This song on loop got me through a dark place on the river!

i didnt realize it was 10 minutes long, to be honest, i thought it was 3 minutes long.

cursed

bowery electric - Without Stopping

Released on april 19, 2014. 

Order here: https://www.omnianmusicgroup.com/products/memory-loss

The Snow // Memory Loss

In high school, I discovered Bauhaus, Love & Rockets, and Tones on Tail…
The Album Pop is amazing. I collected all the crazy colored-vinyl 12” records.
Of all their songs, from goofy to darkly magnanimous, I love this one the best. So many cool elements – the bleeps, the low droning synths, the backwards stuff, the bassline, the reverse-reverb vocals… they all add up to a seriously epic masterpiece…
- - -
She said, Time to crush this feeling
Writing very long letters as soon as it rains
Ooh the rain

To dance the night away
He watches topless pin-up faces
A million different jackpots
With a thousand different gazes
Ooh the rain

But it’s time to crush this feeling
As soon as it rains
Ooh the rain

But it’s time to crush this feeling
As soon as it rains
Ooh the rain . . .


Tones On Tail - Rain

Crystal Stilts - The Dazzled

Taken from the album Forever Dolphin Love. Available now:

Mexican Summer: http://bit.ly/ConnFDL 
iTunes: http://smarturl.it/ConnanFDLiT
Amazon: http://amzn.to/1y8GS4n
Spotify: http://smarturl.it/FDLspfy

Connan Mockasin - Forever Dolphin Love

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

taken from the 1981 album 'Running Out Of Time' to be re-issued on URU/Lucky Number on March 18th, 2016. 

Pre-order:
http://smarturl.it/rexy
http://www.roughtrade.com/albums/100400

http://www.luckynumbermusic.com
http://uru.world




Rexy - Alien

lil pint : https://soundcloud.com/lilpint

Flasyn : https://soundcloud.com/flasyn

@_lilpint - Boof My Cologne (Prod. Flasyn)

wifisfuneral - lil story (Prod. Henry Daher)

SIXSET.ORG

Creep witta nine, 
down az fuck smoked ah dime,
cuz I'm pissed fulla hate,
time to muthafuckin die. 
So I ride, 
witta tha 9mm on ma side, 
no remorse from the gate, 
just another homicide , 
imma killa from tha wood, 
gotta rep ma fuckin hood,
Catch ah hoe what iz good,
To yo grave get tha boot
Born wit hate n some rage,
Shoot u wit ma fuckin gage
Just da dogg inna cage
 holdin mutha fuckin weight

Killin dem off u fuckin bitch, 
0 shells up in tha clip
Body stackin gotta dip
Witness yellin holy shit
Come n test ma fuckin nuts
Out da kut smokah blunt

When da smoke way to much
Keep dem windows fuckin shut 
Cuz I'm Rollin off ah pill
Muthafuckas know da drill 
When I'm sniping wit da skill
king of tha fuckin hill,
Bangin shots when I kill
What's is beef wit no grill
On that real,
This that DoomShop shyt
know da muthafuckin deal

Cursed - King Of Tha Hill (Prod. AKOZA)

Dirty Beaches - 'Lord Knows Best'

http://store.suicidesqueeze.net
Label Instagram: @suicidesqueeze

Lone Runner by Dirty Beaches

'Bennington' is from John Maus' A Collection of Rarities and Previously Unreleased Material' out on CD, LP and digitally July 17th in North America and July 16th in the rest of the world. 

Find out more info on the release here: http://www.ribbonmusic.com/label/?p=313
Pre-order the Special Edition translucent pink vinyl limited to 500 copies here: http://bit.ly/mausraritieslp

TOUR DATES
07-12 New York, NY - Pier 84 * (River Rocks)
07-14 San Diego, CA - Casbah
07-21 Seattle, WA - Capitol Hill Block Party
08-09 Oslo, Norway  - Oya Festival
08-10 Gothenburg, Sweden - Way Out West Festival
08-14 London, UK - Scala
09-01 Los Angeles, CA - FYF Festival
09-03 San Francisco, CA - The Independent
09-06 Portland, OR - Doug Fir Lounge (MusicFest NW)

* w/ Dan Deacon

John Maus - Bennington (2007)

reuploaded from my bandcamp. thank u @godsconnect

username.bandcamp.com/album/vox

b0000044​.​4​.​wav -- username.bandcamp.com/album/vox

ORANGE SODA

Recorded at State of Art Bristol with Beak>

Connan Mockasin - Forever Dolphin Love

Mexican Summer

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