Name: CELESTIAL OBJECTS III (2025) by Michael Bonaventure
Duration: 5 min 52 s
Description: The third and final constituent of my "Celestial Objects" trilogy, this time for organ alone. Starting and ending with B as its tonal centre, a meditative rotation of chords is heard in four musical 'paragraphs', undergoing various permutations along the way before reaching a grand, extended coda.

Thank you for this wonderful interstellar journey through its three parts.

Celestial feelings. Celestial resonance ♥️

3rd track from the side-project DODECAEDRO, with Mark Stone from Milan, here on vocals/lyrics; I put sounds and graphic layout.
Remixed with new sounds on 03/23/2025; published as track#2 into the compilation "Audio Report N" by IFAR:
https://ifarmusiqueconcretecompilation.bandcamp.com/track/o

DODECAEDRO(collab) ακλιόν oνειρόν

is there no gentle place?

The third and final constituent of my "Celestial Objects" trilogy, this time for organ alone. Starting and ending with B as its tonal centre, a meditative rotation of chords is heard in four musical 'paragraphs', undergoing various permutations along the way before reaching a grand, extended coda.

CELESTIAL OBJECTS III (2025)

three different textures from the archive of last two years combined in a track
work in progress

take your pills

Hiraeth

Session found in the folder: audio exam, contains several files that I am (finally) examining from a backup disc scan.
There is a lot of interesting material in my opinion.
The first few minutes suggested the title of the track (the original file name was 10.04.23.112023_04_10 11_49_41 2).
I'm not sure if it's really material from 2023, and I haven't yet checked if I have a folder containing this session.
The only editing done so far has been mid panning of the tracks and a cut of equal length, as it was about 17 minutes long.
Listening to it, I can assume that I used AAS's Chromaphone software, probably triggered by Mooges software via MIDI.
Chromaphone is an excellent physical emulation tool, very interesting for creating timbres and samples.

Further refinements may be made in the future.

Translated with DeepL.com (free version)

morse code *pay attention to your hears

September 24, 2025
Image - Tal R, Grapes, 2005

FOR TAL R

Walking down 7th Avenue on October 28th 2023, around 6 pm. Even though it's autumn, the temperature is high. It feels like summer. It's very humid and the street is crowded.
My phone (tucked in my pocket) starts to record on its own when I reach Times Square. 

The resulting one and a half minute long recording is the material for this particular soundscape, which I think captures the eeriness and the uncanny feeling I had that day. All sounds were processed on a Roland SP-404A sampler and recorded live to a stereo track. More soundscapes from various locations: https://isakanderssen.bandcamp.com/album/there-are-places-i-remember-2

New York City

From the the video "Silent Hill f Doesn't Know What It Wants to Be" on the Sav channel

As Time Realizes

Written in October 2025. Orchestra.
Inner View of Newcastle, Joseph Lycett.

Symphony 15 (ii)

Honestly just want some feedback if this would be good spa music. Or if the break in the middle kind of throws off the vibe. Let me know when you can! 

Lament of the Moons

Musician based in Edinburgh & Amsterdam. 
https://eighthtowerrecords.bandcamp.com/album/in-tenebris-ratione-organi
https://cantimagnetici.bandcamp.com/album/darenth
www.FireheadEditions.com
https://britishmusiccollection.org.uk/composer/michael-bonaventure 
www.scottishmusiccentre.com/michael-bonaventure

CELESTIAL OBJECTS III (2025)

Michael Bonaventure

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