What a Equinox energy movement you gift here beautiful goddess 🌟❤️🌟 Love you 💓

Cool Female Dj Sets & Mixes Part Seven 2024

Harnomia @ Spring-In

This set was a different journey for me. 
I knew I had all of this new a very different feeling music the key elements of the tracks didn't mesh as well as a traditional sounding journey which would be in key and genre, then moving onto a new sound scape of sounds, something I spend a far bit of time on.  Its not common for me to play one genre, but I do most definitely make sure the sounds have their own family members, meaning that when you hear the next track its an easy fit and makes the set 'flow' a certain way. 
I feel like my sets are very different since I have started playing more diverse music and taking way more risks, some of which make it sound less than perfect - but - art isn't perfect and neither am I so, fuckit, I would rather play a bunch of sounds and songs that don't work or are harder to keep in time than play it 'safe' and only be recognized for one aspect of mixing, being smooth transitions, i personally prefer to hear a DJ mix and keep in time a track or two, something about that whole sound is a massive turn on for me, no idea why. 

I work hard on this set for sure, but even up to the night before I played it, it wasn't my 'traditional' clean journey sound, and it was tough going to this incredible venue with the mind set of 'well, I'll see what happens' instead of 'this is my first track and I know every track and transition after this one' because knowing what i am playing gives me a tremendous amount of comfort and confidence while playing  - but when I finally played it, it felt - different, I was more connected to the music and was able to form this story of music and make it new.

There's so much we can do with the craft of mixing and making music, if you've ever known a DJ and musician going through a hard time and listen back to their music you can hear it and that's what happening and that connects us to each other.

Like most art some people will get it and someone people won't connect or hear it, but that's the magic, I can come off stage and hear 'I loved that one Hip-hop track you played' and have almost no idea what they mean, but understand what they are saying, the experience is 'Hip-Hop' to them.

I also used some mixing techniques that are normally used when mixing Hip-Hop which was great fun and was done to high light the next song choice, this is used when I  mix Hip Hop because its all done by ear and vibe you can't really go into a Hip Hop set wanting it to sound as smooth as a house or techno set, where you can layer 32 bars of the tracks together. I think I was doing this to pay attribution to the original sounds of Turn tables where you could and would see people using effects such as 'the show' of one vocal cut to bring the audiences attention to the following track coming in, which allows the DJ to get them ready for the incoming track and drop,  now we mostly use a cued point loop, which is great but it not the same as a 'show track style' because you actually need to use the count of the bar loop and bring it in at the same spot at each point, otherwise it sounds pretty rough and overall kinda, well, choppy. 

Everytime there's a massive change in the style of music I play, it feels 'chunky' because it takes a while playing it out in order for it to feel smooth and mesh with me well enough for it to be a very clean feel. 
The extra 10% of any craft are what make the good great, and the greats just good. 

Honestly, I love playing and making music, mostly for what it can do for our conscious state of being - the all inspired and loved up party people of today are the ones who make the world a better place tomorrow and if art has no place then we as a community will also have no place.  
I loved playing at the Revs Cage. 
The first track before the Nina Simone is one of mine.

REVOLVER - 25.4.21

This set was one that I really looked forward to, I always love playing @revolverupstairs - the atmosphere there is always one of intense listeners and you can only really prepare to play, what you play depends on how the beautiful party people are feeling collectively at the moment you jump on. 
Because its so vast. 

Put it this, whenever someone asks you 'what should I play at Revs' besides doing your homework and listening to the DJ mixes who is playing before you and after you ( this is a massive way to increase your awareness of how the night / day is going to flow) 
Its determined on the audience, what do they or dont they need right now, at this very moment, sure whats the DJ before me playing plays a big part in it - its a vibe, do we need some light funky house, would a dash of prog do well here? or it that too heavy for these ears right now? you know, you need people to be captured and feel something, feel warm, feel happy and light, peaceful, like its all going to be ok, tomorrow is yesterdays problem - that sort of thing. 

Anyway, that might seem a bit deep for thinking about 'what am i going to play ' but its not, not really, most DJs would think along those lines when jumping on and if they do set prep than your thinking about the whole journey from start to end, at least I try to imagine it that way.
The more you play at a venue for a party, the better you can get a sense for what people need at what times, theres no fast quick way to play the best set of your life each time ( even though that is always my goal) its always important to think about your audience, especially the ones who are their each week, because they are ones who know what to expect you know at 7pm at Revs what do people expect to hear? I'd say good beaty music and depending on the day maybe a light bassy riff with some sweet flowy vocal. 

anyway, i dont know who really reads these write ups but i definitely enjoy writing them, so if you made it to the end of this one, thanks to you my friend you are a good person and the whole world loves you heaps and is working towards manifesting your greatest idea you hold of yourself xx

LIVE RECORDING - REVS SUNDAY 12.12.21

Wow what an incredible set, i had so much fun on the Poof Doof stage!
I've been waiting and wanting to play for the amazing party forever and when i had word that I was back there in December, i had started working on what I was going to play. 
Classic Jasmine set - 3 deck mixing mash up and some stella bass lines for good measure <3
Love you PD!

POOF DOOF - HeadLine Set, 11.12.21

Poof Doof - Live recording, PRIDE MONTH 04.06.22

download 

FEELS LIKE - MILIUS, RIMBU (CH), MELITTAH

still in love with... 🪩
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more groove, soulful and crunchy..
thanks for your support! 
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www.maur.art

still loving

KATZ - TWINS DESTINY

WAYU Stories VOL I - Hülshoff & Rheinländer (@huelshoffundrheinlaender)

Welcome to our first volume of our podcast series "WAYU Stories". 

We decided to create a new way for our artists and friends to share their stories with a recorded mix. The first Volume was created by Berlin based duo Hülshoff & Rheinländer. They will be releasing new music very soon on our label, so we thought it would make perfect sense for them to start our series. 

Enjoy!

<a href='https://theartistunion.com/tracks/b3ea59'>Download for free on The Artist Union</a>

Free Download

Vol 1 - Hülshoff & Rheinländer (WAYU Stories)

This is a set where i played it safe in terms of track selection the environment calls for well know music, I'm a fan of playing for the crowed. 
I started heavier than i would normally but, the audience was amped, mainly due to a close friends birthday being in. 

Enjoy,
Jasmine

Jasmine Speers Live Set - Barton And Fink - Melb (4.5.19)

Despues de un tiempo regreso con este set magico lleno de varios tracks que me hacen sentir muchas emociones diferentes.

downtempo set.

YAXUNAH

A wanderer between the melodic and the dark, @pathik-no's productions are groovy and hard-hitting, at the same time melodic and evocative. After releasing music on international labels over the last two years, the Oslo based producer have gained support from several industry heavyweights like Richie Hawtin, Joseph Capriati, SAMA, Luigi Madonna and Anna V to name a few. With several years in the scene as a DJ, he has played various festivals and clubs in his home country, and are one of few Norwegian DJ’s who have played at Burning Man in the US.

Instagram: www.instagram.com/pathikmusic/
Facebook: www.facebook.com/pathikmusic/

TRACKLIST:

Norton - North Face (Original Mix)
Simone Tavazzi - Catalysts (Original Mix)
Uto Karem, Hollen - Code Black (Original Mix)
Danny Fontana - Cruise Control (Zakari&blange Remix) (feat. Rich Venom)
Ronnie Spiteri - Breathe (wAFF Remix)
Jules Wells, Mason Rubinstein - Revolutionary Time (Drunken Kong Remix)
PATHIK - ID
Chris Veron - Dusty Storm (Original Mix)
Frankyeffe, Teenage Mutants - Amigdala (Original Mix)
Markantonio & Spartaque - Prophet (Original Mix)
Alberto Ruiz - Trainspotting (Original Mix)
Pablo Wesler - Temporary (Giovanni Carozza Remix)
James D, Valentin Pascual - Antigenic Shift (Original Mix)
Luca Morris & Mozzy Rekorder - Kiss This (Original Mix)
Jay Lumen - The Last Raver (Original Mix)

Follow PATHIK 🎶

The Karismatik Podkast 01 - PATHIK

- Tune In - #3 - Ali G

Rave For Good Podcast 002
By https://soundcloud.com/creti

Recorded at https://soundcloud.com/relativstudios

𝖱𝖿𝖦 𝖯𝗈𝖽𝖼𝖺𝗌𝗍 𝟢𝟢𝟤 - CRETI

We are happy to present to you our Podcast #6 with @MiaLunis , São Paulo, Brazil.
Mia Lunis is DJ, producer, agitator and idealizer of important projects in the electronic scene in São Paulo. Started her DJ life in 2004 playing at important clubs and parties in São Paulo.
2014 she founded Sonido Trópico, after 2 years producing amazing parties and bringing important names of the electronic scene around the world to Brazil she left the project to dedicate herself to other professional projects, played in the Nomade Festival (Chile) Fusion Festival (Germany) Katzensprung Festival, KaterBlau, @BeateUwe, @Burningman and nowadays she is the citizen of the world, founder of World Citizen Agency, curator at @PitayaRec and partner at @PlanetIbiza connecting artists and spreading deep vibrations and strong beats to her audience.

Her sets bring a unique identity with references from Europe, the Middle East, Africa and Brazil with sophisticated beats and a lot of percussion, Mia Lunis presents a fascinating way to present her story through music flowing deep, techno and other strands.

Track List
1 - Elif & Sanoi - Bamboo Forest
2 - Paul Baule - Opaque
3 - Raw Main - Folklor
4 - Umami - Stank
5 - The Doubt - Awaken (Paul Baule Remix)
6 - Raw Main - Le chat noir
7 - Djolee - Tânger Twisted Tweller
8 - Fulltone & Izhevski - Orange Gardens
9 - kotellet & Zadak - La lune 
10 - Mila Stern - Would Have Had 
11 - Sebastien Leger - Kanga
12 - Elif & Sanoi - Entanglement

Sound

Prizm Podcast #6 Mia Lunis

It‘s time for round 17!
We have a new podcast for your ears....
https://soundcloud.com/dorian_zh is a DJ and producer based in Zurich. His music can be classified in the genres of downtempo, organic and melodic house as currently played at many venues in Tulum, Mykonos and Ibiza. It is therefore not surprising that he was a resident at Secret Island as well as Kaufleuten Terrasse last summer and played at other day parties by the Zurich lake such as Sämig Amusement. Due to his roots in the Balkans, his sets are heavily influenced by music from the Middle East. Having learned to play piano as a child, he occasionally uses analog gear during his sets to add a live character.
Tune in, lay back and enjoy it to the fullest!

Artist link: https://soundcloud.com/dorian_zh

BeisN Podcast 017 - Dorian

With an ear for subtle textures and big beats, Mia delivers a dark, playful, and feminine edge, mixing indie, tribal, electro and organic house with other surprises.
Lovely and groovy, it’s always a journey.


Harnomia @ Spring-In

Mia Lafontaine

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