Name: High Beams by MIAMI NIGHTS 1984 in synthwave
Duration: 2 min 58 s
Description: High Beams from the album Turbulence http://miaminights1984.bandcamp.com/album/turbulence

synthwave

L.A.  2121

Above Air features guest guitar work by Nick Antell.

Above Air (feat. Nick Antell)

Mercury 82 - Electric Sunset (feat Shred Krueger)

Support my music on Bandcamp.

https://danieldeluxe.bandcamp.com/


New music and tour news in link below:

🔗 linktr.ee/danieldeluxe

Free Download

Wasteland

Through The Universe

Taken Under

Lazerhawk-So Close

To celebrate the 500 followers on Soundcloud and to thank you all for your amazing support, here is the finished version of the "Half Way (2 Hour Challenge)". Enjoy! Head to Bandcamp -> it's on there for name your price!

Original Conttribution to the "2 Hours or Less" Challenge:
http://bit.ly/1O92J36

This track is #8 on DRIVE RADIOs Top Ten. For the playlist
https://soundcloud.com/drivemusicradio/sets/drive-radio-top-10-week-12

On luigi Donatello's Youtube Channel: https://www.youtube.com/watch?v=_gl9J6NAJp4

Bandcamp

Half Way

Tracktober 025: LA 1984 in Eb Major at 120 BPM

Day 25 of my Tracktober challenge 🎃 — every day this month I’m writing and posting a track sketch. These are works-in-progress (WIP), not finished mixes (I only put max 2 hours into each one!) — the goal is to practice showing up daily, experiment with new ideas, and share the creative process openly instead of waiting until everything is “perfect.”

• Concept: Inspired by Momma! Mom came over and we picked a sample together to play with  
• What I practiced: Filters, effects, arppegiators, synths, some drums

• Imperfections: Definitely needs a counterpoint melody to keep things inteeresting, but i like where this is going, how the build sounded 
• Influences: 1980s movies and my LA friends who can’t wait for the metro to open in 2028!

Drop me a comment if a moment catches your ear! I’d love to hear what stands out to ya!

Tracktober 025 - LA 1984

Taken from the "Days Of Violence" LP
Release date: 16.02.2016

Buy the LP on Bandcamp:
► megahit.bandcamp.com/album/days-of-violence-lp

More info & contact:
► facebook.com/megahit.retrowave
► twitter.com/megahitrw
► http://megahit.xyz


The Slum

1.Shapes and Shadows (Introduction) 01:27
2.Sunset Beach 04:35
3.On The Horizon 03:46
4.Speed Boat Theme 03:45
5.At Sea 03:36
6.Finest Memories 03:00

Credits
Music by Marius Christian Rolfsen 
Cover Artwork by Forces Creative www.forcescreative.com 
Logo by Bendik Bratseth www.behance.net/Bendiko
Youtube: https://www.youtube.com/watch?v=G8PVTiknvs4

released June 1, 2016

Speed Boat Theme

Buy Now

ZAYAZ - Afterburner

Be With Me

Sagan's Quest

High Beams from the album Turbulence http://miaminights1984.bandcamp.com/album/turbulence

High Beams

Escape Velocity
A mini mix from Otrebor’s Velocity EP

Make sure to follow an enjoy all of Otrebor’s music here: https://soundcloud.com/otrebor_12

The Binary One Collection Volumes 1-3: thebinaryonecollective.bandcamp.com/releases
Join The Binary One Collective Community:
Discord: discord.gg/5xqAhfF
Facebook: www.facebook.com/The-Binary-One-C…101502034724811/
Instagram: www.instagram.com/binary.one/
Twitter: twitter.com/TheBinaryOneCo

0:00 Track 1 - Conexion by Otrebor
https://soundcloud.com/otrebor_12/conexion

3:34 Track 2 - Leves by Otrebor
https://soundcloud.com/otrebor_12/leves

6:05 Track 3 - Velocity by Otrebor
https://soundcloud.com/otrebor_12/velocity-1

9:48 Track 4 - Dimension by Otrebor
https://soundcloud.com/otrebor_12/expansion

12:49 Track 5 - Turbio by Otrebor
https://soundcloud.com/otrebor_12/turbio

Escape Velocity

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


High Beams

MIAMI NIGHTS 1984

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