80 synths

Produced by Ere Ek
Cover art by Ere Ek
Mastered by Mauri Syrjälä

Drive-By Stalking

All recorded on the tape, the memories of the first steps, the days at the beach and the most beautiful journeys of our life. Accompanied by a musical journey with the classic background noise of the old VHS and slight distortions that mix everything. Just insert the video cassette into the video recorder and relive them as if it were happening right now.

credits
releases September 12, 2022

Arrangements, mixing & mastering by Johnny Ola.

Cover art by G.B.

Spotify: open.spotify.com/artist/6DdIYvCbpQpUbNProuaJMJ?si=5siivGPdSvK3u_vNzTOxEw

Facebook: www.facebook.com/johnnyola87/

Youtube: www.youtube.com/channel/UCmf-X3r9-C3ALfIyuR3iLdQ/featured?view_as=subscriber

Instagram: @johnny_ola87

Magic Kids

With this track we celebrate 200k plays on Soundcloud! 
Thank you so much earthlings.

After Disrupted Cryonics...

Getting out of the Cryotube, we find ourselves awake in an age where nanobots have taken over:
The Age of Nano

This track is a continuation of "Disrupted Cryonics"

The fast paced synths are describing the complexity of nanotechnology and the way nanobots communicate.

Hope you guys enjoy this quirky and mystic composition of ours.

Special thanks to VHS Glitch for the cover art, Dynatron for the logo and BIG BIG thank you Maya for the inspiration!!

https://vhsglitch.bandcamp.com/
https://soundcloud.com/vhs-glitch

https://soundcloud.com/dynatronsynth

https://soundcloud.com/mj-black-1


STARFORCE - Age of Nano

Pixie Run

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Facebook: www.facebook.com/EmpireMusicWorldwide
YouTube: www.youtube.com/channel/UC_GFdLD7WJPazGSkiln3oVw
Bandcamp: www.submorphine.bandcamp.com/

UltraNova

Early Summer

The Getaway

Nighthawk

AM 1984 - Miami Days

Paradise

Official remix of Ghosthouse's Stop Drop & Roll!! Get the high quality version and other remixes here http://ghosthousechicago.bandcamp.com/album/stop-drop-roll

Stop Drop & Roll Miami Nights 1984 RMX

High Beams from the album Turbulence http://miaminights1984.bandcamp.com/album/turbulence

High Beams

Final Djs/One Day In The Sun feat Stee Downes MN84 RMX

OFFICIAL remix of Sally Shapiro's "Starman" feat Electric Youth!!! Buy it here https://itunes.apple.com/us/album/starman-feat.-electric-youth/id591371630
http://shop.paperbagrecords.com/products/starman-single

Starman feat. Electric Youth (Miami Nights 1984 RMX)

Miami Nights remix of Night Crawlers "Road Blaster" Download the EP for FREE!!
http://nightcrawler.bandcamp.com

Night Crawler/Road Blaster (Miami Nights 1984 RMX)

Nightland

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


The Getaway

MIAMI NIGHTS 1984

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