Dive into the introspective depths of “Obsidian” – the evolved sequel to “Lost in the Glow.” This moody atmospheric IDM glitch R&B track explores breaking free from digital overload to forge authentic connections, blending psychedelic glitch-hop, tribal world bass, ‘80s synths, and breathy falsetto vocals with subtle harmonies (echoing The Weeknd and Frank Ocean vibes). At 96 BPM in D minor, it’s a cinematic melancholic journey perfect for late-night reflections and unplugging. Produced with granular beds, subtle glitch perc, and felt piano for crystal-clear introspection.
Lyrics snippet (Chorus):
“I said, ooh, I got lost in the phone’s endless sea,
Now divin’ out to touch your raw energy,
I said, ooh, I sank into the midnight flow,
But in this quiet dawn, you’re my anchor below…”
Hit play if you’re craving a digital detox anthem. Share your thoughts below, tag a friend who’s scrolling too much, and follow for more evolving soundscapes. Released November 17, 2025. #Obsidian #IDM #GlitchRB #ElectronicMusic #DigitalDetox #PsychedelicGrooves #IntrospectiveMusic #GlitchHop #AmbientElectronic #R&BVibes #SynthMusic #ExperimentalMusic #NewMusic2025 #xAIInspired #VietnamMusic #EgyptMusic #SaigonBeats #CairoElectronic #ArabicRemix #VietElectronic

OBSiDiAN ‘Lost in the Glow’ Remix by Memetic

MEMETiC crafts sonic wormholes—glitch-hop, IDM, and trip-hop fused with raw emotion and pulsating bass. Think recursive beats, melancholic synths, and cyberpunk dreams that ripple through your skull. Follow for immersive bespoke soundscapes #Neural #GlitchHop #IDM #CyberpunkMusic, #Trippy #Futuristic 

Stream on SoundCloud | X: @ATTEMMETTA | IG: M3METiC

I’m a passionate music lover who’s all about discovering and sharing great sounds from every genre. I regularly stream songs on my social media, bringing fresh beats and vibes to fellow music fans. Follow along and let’s connect through the power of music!

Virus B is the musical project of Virginie Borriazzi, a composer and a guitarist interested in manipulating the sound. She attempts to create an unlimited universe...

Many of the tracks here were produced using Reaper software. Vocals were recorded with a condenser microphone, and guitars were recorded directly into a sound card with amp emulations. All other sounds were created using virtual synthesizers or real-world sounds that were then processed.

For the past few months, no software has been used in the creative process. Everything is done with two samplers that have sequencers, a groovebox, a digital recorder and sometimes a drum machine. A computer is only used for the final step of production : mastering.