Name: High Beams by MIAMI NIGHTS 1984 in 🎶 Synthwave 🎶
Duration: 2 min 58 s
Description: High Beams from the album Turbulence http://miaminights1984.bandcamp.com/album/turbulence

🎶 Synthwave 🎶

The exploration vessel IR256 picked up a signal in the outskirts of  the andromeda galaxy. A signal that resulted to a beginning of unbelievable finds.


Artwork by Kenzo Art

BUY HERE!

Waveshaper - Radio Signal

New album approaching completion!  Here's one of the tracks :)


Still Human (Teaser)

“Digital Sunset” is a nostalgic dive into the neon haze of the late ‘90s — where VHS dreams flicker on static screens, and analog synths hum with the warmth of forgotten memories. Blending retro-futuristic melodies with modern production, this album captures the feeling of cruising under city lights, lost between the past and tomorrow.

Each track paints a scene — from the hum of an electric boulevard at midnight to the soft glow of CRT reflections on sleepless nights. It’s music for night drives, for rainy windows, for remembering what never was.

Let the synths shimmer, the drums pulse, and the nostalgia wash over you. Welcome to the soundtrack of a future that lived in the past.

Neon Aether

Robert Parker - Love Lost

"You will ride eternal, shiny and chrome!"

Diesel and Blood

Pavement Surfing

Remastered - part of "OmegaDriver" Ep, coming soon by Werkstatt Recordings

OmegaDriver

Official Aileron - Mirage EP
Full ep stream on bandcamp

Album will be available on Lazerdiscs Records 29/07/2016

Full Album :  https://lazerdiscs.bandcamp.com/
Beatport : https://pro.beatport.com/label/lazerdiscs-records/

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Mirage

You Should Not Come

Aileron - You Should Not Come

An instrumental track, hope you like it. It'll be available next week on all music streaming services.

Buy Artwork Tshirt: https://teespring.com/es/1984-retro-artwork?pid=2&cid=2397

Audio Vhs video: https://goo.gl/AyiNFQ

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1984

Track 1 off the brand new Phaserland LP coming out FEBRUARY 10th!!!  Rosso Corsa Records presents the album "Cosmic Boundaries" 

Buy the album here!!! https://rossocorsarecords.bandcamp.com/album/cosmic-boundaries

BUY ALBUM

Nomad City

music + artwork: cobra copter + autovampir
www.soundcloud.com/autovampir

Bandcamp

Radio Beach (with Autovampir)

Waveshaper - The Sphere

Crystalline is taken off our latest EP "Nocturnal" out now.

Twitter.com/TheMidnightLA
Instagram.com/TheMidnightOfficial
Facebook.com/TheMidnightOfficial
YouTube.com/TheMidnightOfficial

Crystalline

In the early / mid 90s I more or less lived inside DOS on my PC. There were so many good games. Alone in the dark, The Lucas art series, Wolfenstein, DOOM, Sim City and more. This is a tribute track to this era using sounds from the YM3812 FM chipset that was used in the AdLib / sound blaster sound cards.

Artwork by Artem Solop

Buy now!

Waveshaper - 66 MHz

High Beams from the album Turbulence http://miaminights1984.bandcamp.com/album/turbulence

High Beams

Just a girl who loves:
- Retrowave
- Vaporwave
- Game music
- Future Funk
- 80s

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


High Beams

MIAMI NIGHTS 1984

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