SNR selection 18-Jul-2025

A piece I did back in mid November 2020. Kind of a dark piece but struggling to find the light.

Journey to the Light

Chronicle #2 forms the second instalment of the Drone Chronicles series, a collection of experimental drone songs produced by rhubiqs.

On this second instalment rhubiqs turns his attention to processing and layering ethereal vocals into a blissful drone movement.

On Chronicle #1 rhubiqs masterfully layered immersive and industrial synth layers to form a captivating drone sequence.

Further instalments in the Drone Chronicles series are expected later in 2025 & beyond.

Chronicle #2

Field of Memories is a deeply personal journey through time, capturing the essence of childhood innocence, life’s transitions, and the emotions woven into growing up. Each composition drifts like a warm breeze over an open field at dusk—calm, reflective, and filled with nostalgia. With delicate melodies and atmospheric soundscapes, this album invites you to sit in the stillness of the evening, letting memories unfold like distant echoes in the wind.

Produced and mixed by Maximilian Schmitt (Arrival in Eden)
Mastered by Maximilian Schmitt & Dionis Afonichev (Dionisaf)
Cover picture by Maximilian Schmitt with AI
Cover design by Dionis Afonichev

Field of Memories

Luminous Heart

Meet Me in My Dreams

The collaboration between Denis and Andrea began through a shared admiration for each other's music. Andrea first discovered Denis’ work and was immediately drawn to its nostalgic, dreamlike quality—like shimmering childhood memories preserved on tape. The emotional depth and analog warmth of his sound resonated deeply, inspiring her to reach out and connect.

What followed was an organic creative exchange. Working remotely, the two artists began trading sketches, gradually shaping them into fully formed compositions. Their process was instinctive and fluid, guided by a mutual understanding and a shared curiosity for sound exploration.

Above is the result of this collaboration—a five-track EP that weaves together delicate melodies, textured layers, and the tactile charm of analog instruments. The duo experimented with tonal shifts, ambient spaces, and randomized samplers, crafting a sonic landscape that feels both intimate and expansive.

The aesthetic of the release is rounded out by Denis’ analog photography, adding a visual dimension that echoes the warmth and timelessness of the music. Above invites listeners into a quiet world of reflection, where sound and memory gently intertwine.

Mimicry

Arcadian

Another orchestral work with glitch - recalling an earlier time, perhaps not as innocent as we remember - but he couldn't have known - yet, always asked questions.

he couldn't have known

A huge thank you to Stefan @stefankraft_music for his splendid orchestral reimaginings of my piano compositions, which resulted in creating an incredibly captivating sonic tapestry. It has been a great honour and joy for me to collaborate with this immensely talented composer and musician.

Thank you so much for listening, we genuinely hope you will enjoy this work. 

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Stefan Kraft

Over (Ft. Stefan Kraft)

Every night at 2:13 a.m., the old carousel at the edge of town begins to turn—slowly, deliberately—though no one is ever seen near it. The fairground was shut down decades ago, fenced off and forgotten, but locals swear they’ve seen the horses rising and falling in the dark, their chipped paint gleaming under moonlight.

There’s no power. No wind. Just movement.

Some say a child vanished there on the fair’s final night. Others whisper that the carousel was built with parts from somewhere… not quite right. It doesn’t thrash or scream. It moves gently, like it remembers how to bring joy—but has no one left to share it with.

It’s not violent. It’s not loud. But it spins, always at 2:13, like it’s waiting for someone to come back.


26/06/2025

The Carousel

Participation mystique refers to the innate human connection to symbolic and imaginative experiences. This symbolic realm exists before or alongside our ability to think analytically or rationally. The idea is strongly linked to projection, as these symbolic or mythic elements naturally extend themselves into the world around us—into people, places, and things, just like how we unconsciously assign color to what we see.

Participation mystique is not just a psychological concept, but an aesthetic principle – a lens through which we perceive art as more than just something we observe; it becomes something inhabited.

In artistic terms, participation mystique can be thought of as a dissolving boundary between the self and the image. In this perspective, any manifestation of art can be perceived not just as an external object, but as an extension of the viewer’s unconscious. Colors, shapes, and atmosphere resonate with inner archetypes – mythical, primordial, emotional – before the mind can name them. This is why abstract compositions can seem hauntingly familiar, or why certain symbols – like a spiral, a doorway, or a shady forest – draw out something ancient, deep, and unconscious from us.

Produced and mixed by Dionis Afonichev (Dionisaf)
Mastered by Dionis Afonichev
Cover picture and design by Dionis Afonichev

Participation Mystique

Distant Shores (Brannan Lane Remix)

"Oh, I've had such a curious dream!' said Alice."  
  - Alice's Adventures in Wonderland by Lewis Carroll.

A companion piece to "Through the Looking Glass" and "Down the Rabbit Hole."

A Curious Dream

132 - Remains Of The Void

Leyona's Pulse

Explore the moons of our Solar System with Moon Voyager. Explorative and atmospheric deep space ambient music. soundscapes and drones by Nairb One.

Recorded August 2025
© 2025 Aeon Records
℗ 2025 Ditto Music LTD

Website

Elara

Gentle textural soundscapes trace the quiet shift in season, evoking warmth, stillness, and the beauty of impermanence. A sonic reflection on the passage of time, memory, and the subtle charm of change.

Christoph Vogel (Ghostloop) about his album: “It’s a collection of nine ambient pieces — soundscapes shaped by personal moments and quiet shifts I experienced over the past year, many of them spent in nature.

I worked with field recordings I captured during that time, letting them carry traces of place and memory. While writing, I also began building my Eurorack modular system, slowly integrating its sounds into the tracks as they took shape.

'Almost Autumn' reflects a quiet cycle of the year — the slow transitions, inner stillness, and changing atmosphere that come with time passing”.

Christoph Vogel, known as Ghostloop (Germany), weaves immersive soundscapes shaped by the serene rhythms of nature. Drawing from the ambient textures of field recordings and grounding them with deep, fluid basslines, his compositions echo the quiet moods of Northern Germany and the Baltic Sea coast. Rooted in a deep sense of place, Ghostloop’s music invites listeners to pause, drift, and sink into gentle, emotive layers of sound.

Produced and mixed by Christoph Vogel (Ghostloop)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture and design by Dionis Afonichev

Almost Autumn

Routines Remain

peace amidst the chaos

Soundtracks for the imaginary movies of my life. They're not necessarily meant to be beautiful, they're meant to tell a story, like an encrypted message, but better. Your likes and comments make me happy! sleepynoonradio@gmail.com

Leyona's Pulse

Meydän

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