World of Warships thinking man action game 

I have begun using this with the SBS Yamato mod for Barotrauma and it really fits well when you’re unloading every single gun on an abyssal horror.

I always play this while captaining Yamato in World of Warships

fav anime music

Space Battleship Yamato

The Red Comet Of Loum- Gundam: The Origin “updated”

From Shin Ultraman (2022) 
Composed by Shiro Sagisu

シン・ウルトラマン音楽集

An Out of Body State: full version (Shin Ultraman Disc 2)

01 GUNDAM BUILD FIGHTERS

Soundtracks composed by Hiroyuki Sawano for Anime and Japanese Drama. Vocals by Mika Kobayashi, mpi and CASG (Caramel Apple Sound Gadget).
All credit goes to the creators of the soundtracks, I am just a distributor.

Kill La Kill OST - Uzu Sanageyama's Theme

6thMob.: UNICORN GUNDAM

Link to free download:
www.mediafire.com/download/y55dbwe…BFull+ED1%5D.mp3

Gomenne, Iikoja Irarenai [Full ED1]

This is the result of a YouTube live stream where I just played about for a couple of hours orchestrating various bits and bobs. This was made from scratch.

It's a mockup of the Galactic Imperial Army's theme' from the obscure 80s anime Legends of the Galactic Heroes soundtrack. I also improvised bits and bobs here such as the piano sections. It was recreated from ear so excuse any bad notes or improvisations!

Watch the making of Live Stream here:
https://www.youtube.com/watch?v=dRMcmzGlqnI

Used:
FL Studio 12, Kontakt 5, Spitfire Percussion, Sable, Sable Ensembles, BML Woods, Piano in Blue, CineBrass

Legend of the Galactic Heroes - Valkyrie Love thy Bravey (Re)Orchestra

“Crossing the Rubicon” is a song about the moment of irreversible choice—the inner turning point when fear gives way to conviction. The lyrics transform Caesar’s historic defiance into a personal metaphor for breaking free from stagnation and false safety. The bridge and river become symbols of conscience and destiny: to cross is to abandon the comfort of hesitation and step into authenticity, even when the outcome is unknown. There is no heroism in conquest here—only the quiet courage of transformation, the decision to live truthfully. The act of crossing becomes both an ending and a rebirth, echoing the central Eternal Thresholds theme that every beginning demands the surrender of an old world.

Caesar’s Crossing & the Point of No Return
•	In January 49 BCE (often dated to the night of 10-11 January) Julius Caesar, then governor of Cisalpine Gaul, led one of his legions across the Rubicon and marched into Italy, defying the Senate’s demand that he disband his army and return as a private citizen.  
•	By doing so he ignited the Roman Civil War, a conflict between Caesar and his allies on one side, and the Senate and Pompey on the other, ultimately culminating in the end of the Republic and the rise of the Empire.  
•	According to ancient sources like Suetonius, Caesar uttered the phrase “alea iacta est” (Latin for “the die is cast”) as he crossed, signifying the irrevocability of his action.  
Because of this event, the phrase “to cross the Rubicon” has entered modern parlance as an idiom meaning “to pass a point of no return”: a decisive commitment to a course of action from which there is no turning back.  

“The Night of the Rubicon”
The rain had been falling since dusk, soft but relentless, a thousand silver threads on the windscreen. Marcus sat in the idling car, the bridge lights wavering in the puddles ahead. On the navigation app, the river was a thin blue line — unnamed, unimportant — yet to him it felt ancient. The Rubicon. Behind him lay the old life: the safety of deferral, the contract he didn’t believe in, the apartment filled with things that belonged to a version of himself he no longer recognised. In the glove compartment was the letter — unsigned but written — that would end ten years of polite obedience. He could still turn back. He could delete the message, go home, apologise to no one and everyone. But he remembered Caesar, standing at another river two thousand years ago, knowing that by stepping forward he would unmake one world and invent another. Not out of arrogance, but necessity. There are moments when the bridge itself demands to be crossed — when inaction becomes a greater betrayal than risk. Marcus turned off the engine. The silence was immense. He opened the door and stepped into the rain. Water soaked his shoes instantly; he barely noticed. Each footfall echoed on the metal planks like a drumbeat — small, steady, final. Halfway across, he looked down at the dark water.
“This is it,” he whispered. “The die is cast.” On the far side of the bridge, he did not feel triumphant. Only light — faint, electric — and a strange, trembling calm. The old world was still there, behind him, whispering. But the river had closed its mirror, and he could no longer see his reflection in it. He walked on.


CROSSING THE RUBICON

PLASMIC FIRE

TRUE-BLUE / BLAZBLUE Central_Fiction

GRANBLUE FANTASY ORIGINAL SOUNDTRACK Paradise Lost - EP

Paradise Lost -Avatar Battle-

[Tags]
-FGO Original Soundtrack 3 (III)
-Cosmos in the Lostbelt
-咆哮 ～怒りの日より～

Space Battleship Yamato

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