the "ta-ta-to-piu" is a bit to repetitive and up front for my taste, other than that I like the mix and especially the fat bass sounds.

Great mix! Personally would have loved more harmonic variation, but i think this piece is totally appropriate for the style! Great job!

Like early Aphex Twin.  Nicely done.  A bit self similar for my tastes.

This has a very good sound, esp as that pad joins in.

its a big sound from 8 instances, nice job

To me you mix needs a bit of work as it felt like the bass frequencies were too dominant and sometimes masked the other elements.  the

My favourite submission. Filthy bassline in perfect contrast with the chilled out pad. And fantastic groove throughout!

That is a great wall of sound. Enjoyed this a lot.

More on this 567th weekly Disquiet Junto project – Three Meters (The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures) – at: https://disquiet.com/0567/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0567-three-meters/

5 6 7 8 (disquiet0567)

My contribution to Disquiet Junto Project 0567: Three Meters.

The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures.

Three random samplers controlling the notes, timbres and volumes of three synths, put through some effects to mush up the sound a bit.

More on this 567th weekly Disquiet Junto project – Three Meters (The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures) – at: https://disquiet.com/0567/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0567-three-meters/

disquiet0567 Weaving

Disquiet hacking warning. I didn’t feel like doing something rhythm-focused, so I doubled down on Blippoo box style clocking. 

Three generative VCV voices all driven by a single chaotic clock. Each voice is assigned a clock divider (5, 6, and 7) to meet the 3 meters requirement. 

Disquiet Junto Project 0567: Three Meters
The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures.

Thanks to Łukasz Langa (aka RPLKTR) for instigating this project.

Step 1: The week this project is published, the Disquiet Junto will be doing its 567th consecutive weekly project. Think about those digits and how they relate to each other.

Step 2: Record a piece of music that moves between — and perhaps even overlays — 5/8, 6/8, and 7/8 time signatures.

Learn more here: https://llllllll.co/t/disquiet-junto-project-0567-three-meters/59494

Disquiet0567 Unruly Meters

Disquiet Junto Project 0567: Three Meters
The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures.

Step 1: The week this project is published, the Disquiet Junto will be doing its 567th consecutive weekly project. Think about those digits and how they relate to each other.

Step 2: Record a piece of music that moves between — and perhaps even overlays — 5/8, 6/8, and 7/8 time signatures.

Notes: In this case I have the three parts play back to back and then overlay each other in different combinations.

disquiet0567

For my first participation to the Disquiet Junto Project, I chose the theme of the lullaby because it' s a genre that I am passionate about and that I have already worked on in the past.
The melody I used as a guideline comes from a very old Welsh lullaby called Peis Dinogat (Dinogad's Smock). It appears in a 13th century manuscript but was probably composed some century earlier. The lyrics, which I have deliberately left out in order to turn it into an instrumental piece, tell of a father's exploits on the hunt, perhaps in the mode of lament. Among the list of animals, there is mention of a place, Derwennydd Falls, whose precise location is open to speculation.
To fit the lullaby genre, I have kept the melody in all its beauty and simplicity by repeating it from beginning to end. The use of panning is also there to suggest the pendulum movement.
Enjoy your listening!

Derwennydd Falls (disquiet0571)

For this track I used 17 instances of Subtractor which was the first and only synthesizer in Reason 1.0 back in 2001. 

For reverb and delay I used Reason's DDL-1 and RV7000. For creamy long reverbs I used a free plugin by Airwindows named Galactic 64. On the masterbus I used Channev by Analog Obsession which is a free mastering plugin.

Subtractor - What Comes From Within

8 instances of kHs ONE vst in Bitwig

Bitwig plugins:
- drum machine
- timeshift

3rd party plugins:
- kHs Snap Heap (free modules + SliceEQ)
- OTT

miau - One Techno Please (One Synth Challenge #169)

an excerpt of the intro of a song written by my good friend Dyniss from back in the day when we were in a band together (lead vocal - Dyniss, harmony - me). It's a good example of our vocal tandem when we sang together. 

Here is a cover of Dyniss's band covering "We Can Work It Out", with me on vocal lead: 
https://soundcloud.com/user-432503709/we-can-work-it-out-with-dyniss-vocal-mark?in=user-432503709/sets/singing-stuff

Here is a medley of Dyniss tunes recorded from our rehearsal sessions:
https://soundcloud.com/user-432503709/dyniss-ditties-bestest-bits?in=user-432503709/sets/compilations

For more about Dyniss, visit http://dyniss.com/

Live in the Studio

Less Than Me (intro harmony / song by Dyniss)

Original song using KORG Gadget2.
Photo: PexelsでのSoly Mosesによる写真: https://www.pexels.com/ja-jp/photo/8810608/

Have a sweet dream

So, I was messing around with waveguides in csound ... like you do ... when one thing leads to another!

Enjoy the accompanying visuals @ https://youtu.be/z6aLVAotCII

visuals (YouTube)

halF chaotiC

basking
in the New Year's sun...
my trashy hut
 

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd January 2023

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Jonathan M. Hethey https://unsplash.com/photos/photography-of-grass-with-sun-light-ka9D9DiEVvw

miau - One Techno Please (One Synth Challenge #169)

miaulement

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