Hust Hust

Sequenza On (E)

https://soundcloud.com/somfay posted this utube video recently on twitta, and while I was watching it, I was ripping this 12".
I thought it was striking and it resonated with me strongly... Also, with all these terrifying events that have taken place lately, maybe it will resonates with you also! 
x ripa

Music: APC edit 001
Donella Meadows "Down to Earth" speech delivered in 1993 at a Sustainability Conference in Costa Rica: https://www.youtube.com/watch?v=bxowxs22jFk

APC X Donella Meadows - Down To Earth

Live recording Montpellier

Valentine Michaud and Akvilé Sileikaité; Saxophone and Piano

Musique pour fleurs

Audrey Danza is a flourishing name on the Swiss underground music scene. The DJ and label owner has become known for her genre-spanning sets which take in a wide breadth of sounds from trance, Italo and techno to post-punk, percussive and industrial — there's still a sense of her love for all things cosmic that comes through.

In her home of Geneva she's a resident DJ at Motel Campo, a night club-cum-art gallery in Carouge. It's alongside the co-director of the club, Nicolas Oggier, that she runs Proxima, a new label launched in lockdown last year.

Following their first release, a 1984 Belgian single, the pair released a compilation called Dancefloor Memories. Featuring the likes of Powder, Neu Verboten, BSS, NVST and more, the release explored the artist's memories and epiphanies on the dance floor through the medium of music, combined with a podcast series that delved into the subjects further.

There's plenty more to come on the label this year, mainly on the reissue tip, plus Audrey's working on new music and remixes herself and planning to spend her time living between Geneva and Berlin. 

Here she takes us over the midweek hump with an energetic mix of sounds to help give you a 'cosmic perspective'...

Audrey Danza: The 'Shine A Light On' Mix

Fixed media, 2 channel. 
glasses, water, resonant room, two dpa 4006 omni
Zurich University of the Arts – with Valentina Pini

to be said

to be said (2023)

BARTOSZ KRUCZYŃSKI - SPRING MIX 2016 (May 2016)

Taken from the Auf Dem Hof Remixes E.P. by Kalabrese
Stattmusik, December 2006

Auf dem Hof (Ludron dub) by Mimie Nana & Crowdpleaser

Out now on Cheap Records 50
taken from theHust Hust EP

Co-produced with Micha Seidenberg, with sampels fom Berio’s Sequenza #7b
at Vic20 Studios, 2009 Geneva.

Sequenza on (E)

Comme un indien qui colle son oreille au sol, Olga scrute la terre, elle chasse l'imperceptible. Craquements, tremblements sismiques, parmi les phénomènes auditifs l'artiste s'intéresse au microscopique. Lors de ses performances live, elle met souvent en place une spatialisation sonore pour faire évoluer les signaux, naturels ou artificiels, préalablement capturés via des accéléromètres, des hydrophones et des détecteurs électromagnétiques.

MOSESPA 2019

OLGA KOKCHAROVA - Le Champignon Parle - 25.09.2019 Motel Campo

Switzerland: Our final day of filming from snowy Polaris Festival kicks off with Zurich-based Jamira Estrada.

Jamira Estrada | Boiler Room x Polaris Festival: Day 3

New mix down !
(borrowed from the great Perfume Genius)
http://www.youtube.com/watch?v=2ytGTtn7q5c

Perfume Genius - All Waters (Crowdpleaser’s Walkin’ Boots 2018 mix)FREE DOWNLOAD

I am a composer. Metaphorical transformations of extra-musical contents and models are a constant in my compositional work. I consciously seek the intermedial friction associated with these transformations. Thus, for example, elements from haptics, spatiality or kinetics, but also psychological, socio-political and linguistic phenomena, are key issues in my work concepts and language has a powerful role when I work with them. Alongside conceptual questions, however, there is always a clear commitment to the sensual in music - to all that can only be experienced by hearing, performing or showing. 
Decisive new impulses for my work have recently come from two different perspectives: my involvement with computer-assisted composing methods and sound synthesis as well as the collaborative work with the artist Valentina Pini. Her playful and highly intelligent visual language, often related to alchemy and magic, is very inspiring and reflecting upon the materials, notion of space and more generally about concepts of visual art has influenced my artistic perception and thinking. 

I've written works for, with and without electronics which have been premiered by ensembles like ensemble recherche (Germany), Galatea Quartet (Switzerland), Ensemble Ascolta (Germany), ensemble proton (Switzerland). 
I live currently in Zurich and teach orchestration at Zurich University of the Arts.

to be said (2023)

Micha Seidenberg

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