awesome soubds..love the mellow and that backgrounds..great

cheers for having a listen


i think it's time you have to go
but i think you knew this long ago
it happens to the best of us, cast aside and left to rust
you know thats just the way

then the realisation's taken hold 
you been left out in the cold
frozen out the welcome mat, took away and not put back
you know thats just the way

you made your peace now with your past
except some things aren't meant to last
everyone will tell you you'll get through
keep keeping on thats all you do
cos it's the only way

where would you go what would you do
there's a big old world in front of you
and it's hurtin now more than before, through heavens gate to the devils door
you know we lost our way

take a seat it won't be long, all the pain will soon be gone
you know thats just the way
make your mind up right or wrong, the way we're going it won't be long
thats the way

Thats The Way

Here’s tonight’s one-take performance of the famous (and oh-so-difficult) Moonlight Sonata—1st part. This is a reimagined, slightly chaotic “mumbo jumbo” rendition. Pointless? Maybe. Useless? Perhaps. But if I can make someone smile or evoke any emotion whatsoever, I’m more than happy.

I’m truly excited to have performed this for you.

Let me know your thoughts, but more importantly, tell me how it made you feel. Did it spark anything inside?

After playing it through more than 4 or 5 times tonight (and battling some technical difficulties—still a rookie with my new setup!), I’ll soon record a straightforward version for you as well.

I hadn’t played this piece in at least 20 years, and I’m pretty sure I never performed it in any recital or concert... not that I can remember anyway.

So here it is, raw and unpolished—just me, the music, and the moment. I hope you enjoy!

Mumbo Jumbo on Beethoven's Moonlight Sonata

(Book, Lucero, Paskowitz, Paskowitz, Perdichizzi; arr. Sharbaugh)
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: vocals, drums and drum machine programming, synths and sequencer-programming, samples and sample-editing, and 'found sounds'
~BONES1327~ [__]: guitars
Composed and Recorded ca. 1998 to October 10, 2025.
sm91 [FV] [RAW] [48-32AIF].

-+-

hey, what's the point of this?
oh hey, what's your favorite song?
maybe we could hum along?

well, I think you're smart
you sweet thing
tell me your name
i'm dying here

ah-ooh, got you where I want you, oh yeah
ah-ooh, got you where I want you, oh yeah

hey, maybe just a smile?
oh hey, did you know that i can dance?
could we talk for a while?

well, I think you're smart,
you sweet thing,
tell me your sign
i'm dying here

ah-ooh, got you where i want you, yeah
ah-ooh, got you where i want you
where i want you, i want you, yeah

(suffer, suffer
me don't get no rougher
rub it up, baby girl, torture me like no other
suffer, suffer
me don't get no rougher
when me rock me, baby, put me pain on me, lover
suffer, suffer
me don't get no rougher
rub it up, baby girl, torture me like no other
suffer, suffer
me don't get no rougher
when me rock me, baby, put me pain on me, lover)

i think you're smart
you sweet thing
tell me your name
i’m dying here

ah-ooh
(suffer, suffer, me don't get no rougher)
rub it up, baby girl, torture me like no other)
got you where i want you
(suffer, suffer, me don't get no rougher)
yeah, i've got you where I want you
(suffer, suffer, me don't get no rougher)

yeah, i've got you where I want you, want you, want you
got you where i want you
i've got you where i want you
got you where i want you

-+-

WIP: "Got You (Where I Want You)" sm91 [full version] [RAW] [48-32AIF] (temporarily released)

Open Collaboration with IPG1 . Thanks Ian for opportunity with your fantastic vocal.

Timeline IPG1 Open Collaboration

Tuning 440
Timing 4/4 (Changed to 2/4 bar 49 this is to cheat the DAW into not stretching midi vs wav then anything else - delay on the beat achieves the actual step up in tempo after the timing change)

Chords // Bm  / G / Em //


JJ Calls

Praying hands
Whatever cause
Once the greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ Calls - Session 3

The Ones

🌌⏲🛸⁂©All Rights Reserved 08-2025
©Mixing, Mastering, Creator & Concept: Lady ElectroTrek 
***

Taking Off To Another Universe

Worlds Away

#dance #electro #edm #madonna #glitched #electronica #fusion #house #oriental

Happy people

Noisy Stabber (2025)

Cronolight

Original song by The Decemberist. 

Lyrics:
I'm an engine driver
On a long run, on a long run
Would I were beside her
She's a long one, such a long one

And if you don't love me, let me go

I'm a county lineman
On a high line, on a high line
So will be my grandson
There are powerlines in our bloodlines

And if you don't love me, let me go

And I am a writer, writer of fictions
I am the heart that you call home
And I've written pages upon pages
Trying to rid you from my bones
My bones

I'm a moneylender
I have fortunes upon fortunes
Take my hand for tender
I am tortured, ever tortured

And if you don't love me, let me go

And I am a writer, writer of fictions
I am the heart that you call home
And I've written pages upon pages
Trying to rid you from my bones
I am a writer, I am all that you have known
And I've written pages upon pages
Trying to rid you from my bones
My bones

And if you don't love me, let me go

The Engine Driver (acoustic cover, orig. song by The Decemberists)

DARK WAVE | SPACEROCK | VAPORTRAP | TRIP-HOP
AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Since 1985, Philadelphia-born Michael has composed and released hundreds of audio recordings, and published dozens of [erotic] poems.

His 'sonic-sojourn' began suddenly when he was just a teen -- feet splashing rhythmically through puddles leftover by a seaside rainstorm. Having just parted ways with the then-love-of-his-life, Michael composed his first ballad [and first song] ever -- "Tina." He rushed to his beach-side home to record his visceral 'awakening' on a tiny micro-cassette recorder, and vowed -- from that day on -- to create art for the rest of his life.

He began zealously amassing used music equipment, and had built a modest home recording studio by age seventeen, all the while crafting simple pop, ambient, and experimental works that HE had wanted to listen to -- that HE had wanted to hear, affectionately emulating the works of his then-idols, Duran Duran and Brian Eno.

Now, decades later, he has relocated to a small village outside Atlanta, Georgia, and continues to voraciously attend to his dream as a young, heartbroken boy -- to create and release music that he, himself, wants to hear.

Although no longer sequestered to pop and ambient musics, Michael's signature sound has merged the two, having integrated the R&B, hiphop, and psychedelia he has grown to love as a older gent -- having absorbed the edgy rhythms and dreamy soul of the southern United States (Atlanta and Miami).

Michael still puts forth ample amounts af ambient musics, but his recent 'sound' hovers elsewhere -- somewhere amidst the genres of vaportrap, spacerock, and trip-hop.

-+-

the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

- + -

#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd #skeler

WIP: "Got You (Where I Want You)" sm91 [full version] [RAW] [48-32AIF] (temporarily released)

Michael Ash Sharbaugh

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