A most intriguing collaboration. I hear elements of both of your distinct sounds confronting each other to find a third way.

Amazing mix of sounds! Such an incredible atmospheric piece!
Congrats on a wonderful collab🙏🏻

feeling the turbulence of swirling underwater currents

psychedelic swirl, some trademark calebass sounds but definitely through a less familiar lens. Will have to check you out.

Wonderfully fascinating mix of instrumentation and shifting sonic textures.

https://open.spotify.com/album/5nLGX0T76SElkNfZi9Gmhe?si=jwhD6mMnQS6kmcRLf2FEcw
Electronic music synthesizers, guitar and vocals
art work, a pic of me, playing guitar in the band Beef.

After All This Time

Guest Musicians
STONERJAZZ/Guitars & Vocal
https://soundcloud.com/user-911083679
The Windscale Blues Experiment/Wind instruments
https://soundcloud.com/windscaleblues

Production Note
https://furicomusicteam.blogspot.com/p/leaked-live-fmt-2.html
Original Version
https://soundcloud.com/user-596493783/bangriddim

Bangriddim 594 (Live)

(Peterson | Sharbaugh)
Calebass (Mikael Peterson) [ https://soundcloud.com/calebass ]: acoustic guitar, percussion and drums, and melodica
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: 'steely' guitar, drums and drum machine programming, synthesizer and sequencer programming, and 'found sounds'
Recorded by Mikael Peterson [Calebass] [ https://soundcloud.com/calebass ] and Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ].
Mixed, Produced, and Engineered by Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ].
Words and Lyrics by Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ].
Composed and Recorded ca. December 7th, 2021 to January 3rd, 2022.
sm13 [32AIF] [raw].

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"Bittermouth II" has a 'sister' recording, which preceded it, "Bittermouth I" [ https://soundcloud.com/michael-ash-sharbaugh/bittermouth-disquiet0520-on-the-clock-sm7 ].

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"I, for years, had wanted to collaborate with this fine, unique artist, Calebass; this is the fruit of that labour.

Thank You, Mikael!

"

~ Michael

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Bittermouth II (feat. Calebass)

Bittermouth II

"Bittermouth II" - Michael Ash Sharbaugh + Calebass

Bandcamp

Excalibur

Wishing peace and happiness to all those who visited this track.
The most happy everyday life is that the person is filled with happiness. In a familiar place, spread your kind heart and thank you. 
Doves, a symbol of peace, fly around and pray that the clear blue sky will return in the days of peace.

Daily Life of the Peace (Peaceful Daily Life in Ukraine)

Other versions:
https://soundcloud.com/albobbidwell/the-richest-man-in-town-0
https://soundcloud.com/albobbidwell/take-yr-mask-off
https://soundcloud.com/albobbidwell/the-richest-man-in-town-7
https://thescousers.bandcamp.com/track/the-richest-man-in-town
https://thescousers.bandcamp.com/track/richest-man-in-town

The Richest Man in Town / Take Your Mask Off

https://youtu.be/9iOInhnbH2Q ars goetia mix by noxpox

noxpox - primal ooze

Falling

Llwybr wedi gordyfu ("The Overgrown Path")

Copyright Nat Daniels 2020
Gentle Rain Records

How quickly we go from childhood friends to adults in a moment..  the sun burnt up on the ocean, and we awoke to a new understanding..   
I'll always see you there..   Whenever I play.. Elvis Costello.   

Mastered and Mixed by Junkheap  -  My Profound thanks to you Dave xx  You're amazing!
Written by Nat Daniels, and Performed by Nat Daniels & Junkheap
Piano, Vocals and Guitar: Nat Daniels
Bass, Percussion, Backing vocals and Synths: Dave T
Lyrics:

Late one night you came to my door without warning.
You just kissed me without even saying a word.
The dust from the desert still clung to the flag on your uniform. 
We had only a moment, before you’d return in the dawn.

Looking down, you hated to leave...
Then you said please wait for me.

I recall nights listening to Elvis Costello.
Every slow breath you took a sleep in my arms,
Every sunset we saw burn up on the ocean, 
And I am still, I’m still there with you, 
Whenever I play Elvis Costello...

Young love always have great expectations.
But I guess we couldn’t survive though we tried.
Like a car changing lanes, our lives did the same in so many ways.
But the memory of you stays a page in the life I will write.

We moved on, but you still remain,
In a time we won’t have again.

I recall nights listening to Elvis Costello.
Every slow breath you took a sleep in my arms.
Every sunset we saw burn up on the ocean,
And I am still, I’m still there with you, 
Whenever I play Elvis Costello. 
Oh whenever I play ….  Elvis Costello.

Whenever I play Elvis Costello

Whenever I Play Elvis Costello ft. Junkheap

Musique EmmaJack
Paroles : Vincent Rothenburger
https://youtu.be/LLzR5PntlXM
Les pluies acides 
-Les parricides  Sont à plaindre Car ils sont orphelins -L'extralucide ne peut craindre les plis de son destin -Par temps humide Les noyés Lèvent les yeux au ciel -Les pluies acides Font pousser Les fleurs artificielles  Les catastrophes  Atténuent  La surpopulation -On a l’étoffe Décousue Des héros en cal’çon -L’amour trucide Sans pitié  Les marguerites si belles -Les pluies acides  Font pousser  Les fleurs artificielles  -Les W-C sont Sans issue Dans les débits d’ boisson -En avril on A pendu Haut et court les poissons -On se suicide par gaieté Car l’amour donne des ailes -Les pluies acides  Font pousser Les fleurs artificielles  -L’air se voit quand Il fait jour Les cibles sont plus belles -L’air nonchalant Des vautours A dévoré le ciel -Masques du vide Tes baisers Font des trous dans mes ailes -Les pluies acides  Font pousser Les fleurs artificielles

Les pluies acides 🌸

POP | SPACEROCK | AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Michael Ash Sharbaugh is a composer of music and poetry, a lead vocalist and synthesist who hails from Philadelphia, PA. Since 1985, Michael has released hundreds of recordings, but known primarily for his atmospheric pop ("Give Yourself Completely"), jarring spacerock ("Dying in the Killing Jar"), and ambient-experimental works ("Infrastructure," "point65c," "Three Aimless Clouds").

Michael's sound is a synergy of 'darkwave-y' electronica and 'trip-hop-y' psychedelia: bass-laden rhythms form the gravity for his own breathy vocals and his soundscapes of dizzying synths and 'found sounds.' His ambient and experimental musics are soothing, and somewhat 'alien' to the ear: they float and shimmer, meander, and -- more often than not -- haunt.

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the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

- + -

#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd

"Bittermouth II" - Michael Ash Sharbaugh + Calebass

Michael Ash Sharbaugh

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