Maybe it was a dream..... after all we need some life in us that keeps us not knowing wut our future holds

Pulsatron

Download

Stunner

With this track we celebrate 200k plays on Soundcloud! 
Thank you so much earthlings.

After Disrupted Cryonics...

Getting out of the Cryotube, we find ourselves awake in an age where nanobots have taken over:
The Age of Nano

This track is a continuation of "Disrupted Cryonics"

The fast paced synths are describing the complexity of nanotechnology and the way nanobots communicate.

Hope you guys enjoy this quirky and mystic composition of ours.

Special thanks to VHS Glitch for the cover art, Dynatron for the logo and BIG BIG thank you Maya for the inspiration!!

https://vhsglitch.bandcamp.com/
https://soundcloud.com/vhs-glitch

https://soundcloud.com/dynatronsynth

https://soundcloud.com/mj-black-1


STARFORCE - Age of Nano

This is my remake of Powerglove's track Hunters from the movie Hobo with a shotgun. Go see Hobo with a shotgun if you haven't already!

http://soundcloud.com/powerglove
http://ca.hobowithashotgun.com/

Powerglove - Hunters (Lazerhawk remake)

To lease or buy this beat : https://bsta.rs/rWVG0M

To Lease Or Buy

Night Time (Orchestral Movie Trailer Epic Music Soundtrack)

Melbourne-based producer Future Fate's debut release, 'EP 1', is a warm and nostalgic journey into electronica that takes the listener back to the era of mid-80's futurism and through a maze of dreamy Electro soundscapes. 

Composed of two original tracks, Afterglow and Arcane, you could easily be forgiven into thinking that Future Fate had travelled back in time, armed with an arsenal of modern day production techniques and unleashed them all straight into the heart of a Commodore 64

Future Fate - Arcane

Maximum Potential

One last Time

buy here : https://sequencer-exe.bandcamp.com/album/voyager-reflections
follow sequencer : https://soundcloud.com/sequencer-exe
follow me : 
https://open.spotify.com/artist/5jRI8tNLOYDAqv7r0mmGpr
https://vosto.bandcamp.com/
https://twitter.com/VostoSynthwave

Metro Holografix

Sequencer - Home ( Vosto Remix )

Encounters is available to purchase from
https://nostoppingepoch.bandcamp.com/album/encounters

See you in the void, Newtypes.

Learn about Encounters in Epoch's own words
www.retropromenade.com/2019/02/05/epoch-encounters/

Follow Epoch
soundcloud.com/nostoppingepoch
twitter.com/nostoppingepoch

Music written, performed and recorded by Barry Topping

Special Thanks
Retro Promenade; Calzo Houdini; Kyle Murray-Dickson; Thomas Temple; Drew Millar; Jamie MacKinnon; Owen O'Donnell; Ria Jenkins;
Chopemon; Jim Purvis; Zack Frost; Mike Mendoza; Rick Shithouse; David Smith, & Texas Tom

Barry Topping ⋆ Keys, guitars, drums, programming
Kyle Murray-Dickson ⋆ Keys
Drew Millar ⋆ Keys
Thomas Temple ⋆ Lead Guitar
Calzo ⋆ Lead Guitar
Jamie MacKinnon ⋆ Lead Guitar

Owen O'Donnell ⋆ Artwork

© Barry Topping 2020

Formula

Out of the Blue

Garth Knight - Mainframe

A part of 'Introspection', out on @lazerdiscsrecords
Full album : https://fanlink.to/BMBintro

Support Billy Mays Band :
Spotify : https://open.spotify.com/artist/4OCWKdHXyAHrA4JHEGl9KE
Facebook : https://www.facebook.com/billymaysband
Bandcamp : https://billymaysband.bandcamp.com
Twitter : https://twitter.com/BillyMaysBand
Instagram : https://www.instagram.com/billymaysband

Written, arranged & produced by Kevin Mascaut
Mixed and mastered by Dimitri Guindet & Kevin Mascaut at Yoshinen Studio, Strasbourg (FR)

Cover, artwork by @Atomcyber
www.facebook.com/atomcyber/

Introspection

Videostore

This remix was my entry for the GUNSHIP "The Drone Racing League" Competition.

Original track by GUNSHIP :
https://soundcloud.com/gunshipmusic/the-drone-racing-league-1

Remix composed, mixed by Lueur Verte.
Mastering by Dynatron.
https://soundcloud.com/dynatronsynth

Free Download

GUNSHIP - The Drone Racing League (Lueur Verte Remix)

Check out the new video for "Onslaught" :
https://www.youtube.com/watch?v=6TljlZCiJSE&t=17s

Album available now!
https://radicalbicep.bandcamp.com/album/exists-returns

OnslaughtMasters 

Onslaught

Mirage EP

Mirage

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


One last Time

MIAMI NIGHTS 1984

Recent comments

DON EIN KILLUMANATI

DON EIN KILLUMANATI

Can Önder

MANHUNT

Related tracks