Thirteenth

Released at Transmission64 - April 24th 2021

3 Channels. No Samples
8580 sound chip. 5x speed

https://csdb.dk/release/?id=203413

Thirteenth

2nd place in ZX Spectrum AY music compo on Lost Party 2021

PT3: https://zxart.ee/eng/authors/p/pator/lost-memories/

Lost Memories

2x AY-3 soundchip (Turbosound) on ZX Spectrum,
Took 2nd place @ Xenium 2021 chip competition:)

.PT3:  https://zxart.ee/eng/authors/p/pator/ay-machine/

AY Machine

Recorded from a real C64 with 8580 SID

Released 4 September 2021 at Gubbdata 2021

CSDb: https://csdb.dk/release/?id=207902

Playa de los Gatos

Luna is a demo, produced by the newly formed Slay bells demo group. Visulas by Chunna and Darya, soundtrack by Higher (than). 
You can watch the demo here: https://youtu.be/idNT3TYENzs
Luna won 3rd place on the main demo compo of Deadline 2021. 
Enjoy! :)

Luna

My entry to the Freestyle music compo at Inércia 2021. It got 2nd place.

We Should All Be Together

1st place in deadline 2022's oldschool music competion.

dalezy - Kivi Borotva (c64)

My entry into Inércia 2022 Freestyle Music Compo. Made in two afternoons and made the deadline by the skin of my teeth!

Made in Renoise.

I might carry on working on it and produce a final version.. but here's the version released at the party

[Update] I won!

Lisbon Nights (Party version)

32-channel Impulse Tracker module
sound: Yamaha DX7 (emulated), miscellaneous drum samples
tools: OpenMPT, wine, Dexed
Nordlicht 2017 tracker music compo

L'Escadrille de Scooters Aériens

I started to write this tune... on June 4th 2018. I didn't remember that, honestly, and it's really odd because today it's June 3rd 2020.
At that time Atlantis was planning to do a demo for the Datastorm 2018. I think we had already come up with the theme and (as far as I remember) I was asked to write a tune. I finished it on July 22nd. I don't remember much about the composing process, except that it was painfully hard because the tune is one of the longest I've ever written.

it's made up of 2 parts. The 2nd part is a sort of tribute to one of my favourite bands. In fact I wrote two solos that were meant to sound as if the soloists of the band had played them. Of course they would have played much better solos than the ones I wrote... :)

In the end the tune was not used for the demo and remained sealed in our vaults... Until recently, when Doc Science asked me if we could use it for the scroller he was coding for the "Most Unreadable Scrolltext Scroller Compo (Mibri Edition)". He showed me the scroller and it was really amazing! That's why I asked him if I could write a new tune. Actually I never liked my "Datastorm" tune very much, maybe because it was too dark and gloomy (it was made on purpose, though), so my new tune turned out to be a quite merry one... maybe more suitable for a shoot'em up game than for Doc's scroller... :D

So finally we decided (and I must thank Doc Science for that!) to keep the old tune, which fits much better!

You can download the scroller from the link below:
https://csdb.dk/release/?id=191398

I also absolutely have to mention SRT for his magnificent graphics, part of which you can admire in the thumbnail, and Mibri, who inspired and co-organized the compo (with Genesis Project's hedning), broadcasting all the entries during the live shows on his twitch channel (https://www.twitch.tv/mibric64)!

Unlayereadibility

Unlayereadibility (Most Unreadable Scrolltext Scroller Compo)

https://tbkgao.bandcamp.com/album/room-to-room
https://tbkgao.bandcamp.com/album/room-to-room

2nd full album!

Now that COVID-19 has made thinking about death and living more accessible, I made an album on gameboy based on the concept of escaping from the desire to live and die.

For the artwork, I asked my favorite pixel artist toyoya to draw two rooms (a bright room and a dark room) in pixel art on one artwork.

Because in COVID-19, the more people in a room, the more you have to be aware of death when moving from room to room, and I wanted to immerse myself in the music even in such situations.
I also wanted to be able to express the feeling of being alive and dead in two rooms.

And since I alternated between sunny and not-so-sunny rooms in my home to make this album, I thought the album artwork and title would be a good fit.


COVID-19で死や生きることを考えることが身近になった今、「生きたい」「死にたい」という欲望からの脱却をコンセプトに、ゲームボーイでアルバムを作りました。

アートワークは、大好きなピクセルアーティストのtoyoyaさんにお願いして、1つのアートワークに2つの部屋（明るい部屋と暗い部屋）をピクセルアートで描いてもらいました。

というのも、COVID-19では部屋の中にいる人数が多いほど、部屋から部屋へ移動する際に死を意識しなければならないので、そんな状況でも音楽に没頭したいと思ったからです。

あとは、2つの部屋の中で生きているときと死んでいるときの感覚を表現できるようにしたかったのです。

そして、このアルバムを作るために自宅の中で日当たりの良い部屋とそうでない部屋を交互に行ったり来たりしていたので、アルバムのアートワークとタイトルがしっくりくると思いました。

Room To Room

Dear Ghost

Bandcamp

幽霊へ(Dear Ghost)

Commodore 64 music, mostly. Member of the demoscene groups Atlantis, MultiStyle Labs, and Proxima. All tracks featured here were recorded from real hardware. SID still rules...

Playa de los Gatos

Mibri

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