Name: Don't Call Me Baby ( Charlie and the Fox feat Greg Willis ) by Mike Fox
Duration: 3 min 47 s
Description: Well , with this release by Charlotte and I with Greg on Sax , I tried to get a Spector sound , hope I succeeded , fingers crossed ! Next one out is on the 15th with US Lyricist Tony Harris , closely followed by a remix of a song I did with French Xavier Jaari . We hope you like this one , and thank you for all the support , it's outstanding !

Nice track, Mike and yes I think you achieved the “wall of sound”!  It sounds great!

definite wall of sound here..like the keyboard background..wonderful vocal....220 sax is excellent...mission accomplished I would say

Sounds ..vocal.. really good! …🌍☮︎👍

Could be useful for Scrabble, but I just like the sound of them !

Words That End In Trix

© Joe Liberty 2024. All rights reserved.

DownTheRabbitHole

To all the poor of spirit
The meek, the ones who mourn
Those who thirst for justice 
Unfettered by the scorn

Yours shall be the kingdom
The mercy and the win
Known too as the children
Of the beginning and the end
The beginning and the end

Ah rockem sockem, now it’s like this
If I may I be so bold
First world problems, sink or swim
Do the Rigamarole 

De facto mojo, just for love        
Well waddaya know about that
Oneness lies within plane sight
Do the Rigamarole 
Down the rabbit hole

Ah come on now

Down the rabbit hole
Do the Rigamarole

Solo

The stars that sparkle 
In the night 
Fade away into day light
As morning heralds in 
A brand new day

No it’s not rocket science
Just misunderstood 
Don’t wanna fret but can’t forget
Though I wish I could
Knock, knock, knock on wood

To the salt of the earth
That lights  up the world
From the dawn of time
Of the eternal Grind

Here comes the Welcome Wagon
With the rubber soul
The greatest story ever told
Down the rabbit hole
Do the Rigamarole

Ah come on now

Do the Rigamarole
Down the rabbit hole

The stars that sparkle 
In the night 
Fade away into day light
As morning heralds in 
A brand new day

DownTheRabbitHole

takechee

Low Battery

Dream Catcher -by.Chris.ZøBro 
(Original Version )

Dream Catcher

Piano/instrumental composition, and piano: Debra Buesking @debra_buesking
Melody composition for the voice, photo and voice: Oddrun Eikli
Studiowork: Arne Hiorth
Poem: Robert Frost (1874-1963)

Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Robert Lee Frost (født 26. mars 1874 i San Francisco i California, død 29. januar 1963 i Boston i Massachusetts) var en amerikansk poet. Han ble tildelt Pulitzerprisen fire ganger, henholdsvis i 1924, 1931, 1937 og 1943.

Stopping by Woods on a Snowy Evening. Debra Buesking and Oddrun Eikli.

Well , with this release by Charlotte and I with Greg on Sax , I tried to get a Spector sound , hope I succeeded , fingers crossed ! Next one out is on the 15th with US Lyricist Tony Harris , closely followed by a remix of a song I did with French Xavier Jaari . We hope you like this one , and thank you for all the support , it's outstanding !

Don't Call Me Baby (feat. Greg Willis)

Don't Call Me Baby ( Charlie and the Fox feat Greg Willis )

Just a simple mix of a simple groove for a simply good time

Signals

Opus81

Art Expressed in Music – Dali's Eccentricity, Feat. Belial Pelegrim
March 2024
Duration: 3:30
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting:  The Persistence of Memory
Bruce Klepper: music composition with melting clocks (“soft watches”) and sound effects
Belial Pelegrim: sound design
Listen to Belial's brilliant electronic music: https://soundcloud.com/belial-pelegrim
John-Marc Ventimiglia: tool to create the melting clocks (“soft watches”), gliss and panning tools, Dali sound clips Visit: https://soundcloud.com/john-marc-ventimiglia
Salvador Dalí (May 11, 1904 - January 23, 1989) was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, “The Persistence of Memory” was completed in August 1931, and is one of the most famous Surrealist paintings.  “The Persistence of Memory” epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time. As one art historian wrote: "The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order". This interpretation suggests that Dalí was incorporating an understanding of the world introduced by Albert Einstein's theory of relativity.  In August 1929, Dalí met his lifelong muse and future wife Gala, who was a Russian immigrant ten years his senior.  Dalí and Gala lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dalí's artistic repertoire included painting, graphic arts, film, sculpture, design and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. His eccentric and ostentatious public behavior often drew more attention than his artwork. In 1968, Dalí bought a castle in Púbol for Gala, and from 1971 she would retreat there for weeks at a time, Dalí having agreed not to visit without her written permission. His fears of abandonment and estrangement from his longtime artistic muse, Gala, contributed to depression and failing health. In 1980, at the age of 76, Dalí's health deteriorated sharply and he was treated for depression, drug addiction, and Parkinson-like symptoms, including a severe tremor in his right arm. Dali was obsessed with death. Feeling that any every moment he needed to be alive. At the end of his life, he is quoted as saying he was eccentric because he needed to show that he was alive as versus his brother who died very young and his family always referred to him as his brother. On the morning of January 23, 1989, Dalí died of cardiac arrest at the age of 84. He is buried in the crypt below the stage of his Theatre- Museum in Figueres. 
For strings, flute, trumpet, trombone, virtual instruments, sound effects and percussion.

Art Expressed In Music - Dali's Eccentricity, Feat. Belial Pelegrim

spectrum

An Islander's Progress; being a song concerned with empire and imperialism, and their consequences, and reincarnation.

". . . false accounts of the role Britain played regarding colonisation not only misleads students but supplies them with a false sense of pride. This filter on reality may then be applied to view topics concerning race, discrimination and equality in their adulthood . . . (as a result) . . . racism is embedded in Britain’s history and society."
― Martin Greenwood: The Impact of the Past: How British Colonialism Affects the Modern World: May 4, 2021

Lyrics:
Over the seas and far away (and far away)
When I was young, I joined the ships leaving from the harbour
“Fair winds and following seas” went cries to each and every boat
We hastened down to Africa, then caught the Trade Winds west
With foul holds full of sad lost souls to toil in lands remote
But I drowned off the Florida coast in a raging hurricane
My body lost forever, but my soul it did remain

Proud Islander I was my friend, one of our doughty sailors
Whose cargo to America brought us wealth and God’s good favors
Proud Islander I was my friend
Though hard these days to comprehend
Proud Islander was I . . . Proud Islander was I

Over the seas and far away (and far away)
When I grew up, I yearned to be a brave strong soldier lad
So, I upped and joined the army, and sailed east to India
When the sepoys rose against us, we strapped them to our cannons
And blew them all to Hell and back in the name of Queen Victoria
But cholera came to claim me in a ravaging blue death
My body gone forever, but my soul it would not rest

Proud Islander I was my friend, proud of our mighty regiments
That did our people all inspire by seizing lands and continents
Proud Islander I was my friend
Though hard these days to comprehend
Proud Islander was I . . . Proud Islander was I

Over the seas and far away (and far away)
When good Queen Liz attained the throne, I joined the colony police
And fought the Mau-Mau brutally, with torture and fell murder
Yet in truth I’ll willingly admit to a conscience slightly stricken
When I forced a poor young Kenyan girl to couple with her father
Years later they avenged her fate, strung me up by a noose
My body left for animals, but my soul it still was loose

Proud Islander I was my friend, proud of our glorious history
That encompassed many centuries, albeit often bloodily
Proud Islander I was my friend
You may find it hard to comprehend,
Proud Islander was I … Proud Islander was I

My friend I’ve lived for centuries, seen the rise and fall of nations
I’ve seen bright mornings shining while a dark night duly lengthens
For all my sins it is my fate to be reborn again
I’ve not atoned! Proud Islander, I still am my friend!

Proud Islander I am my friend
Though I find it hard to comprehend,
I’m never going to die . . . I’m never going to die
I’m never going to die

Vocabulary:
Sepoys: The term sepoy referred to all native soldiers in the service of the British East India Company's army. For a number of reasons, many sepoys were involved in the Indian Rebellion of 1857 against British rule. It's fair to say both sides committed atrocities during the Rebellion. It was repressed by the British and quite a few sepoys were executed as described in the song.

Mau-Mau: militant African nationalist movement that originated in the 1950s among the Kikuyu people of Kenya. The Mau Mau advocated violent resistance to British domination in Kenya. The British suppressed their rebellion by means of war with the Mau-Mau fighters and the use of detention camps for large swathes of the population.

Music: Michael Sellers; Sergio Aguilar
Lyrics: Michael Sellers; Gerry Verdier
Vocals: Michael Sellers
Guitars & bass, keyboards, & musical arrangement: Sergio Aguilar
Drums: Sergio Aguilar
Sound engineering & production: Sergio Aguilar
Album Cover photo: Image originally from cottonbro studio on Pexels
Cover design: Michael Sellers; Loretta Sellers Fortuny

One Singer Left to Mourn

An Islander's Progress

Buy at Bandcamp

Self confessed Music Addict ! I write and play/vocalise everything myself whether it be real or synthetic . Recently teamed up with Charlotte Thornton , and together we are Charlie and the Fox , it's the best thing I have ever done musically . Char has an outstanding voice , writes amazing lyrics and comes up with melodies I would never have dreamed of , it's a partnership that works so well , and long may it continue ! We thank you for listening , liking and commenting . Cheers , Mike and Char .

Don't Call Me Baby ( Charlie and the Fox feat Greg Willis )

Mike Fox

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