ASYLUM

LET YOU LIE

Third single from the forthcoming album — Dominion of the Damned

Dies Irae (Requiem for Heaven) marks the third descent from The Black Cross, a monumental chapter in the dark gospel of Dominion of the Damned.
Where the first two singles scorched the earth with fury and possession, Dies Irae opens the gates of heaven — only to burn them from within.

Led by Lilith’s haunting multilingual performance, the title track is a requiem sung in the tongues of the lost — French, Spanish, German, and Latin — a lament for the fall of light itself.
Michael answers with two of his most powerful works to date: “Wings of Dust”, a gothic metal elegy of broken angels, and “Blood Upon the Altar”, a relentless ritual hymn drenched in fire and sin.
The single closes with “Liturgia Obscura” — a brutal, defiant anthem where sacred Latin chants erupt into pure rebellion, sealing the unholy mass with guitars and thunder.

This is The Black Cross at their most cinematic and destructive — a requiem for divinity, a celebration of corruption, and a hymn for those who find beauty in ruin.
Heaven falls. Hell sings. The Black Cross stands eternal.

Liturgia Obscura

Venomous (Raised Fist Cover)

Love Like Lies (Aesthetic Perfection Cover)

Jagdzeit (Megaherz Cover)

Torn (Natalie Imbruglia Cover)

Mirror Of Flies (Psychokult Cover)

Gypsy Queen (S.O.R.M. Cover)

Repeat Until Death (Bombus Cover)

It Comes Alive (Electric Hydra Cover)

Hybris (Deadlock Cover)

The Black Cross is a gothic metal band conjuring soundscapes steeped in darkness, mysticism, and cinematic intensity. Formed as a ritualistic union of heavy riffs, haunting melodies, and baroque aesthetics, the band blends elements of hard rock, doom, punk, and darkwave into a force both brutal and beautiful.

Led by frontman Michael on vocals and guitar, the five-member coven includes the enigmatic Lilith (synth & vocals), the shadowy axe-wielder Cain (rhythm guitar), brooding low-end guardian Malach (bass), and the fierce and relentless Abaddon (drums). Each member represents a different facet of the band’s occult-inspired persona.

Their debut album The Chapel of Shadows introduced a new liturgy of sonic storytelling — songs like Velvet Crucifix, The Seraphim Lie, and Darkness Is My Friend explore themes of sin, salvation, and the sacred in decay. With theatrical visuals, powerful live performances, and an ever-expanding mythology, The Black Cross is more than a band — it's a resurrection in sound.

Listen. Worship. Burn the silence.