Irani Mahalli

Sorrow mov.1 - Peyman Yazdanian ("Suites" Hermes Records)

I see power through powder, My music sounds louder 
And You're looking more beautiful than Ever, No matter 
what Happens next its like Im having sex and Im living in 
oblivion 
I do the next line to Write the best Rhyme, and hell 
I swallow at the same time I feel the world is mine 
Don't stop me I wanna hit the ground with my face down 
let me reach the end 

Don't wanna see the light let me lay down (lay down) 
Don't wanna see the sunrise and wake my eyes (my eyes)

I feel hot when Im high then suddenly Im not 
Im low Im feeling horny but Im lonely I don't know why 
You seem so strange, Your face is melting, down 
the room is spinning round and round and round 

Don't wanna see the light let me lay down (lay down) 
Don't wanna see the sunrise and wake my eyes (my eyes)

Mehrad Hidden - Let Me

Vinyls link: 
https://clone.nl/item32906.html
http://www.phonicarecords.com/product/headless-ghost-lets-fall-ep-tamed-musiq/126668
http://www.rushhour.nl/store_detailed.php?item=80012
http://www.decks.de/t/headless_ghost-lets_fall_ep/c46-zd
http://www.juno.co.uk/artists/Headless+Ghost/
http://www.redeyerecords.co.uk/vinyl/58009-tmq007-headless-ghost-let

The Headless Ghost trilogy out on Tamed Musiq comes to a close with the EP ‘Let’s Fall’. 
Headless Ghost, the analogue and 100% hardware project from Raphael Gros aka Ripperton has already seen him put out 2 acclaimed EP’s ‘Out’ and ‘77’. This third installment easily carries on their reputation with two remixes from fellow Swiss producers Deetron and Agnes. ‘Let’s Fall’ is easy to listen to, but in no way compromising the complexity of the productions, each remixer manages to bring a totally different angle to Headless Ghost’s ‘Let’s Fall’. 
Headless Ghost’s original first track Let’s Fall has an almost mechanic atmosphere certainly fitting with the mode of production. Let’s fall skips through staccato samples and pounding basslines, the track is raw and dark without losing its melody 
Deetron’s remix is a bouncing re-appropriation of Headless Ghost’s original track that maintains many of the same characteristics be it re-produced in a slightly lighter and higher sounding tone. 
Agnes creates a languid rolling version of ‘Let’s Fall’, chopping and changing the placing of the samples in the track she maintains an almost lazy rhythm throughout


Buy at bandcamp

A - Headless Ghost Let's Fall (Original 12  Mix)

Fertility

Young Galaxy - Cover Your Tracks (Teen Daze Remix)

Sun & Moon

Sun & Moon (M.H PROJECT Remix)

Peynam Yazdanian and Hesam Inanlou
The "Tame" album live

(Peyman Yazdanian & Hesam Inanlou) Piano & Kamancheh Imp. I - Live

Taken from their forthcoming mini-album 'Ellis' out July 8 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP086
or from iTunes here: http://snip.ftpromo.net/ellis

For the first half of the twentieth century, Ellis Island stood as the gateway to America. For some twelve million people, it was their first encounter with the land they hoped to call home. 

Directed by acclaimed artist JR, ELLIS tells the story of one such migrant. Starring Robert De Niro, the film winds its way through the crumbling hallways of the abandoned Ellis Island hospital complex, now home to JR’s Unframed art installation. It’s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today.

Entwined with the narrative is a score composed by Woodkid, performed and co-written by Nils Frahm. The delicate piano motifs of Winter Morning I culminate in a crescendo of strings, while the harmonium swells on the B-side are the foundation for De Niro’s narration: an encomium for those who shaped modern America. 

There’s perhaps never been a more fitting time for this story, with all the proceeds going to the Sea Watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees. 

Following a screening as part of Nils’s Barbican Weekender, the ELLIS score will be out July 8th, the same week as America’s great federal holiday. It will be available via Erased Tapes as a mini album on CD, vinyl and in digital format containing a 12-page picture booklet.


IN THE ARTISTS’ OWN WORDS:

Nils Frahm: ‘The opportunity to work on JR´s fantastic short film ELLIS came through my good friend Yoann aka Woodkid. We agreed on recording the piano parts in my studio in Berlin and so it happened that JR and Woodkid were guests at Durton studio on a wonderful late summer day in 2015. We managed to record all the crucial elements that day. The music fell in our laps and melted with the images: a wonderful experience. The film has stuck in my head ever since; it moved my heart and changed my soul.

A couple of weeks later I had to cancel a trip to Brussels because of a terror warning; all events got cancelled and I stayed home, having an unexpected day off. I felt rather depressed that day, thinking that the Europe I knew was already gone. I sat down at the harmonium, listened to Robert De Niro’s voice and played for the rest of the day. The result is ‘Winter Morning II,’ the B-side of the ELLIS soundtrack release.

Robert says it all in 17 minutes. We are not facing a refugee crisis. We are facing a crisis because we do not embrace, we do not sympathise and we cannot give up fear. Art can encourage so I hope this project will help fight the fear in all of us.’

Yoann Lemoine, aka Woodkid:  ‘Ellis is my second collaboration with JR after the New York City Ballet piece for Les Bosquets. I initially wanted this piece to sound like it was recorded on an old piano that we found in the ruins of Ellis Island, in the restricted area that is not open to the public, where JR pasted the pictures on the walls for the film Ellis.

I had worked with Nils before and I wanted him to create a sound for this piano part that I composed that was extremely gentle and organic. I wanted the listener to hear the mechanisms, the breathing of the instrument. I wanted it to be imperfect, to sound like a ruin, a trace, an echo, the way the pastings on the walls seem to be ghosts, almost imperceptible.

After a few rehearsals, Nils stripped down my piano parts and we removed almost all orchestration around the piano. He then worked on the extended version that is his interpretation of my piece, with Robert de Niro’s vocals.

Because this film and this recording is historically meaningful, it was important for us to create this piece as an echo to the immigration situation in Europe, and decided to release it in support of Sea Watch.’

Ellis

Winter Morning I

Buy LP/CD/DL

Woodkid & Nils Frahm - Winter Morning I

Pouya Mahmoodi - Me Va To

اُوزان، دمِ درِ سَرد اُئِه، اَجیکه.

اجیک (نوعی کرم) بالای در سردابه آویزان است.

رَعو داره مِدُّوئِه.

رَعو (نوعی پشّه) دارد می‌دود.

جیجو مِزِنِه مَلکَموت.

مَلِکِ موت (عزراییل) در حال پرسه زدن است.

سینه صومُخُورِه زَغْنَبود.

و (عزراییل) کلّه‌ی سحر در حال زهر خوردن است.

گَمبیل شده شَبِ پُشمُوروک.

شب اخمو، چاق و فربه شده است (هوا دم دارد.)

اُلُما زِده اَوله جَکوک.

آدمِ آبله رخ، از این گرما، صورتش پر حرارت و تب گرفته شده است.

شِلایین شدِه لَچَّر شده.

صورتش چسبناک و کثیف (چندش‌آور) شده است.

دلِ گِلیشو لَپَّر شدِه.

دل آدِم شبگرد (از غصه) پر شده است.

اَتِه کَل توتِِه بِکَل، پَنجه بگیر، نون و شِکَر.

(این عبارت متل گرگانی معادل اتل متل توتوله است)

مَمَّد خَرتو، فردا اَفتو، مابِچّه‌های گرگیم، از شاخ بز مِتَرسیم، دقِ دقِ دقِ مِلرزیم

(این جملات قسمتی از داستان طنزی است که هر وقت در استرآباد مدت بارش باران طولانی می‌شد برای اینکه باران قطع شود، شخصی با لباس‌های بلند و آستین‌های دراز و گشاد به نام «مَمَّد خرتو» همراه با بچه‌های توی خیابان راه می‌رفت و از خورشید می‌خواست آفتاب کند و اشعه‌های خودش را مثل نخود به زمین پرتاب کند ...)

یِه طِرَف ناهارخوران، چَکِّه بُروشِ آسُمان.

(گرگان جایی است که) یک طرفش در ناهارخوران (انگار) آسمان (با رعد و برقش) دارد کف می‌زند.

یِه طِرَف دریا داره، رَقصِ قِشَنگِ تُرکمان.

(گرگان) در طرف دیگرش دریا دارد (همراه) با رقص زیبای (خنجر) ترکمان.

Ahmad Akhavan - Gorgani

Naser vahdati - aha bogoo

I was excited to see this wonderful collection of little piano vignettes released by Nils, one of my favorite piano players and people. The simplicity of these pieces and the honesty I feel in the music communicated a sense of ease and exploration that I immediately connected with.  This is my rework of a beautiful passage contained in the song "Re". 

http://www.unseen-music.com

http://reworked.nilsfrahm.com/

3- Rain Again

vMeysaaaaamv

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