Stumbled upon random tracks

The Velvet Underground Venus In Furs

HEIR I (Orcas Remix)

Satyasaibaba

Blocs Owlet

Call To Prayer (CLIP)// OUT NOW on Singularity Audio

Taken from the new EP "Noyaux" - out Nov. 6th  2015 on Morr Music.
Buy the single on iTunes: api.morrmusic.com/itunes/1044652779
Follow Benoît Pioulard for updates:
http://pioulard.com/
https://www.facebook.com/pioulard
www.morrmusic.com

Buy on iTunes

Benoît Pioulard: Noyaux

Transientwave

Drew McDowall "Hypnotic Congress"
from the debut LP "Collapse" on Dais Records
Out September 25, 2015
daisrecords.com

Drew McDowall "Hypnotic Congress"

from 'Blossoms In Red' [CD|LP|DIGITAL]
Denovali Records · den243
available on all formats at [http://denovali.com/ensembleeconomique]

Based in Californian Humboldt County, Brian Pyle wanders the world on his countless travels. Far from being restless, he has his very own Pylesque way of travelling. Much like a Lynchian version of Hemingway, he has an eye for the thin layer between restlessness and relaxation, gloom and serenity. Wherever he goes, he ardently absorbes these nuances, rarefies them and moulds them into a seamless array of glimmering styles, from drone and ambient to shoegaze and post-wave, giving birth to yet another creation of his prolific Ensemble Economique project.
On his by now eleventh album and fourth Denovali release "Blossoms In Red", Pyle combines and perfects elements of his previous output into a cohesive narrative. The opener "From The Train Window, Red Flowers On The Mountain" is a surprisingly scarce ambient piece, which feels like an almost infinitely stretched precious moment of time. Despite being austere, it is warm, sublime and incredibly captivating and after listening to its full 8 minutes, one cannot help but to rewind and replay. Having barely escaped this seductively infinite loop, one encounters the title track "Blossoms In Red" featuring Portland electronic duo Soft Metals. Starting off with a characteristic sluggish programmed beat, one is immediately overpowered by the onset of the towering combination of a warm bassline and a shimmering synth ambience. As the track flows, these elements writhe around each other in a delicately beautiful fashion, absorbing the materialising wailing guitar which almost sounds like an ethereal voice, as well as the occasional melodic and rhythmic accents. The next track sees this guitar return in a rather pure form. "On The Sand", featuring jack-of-all-trades Peter Broderick, is essentially just reduced analogue drums, electric guitar, a simple vibrating bassline and hoarse almost spoken vocals. Slowly and methodically, these constituents form a captivating erotic ritual, much like a beguiling and hypnotic mandala procession of imperturbable blissful individuals on the beach. As proven on numerous occasions, Pyle can easily lead all his trumps in the presence of female lead vocals, and "Blossoms In Red" makes no exception. Indeed, "You, By Candlelight" is easily the best Ensemble Economique track with female vox to date. Pyle manages to embed the vocals just in the right minimal amount of instrumental layers, making the track radiate an elusive tranquility. The fifth and closing track "Nothing Is Perfect" is a classically tinged piano piece with only very little processing and sparse field recording samples. With all pieces of the album, Pyle manages to create tracks which feel like being composed only of two or three layers of sound, that are nevertheless allowed to develop a life cycle which seems incredibly long - track lengths vary from 6:30 to 8:10 - but still feels just right. Thus "Blossoms In Red" is probably Ensemble Economique's most minimalistic album, but at the same time - or maybe just for this reason - his most skilled work.

Blossoms in Red

Ensemble Economique - From The Train Window, Red Flowers On The Mountain

Taken from "Don´t ever listen" EP - out Oct 30th 2015 on Morr Music
Buy the vinyl at our shop: http://bit.ly/1jQLsR8
Buy the single: api.morrmusic.com/itunes/1044653074
Preorder the Ep on itunes:  api.morrmusic.com/itunes/1044653464
Follow Sóley for updates:
Tour dates: bit.ly/1DrwetR
www.facebook.com/soleysoleysoley
www.morrmusic.com

Buy the vinyl

Sóley:  Don´t Ever Listen

The Levitation Hex debut definitely wasn't something for metal traditionalists, and the same is true for their sophomore album “Cohesion”. It is another case of extraordinary music that will mainly appeal to people who don't place any constraints on their taste in music. Adam Agius, frontman of the Australian four-piece explains the goal the band had for their second LP: “Our goals were purely to create music that the band members were happy with. We don’t follow any trends and see music as an expression of our selves. We did try and change things up a bit for our own interest and had a very broad scope for the creation of ‘Cohesion’. We kept it simple and at times pretty upbeat. We are happy with the result so I guess you can say we achieved our goals.”

The Levitation Hex - Disrate

[PRSON002] Stephanie Sykes (with Ansome & Edit Select remixes)

As we turn to the next episode. Eric arranged to meet his father in a cold abandoned warehouse on an industrial estate on the other side of town, a building he knew only too well from just a couple years back. He’d been hanging out with his squatter mates and this is one of a few places they’d frequent. He’d been up to no good well that’s what his father used to say anyway. “I knew you’d come to nothing, you little piece of shit” his father said. “I gave everything to you and this is how you treat me, you ungrateful backstabbing waste of space”, as he sat there cable tied to an old wooden chair, rocking on its uneven legs, now knowing he had been lured under false pretences. “But did you really give me everything?”, Eric said as he sat there staring at canvas sack that covered his father’s disturbed and angered face, whilst he held his gun casually on his lap contemplating his next move…

The soundtrack is the first contribution by Stephanie Sykes of the Midlands, UK. With a history behind her connection to Prodigal Son, she steps up with two of her most impactful pieces to date, “Walking Alone” & “Glimmer Of Existence”. A mind full of inspiration, of sounds taken in from recent ventures and a wealth of experience from her residencies. Having had a very special 2016 this is only the beginning for Stephanie and a sampler for what’s to come. Her tracks are remixed on the flipside of the record, the brutality of South Londoner, Ansome, with his version of “Walking Alone”. Then the melodies of “Glimmer Of Existence” takes a philharmonic reworking from one of Glasgow’s finest Edit Select. 

Illustrated artwork by Sariel Keslasi

Mastering by Simon Davey at The Exchange Studios London

Release Date: 07/10/2016 (Vinyl Only)

PRSON002 B2 STEPHANIE SYKES  GLIMMER OF EXISTENCE (EDIT SELECT REMIX)

We can tell you f*ck-all about HATE, except for the following. The majority of the material on this label is previously unreleased, original junglist hardcore dating back to 1991-1994 from producers who wish to remain anonymous. A carload full of dubplates and DAT tapes full of unreleased material was handed over to the label at Sowerby bridge in Yorkshire sometime in 2008. The material (several hundred original tracks) has been gradually catalogued, with a few tracks already planned for release this year. You've been warned...

Darkcore

Injustice

Second limited edition installment from the HATE project, once again in a measly run of 300 hand-stamped copies only for the world. One track is another original production, this time from 1993, the other is a re-working from Summer 2008 courtesy of some familiar faces. If you like it darkside, brooding and fierce, you know what to do. 

Stumbled upon random tracks

mi-jah