Next year is going to be 2021=1981 will be badass!

Electro

The 80s brought about much change to the world both technologically and economically alike. The decade of believers, a time where the World needed mending and often at seemingly cataclysmic times birthed the future known as The Fearless Generation. 

-Sellorekt/LA Dreams

Fearless Generation

Freeweights - Lightweight
released on the 8th of December 2014

also available on
Spotify: smarturl.it/fwlwspotify
iTunes: smarturl.it/fwlwitunes
Deezer: smarturl.it/fwlwdeezer

Freeweights is:

Antti - Drums
Anssi - Bass, synth bass
Kane - Synths
Markus - Guitar
Toni - Vocals

Recorded, mixed & produced by Kane Kaspar Heinonen /// http://kanekasparheinonen.com
Mastered by Matias Ahonen / Audiamond.

http://freeweightsband.com
facebook.com/freeweightsband
twitter.com/freeweightsband
freeweightsband@gmail.com

Lightweight

https://girlfriendrecords.bandcamp.com/album/ornaments

"Blitz" by Sferro

Queens of aerobics

10th Record Makers

Nightcall

Flashwave Dreamer

Robert Parker - Love Lost

New Single ' NEON RAIN ' 

Original music composed, recorded and performed by Paradise Walk.
Additional Saxophone by Thomas Edinger
Art work by March Of Venus www.marqueeadam.tumblr.com 

Neon Rain

Exclusive track for the Synth Love Affair Vol. 1 compilation presented by Synthetix Sundays & Future 80's Records.

To Love A Synthwaver (Future 80's Records Synth Love Affair Vol.1)

Early Summer

Maethelvin - Delight

The Outrunners - Diamonds

College - Teenage Color

Garth Knight - Neuron

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Early Summer

MIAMI NIGHTS 1984

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