The remix record for Israel Vines' "And Now We Know Nothing" debut album, featuring Regis & Simon Shreeve doing a burning hot take as CUB, BMG & Erika delivering an outer space hypno drum groove as ECTOMORPH, Sean & Katie Rose O'Sullivan doing a deep techno take with wave influences and vocals as FURTHER REDUCTIONS, and a futuristic take from Standards & Practices and Common Name cofounder KEN MEIER, who also designed the whole triptych, including the iconic album cover. Thus we bring LA, Birmingham, Detroit, New York and Seoul together for the final chapter of Eye Teeth and the final piece of this triptych by Israel Vines on Interdimensional Transmissions. This ends Eye Teeth, it has been a wonderful run. Long live the new flesh!

A1 Israel Vines - Path Corrections (CUB Mix) 5:37
A2 Israel Vines - Afterever (Ken Meier remix) 6:41
B1 Israel Vines - Nosedive (Ectomorph remix) 7:10
B2 Israel Vines - Rage Afterever (Further Reductions mix) 6:58

And Now We Know Nothing Remixed

Israel Vines - And Now We Know Nothing Remixed (preview clips) [IT 47 / TEETH-10]

@ronlikehell

Introduce yourself? Preferred pronouns? Where do you currently reside? 

Hello. 
Welcome to my pipipi q&a. 
He/Him 
Bedstuy, Brooklyn-NY

1 fun fact about yourself? 

My enthusiasm for music of all kinds is appreciated by people who hear me talk about it and present it through my dj’ing. That is my little super power. It provides fun for others. I keep striving to be interesting with that as best I can. 

How is everything going with you right now?

Anxiety tries to get the best of me but I still wake up and want people to gather and dance it out, hug it out, respectfully talk it out! As a very personal and shy person, I am very restless and still want to perform in front of people again as soon as it is safe to do so. Having the opportunity to create a mix for pipipi was super helpful. I hope I can connect with your followers in making them happy with this mix. The joy in making this was very therapeutic for me. Thank you. 

Any fun predictions for 2021?

I love crystal balls and the idea of seeing beyond however I treasure the moment at hand tremendously. It’s all you got so whatever move one makes today, that action potentially creates a step forward for their better tomorrow. With that said, if all goes to plan, collectively we can boogie together sooner than much later. That is my hope :)

Who currently inspires your music-wise?

As of late, my newest obsession on the decks and studio..well...just gonna mention them all up in no particular order...Fred P, Deep Creep, Matrixxman, Sleep D, Zvrra, E-Saggila, Furtive, Prince (forever!), Roza Terenzi, Francois K and Daniel Fisher’s artistry plus attention to detail in his productions.
What was your first gig? How did it go? 

It's all getting so fuzzy. Sorry. One of the earliest gigs that stands out was in 1996, dj’ing in a bookstore on a Sunday afternoon. The party was called Turntable Jazz. Felt great to spin my downtempo & soul records to a crew who were coming down and getting blazed up surrounded by books and the smell of coffee. I want to see more of that in the scene. Dance music and DJ culture should not be limited to getting crazy in a dark room. 

Describe your favorite thing to drink and how it makes you feel?

Watermelon justice with basil or mint or both will do. It’s quite an elixir that comforts my head immediately.

Why do you think it's important to share music?

People love to know what other people do and what motivates them to do so. That curiosity is special particularly when it comes to what we enjoy in sound and how it affects our daily life. Music has always been a safe go-to place. From dancing around alone at home by yourself or surrounded by people at a party, a rise in heart rate while enjoying sound offers introspective relief. I strive to make this happen as often as possible. Sharing music is the best cosmic medicine there is. 

What do your parents think about the music you make?

My parents were party people back in the 1970s so disco and finger snapping music was always playing on the turntable and radio. They always sensed I would work in the music industry somehow so they really like seeing me having genuine fun just as I did when I was young. 

What would you like to see in the future for the dance community?

Less dependence on the alcohol industry. More connections with community organizations and idealism that is non corporate that are supported and suggested by attendees of dance parties. If people really want “that feeling to last” then people need to approach giving back without asking for anything in return. One idea is to not party too hard and leave the club and go straight to the streets and put trash away, help people in need get their food…. the labor of love has infinite value and impact.

For extended interview & OG pipipi track game  please visit pipipi.life ; )

Ron Like Hell - 77˚F

Rinse FM Podcasts

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DJ Python with Significant Other & Tano - 14 April 2021

P Relief was born in California but now based in Berlin. He writes music and plays DJ sets, but mostly he considers himself a music writer. He plans to release some new music on his own P&D label soon. P Relief has been drumming since childhood, which you can guess from listening to tonight's mix, which consists entirely of his own tracks. But despite the rhythm of the musical line, this selection can be called meditative and even reflexive to some extent.

P Relief

P Relief - 5/8 Radio #167

Featuring an eclectic guest mix from Sydney producer/ selector Angus Mills in the second hour.

Bridge Music S01E09 (Skylab Radio) ft. Freda & Angus Mills

3 day trip

Don't Talk Too Fast

Unforeseen arrangements:
Droplets gather in clinging mist,
Multitudes within multitudes.
The world has a body that spares everything;
In light, it undoes nothing.

Recorded at Jump Source Studios in 2019-2020
Mastered by Marco Pellegrino
Distributed by One Eye Witness

https://naffrecordings.bandcamp.com/album/healion-in-light-it-undoes-nothing

Out on April 2nd, 2021

Healion - In Light, It Undoes Nothing...

PRE-ORDER: https://paceyourself.bandcamp.com

“A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert” - W.G Sebald, The Rings of Saturn

Originally written for the ‘Horizons Sauvages’ exhibition by painter Marie-Laurence de Chauvingy de Blot, @deejaydugong accompanying composition is the reification of a shared love of nature - setting out to capture the essence of her painting in musical form. Using natural sound pallets and layered loops, the complex bio-poetics of the ecosystem are explored in the fragility of their restless liminality. Environments in motion. Above all, the compositions are meditations on the importance of preservation.

There we have it then: after-the-fall organic ambience across two full sides. Essentially essential - a blueprint for the next generation of New Age music. The resynchronization of what was, what is and what is yet to be.

A1: Loire
B1: Thaw

releases March 29, 2021

Dugong - Horizons Sauvages (PACE003)

"In the old city of Lakamha ancient tombs stand tall and ruined, woven with moss. Birds as old as time beat their wings over tropical forests; their cries bouncing off wet rock lassoed with carvings of Mayan symbols."

For their first release of the year Oscilla Sound hand over the reins to Baroque Sunburst co-founder and Honest Jon’s team member Big Hands. Much like the rest of Oscilla Sound's catalogue — which includes instalments from Significant Other, E-Unity and Wilhelm — intricate drum patterns and murky bass play a central role, seeing him explore organic textures, rumbling low ends and enchanting polyrhythms.

3 day trip

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