesizer and drum machine for more of a dark wave element. This song is influenced by gothic rock/industrial music and features a different image in its video, but still retains the dark themes of the album.

After the death of Kami, it could be argued that the "funeral goth" element present in their attire is because of his death, and the song "Saikai no Chi to Bara" is a reference, and tribute, to him.

薔薇の聖堂

再会の血と薔薇

鏡の舞踏 幻惑の夜

虚無の中での遊戯

Merveilles is the third studio album by Malice Mizer, released on March 18, 1998. It is the band's only album on a major record label.

Its title was coined by Gackt as a keyword to the theme. Its overall concept is "a story that goes back and forth between the present, the past and the future across time". However, the lyrics are not set in the real world as it is, but in the fairy-tale world, the medieval world and the future world. This album marked the pinnacle of the band's success, being their best-selling album, charting high on the Oricon charts, and also earned them several national TV appearances. Japanese pop culture website Real Sound credited Malice Mizer as the first visual kei band to incorporate European aesthetics into heavy metal with the twin guitars in "Bel Air ~Kuuhaku no Toki no Naka De~".

merveilles

S-CONSCIOUS

Voyage ~Sans Retour~ (French: "Journey ~Without Return~) is the second album by Japanese rock band Malice Mizer, released on June 9, 1996. It is their first album with second vocalist Gackt.

The theme of the album is "based on the story of vampires, taking a scalpel to the human world from the vampire's point of view", which also became the concept of their live performances before their major label debut.

Voyage 〜sans retour〜

N・p・s N・g・s

Vanilla (MARS Ver.)

Canción: Apres Midi -Aru Paris No Gogo De-
Disco: Uruwashiki kamen no shotaijo
Año: 1995.12.10
Artista: Malice Mizer

Uruwashiki kamen no shotaijo

Apres Midi -Aru Paris No Gogo De-

GACKTRACKS -ULTRA DJ ReMIX-

キミのためにできること (TJO & YUSUKE from BLU-SWING ReMIX)

This piece is an updated version of a composition originally written in 2002 for the trailer of the independently produced film OLD SPARKY.

aliveness - Revisited 2025 -

Malice Mizer - APRES MIDI -Aru Paris no Gogo de- (E-STYLE)

Malice Mizer - Beast Of Blood

MALICE MIZER - Uruwashiki kamen no shotaijou 麗しき仮面の招待状

ヴェル・エール～空白の瞬間の中で～

MALICE MIZER - Color me blood red

Malice Mizer (1992-2001)

I AM NOT THE BAND!!I just uploaded their songs!!
Klaha (Voice)
Mana (Guitar)
Közi (Guitar)
Yu~ki (Bass)

Past Members:
Gackt (Voice)
Kami (Drums)
Tetsu (Voice)
GAZ (Drums)

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Some songs are missing since i used all the free upload space.
If you like the TETSU era i suggest you to check out the album "Sans Logique", the first demo tape of Malice Mizer released in 1992.
While for the KLAHA era you MUST listen to Gardenia and Garnet!!!!
About Gackt i believe everything is uploaded- but im not entirely sure.

虚無の中での遊戯

MALICE MIZER

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