BRYAN SENTI COULD BE WELL KNOWN TO LISTENERS OF A WINGED VICTORY FOR THE SULLEN (DOES ANYONE REMEMBER THE WEIRD & WONDERFUL HIPPITY HOPPITY VIOLIN SOLO ON THE UNDIVIDED FIVE'S ADIOS, FLORIDA???? BRYAN APPROACHED ADAM SUMMER OF 2022 FOR A REWORK. I AGREED AS LONG AS I COULD RECORD A SIXTEEN PIECE CHOIR, SO I DID....

released July 7, 2023 
RECORDING & MANIPULATION OF BRYAN SENTI SOUNDS - OXDONK, BELGIUM @ AANTALVIER - 16 PIECE CHOIR RECORDING BUDAPEST, HUNGARY @ MAGYAR RADIO STUDIO 22 ORCHESTRATIONS ADAM WILTZIE - CONDUCTOR PETER PEJSIK ORCHESTRA CONTRACTOR MIKLOS LUKÁS @ EAST CONNECTION MUSIC - MIXED BY FRANCESCO DONADELLO @ SYNECDOCHE MUSIC RESEARCH

ADAM WILTZIE APU REMIX (Apu Minus Seven Plus Sixteen Voices)

01 Daylight Saving 3.13.22 - (master)

Hany and I are sharing a common heritage, we are both from the Vietnamese Diaspora, Hany from the german one and me from the french one. In this project we are gathering memories with field recordings, personal stories, traditional instrument and objects connected from Vietnam and childhood.

Vietnam Diaspora Live Performance with Hany, June 29 2024, at Zonoteka, Berlin

Finissage - You Won´t Find It By Thinking

@margauxgazur
Margaux Gazur - Blurred Memories
Smallville LP 18
Out 23rd of May

A1 Agata - 8’19
A2 Morning Ride - 9’24
B1 This Is Always - 10’41
B2 Madake - 7’56
C1 Su Phu - 9’20
C2 Someday - 7’31
D1 Blurred Memories - 15'13

Smallville LP 18 - Margaux Gazur - Blurred Memories

Tides is an Ambient artist originally from the South East of England, now residing in Aberdeenshire, Scotland, where the rugged landscapes and serene beauty deeply inspire both his music and photography. Having previously released on labels such as Dewtone Recordings, Shimmering Moods Records, Mystery Circles, and SoundGhost, Tides has spent years refining a sound that blends organic instrumentation, experimental processing, and deeply personal themes. With early days spent with Jazz, Funk, and even Deathcore, his journey toward Ambient music has been shaped by a lifelong passion for sound and recording.

Where Her Flowers Still Bloom is a deeply personal exploration of memory, grief, and healing, written as a response to witnessing his mother’s battle with early-onset dementia. As words failed to capture the weight of this experience, music became an outlet for reflection, with each track serving as a sonic expression of love, loss, and fading recollections. Through a delicate interplay of electric and acoustic guitar, piano, field recordings and granular synthesis, Tides crafts an album that is both intimate and expansive, drawing listeners into a world of nostalgia and emotional depth.

The album’s sound design is built on a fluid creative process that blends traditional recording techniques with experimental methods. Intricate textures were sculpted which blur the boundaries between composition and sound manipulation. With a young family, his workflow has been built around short bursts of time, balancing music with family life. This allows him to continuously sample, resample, and refine sounds into deeply immersive atmospheres.

Beyond its musical elements, Where Her Flowers Still Bloom is also a reflection on personal growth and transformation. Over the past year, Tides has embraced trail running, minimalism, and mindfulness as ways to navigate mental health challenges and to break cycles of consumerism and addiction. Inspired by artists like Austin Cairns (r beny), whose story of personal recovery resonated deeply, Tides has found balance through creativity and nature, shaping an album that is as cathartic for him as it is moving for the listener.

Credits:
Written and produced by Samuel Death
Mastered by James Edward Armstrong
Photography by Samuel Death
Art and design by Andrew Heath

Where Her Flowers Still Bloom

wlr184 Tides - Where Her Flowers Still Bloom

'Petrichor' is the third studio album from long-time collaborators James Osland and Andrew Heath, and serves as a natural continuation of their creative partnership following the release of Elysian Fields (2024), also on the esteemed Fluid Audio label.

The two artists were initially brought together by a shared admiration for each other’s work within the ambient music community. Andrew Heath is an established figure in the genre, with numerous albums and EPs released on respected imprints such as Disco Gecko, Whitelabrecs, Rusted Tone Recordings, Elm Records, and White Paddy Mountain. James Osland, meanwhile, is both an accomplished artist and the founder of Elm Records, a boutique label known for its thoughtful curation. His personal discography includes releases on Unknown Tone Records, Whitelabrecs, Flaming Pines, and Dewtone Recordings, among others. Osland’s practice explores the intersection of sound, memory, and place, working across both sonic and visual mediums.

Petrichor began to take shape during an exchange of ideas between the two artists in the late winter and early spring of 2024. As Andrew shared loops and sonic sketches, James found himself listening from his studio, watching the unrelenting English rain from the window. These moments of stillness-quiet reflections on the shifting of seasons-informed the mood and direction of the album.

What emerged is a collection of slowly evolving compositions, revealing gentle melodies, nuanced textures, and soft drones-much like the tender unfolding of early spring leaves. The album carefully weaves together field recordings, organic textures, and synthesis to create immersive soundscapes that capture the subtle beauty and contemplative atmosphere of seasonal change.

James Osland & Andrew Heath - Outside The Light Was Starting To Wane

Collection of Memories tells the story of where my music begins, with original recordings used in my album Blurred Memories and personal sounds that have inspired me. My Vietnamese heritage has shaped my music through the sounds of martial arts, pagodas, home cooking, dragon dances, and more.

This is a collage of those memories:

My grandmother arrived in France after the Indochina War with her ten children. The Vietnamese families who left Indochina at that time arrived in France by boat, and some were settled in an empty village in the center of France called Noyant. There, they recreated a little Vietnam to feel at home, keeping traditions and habits alive—women wearing silk pyjamas, grilling skewers in the garden wearing bamboo hats, listening to Vietnamese bolero all day long, and built a pagoda. As children, my cousins and I would always play there, next to the huge black statue of a sitting Buddha, with the sound of chimes hanging in the trees.

Every year, our family gathers in this village on the day of my grandmother’s birthday (a random date that was assigned to her when she arrived in France). We spend the weekend cooking in enormous rice cookers and pots—caramelised pork and delicious grilled lemongrass beef skewers. My uncles light firecrackers, and then the dragon dance begins. Everyone takes part—cousins, aunts, uncles, and the little ones—playing drums, dancing under the dragon’s head and tail.

The dragon dance is traditionally performed by martial arts practitioners. Viet Vo Dao (Vietnamese martial arts) holds an important place in my family and connects us all. My uncles and my father are masters and each founded their own school many years ago. Every summer, we gathered at the martial arts camp organised by one of my uncles—this was our family holiday. I recorded many sounds from these sessions, including traditional weapons and instruments.

Hanoi has also been a huge source of inspiration, helping me understand the origins of certain family traditions and behaviours. While living there, I recorded many sounds from daily life: karaoke singers in the streets, celebrations I could hear from my home, women chatting, cooking, or yelling in the alleys, traditional concerts in front of pagodas, martial arts sessions...

Margaux Gazur: Collection Of Memories

#34
- Meanderings -
by Mystery Circles @Mystery-Circles

“Meanderings” is a mix that drifts through percussive experimentation, fractured rhythms, bold digital textures, soothing ambient + liminal, psychedelic vibes - the name being a nod to my own endlessly wandering listening habits (and the A. Song track, of course). 

It opens with a short field recording captured during a visit to my hometown on the New Jersey Shore - a cold winter November morning in the ocean air, a place I’ve always valued as one of the best to clear my head. This short audio file was simply labeled “bebey,” reminding me that I’d probably been thinking of Francis Bebey’s music during that walk. You can hear me lightly tapping and dragging on the boardwalk railing as I moved, likely inspired by the thought of his brilliant sanza (kalimba / thumb piano) work. Much of Bebey’s music has a hypnotic quality that I deeply resonate with, and "Sanza Nocturne" in particular has a special place as one of my favorite musical statements of all time. It felt right to let that energy guide the opening of this mix.

A quick note: 

The track "Beginner Race" is from the 1984 Atari arcade game Marble Madness. Playing this game in the arcade as a kid was an enormous inspiration. When I think about why I'm so attracted to esoteric music, the inspiration I got from early video games has to be up there. This game in particular - the soundtrack has always "haunted" me (in the best way possible). The only version I have found from the actual arcade game is on YouTube, which is complete with the noise (from what I guess are the chip limitations). Please note: I touched the track up slightly with some EQ and a gentle reverb that builds throughout. 

Marble Madness was the FIRST arcade game with TRUE stereo sound (previous games used monaural or simulated stereo). It ran on Atari System 1 hardware with (mainly) the Yamaha YM2151 chip. That’s part of why its soundtrack has those warm, eccentric digital FM tones that still sound exciting today. 

- Track List -

Field Recording (Jersey Shore Boardwalk)
Francis Bebey - Sanza Nocturne (Ozileka, 1985)
Nicolas Gaunin - Atrea (Moon Glyph, 2021)
A. Song - Meander (Mystery Circles, 2025)
Yasuaki Shimizu - (Coeur Records, 1996)
Botany - Spherical Container (Self Released, 2024)
Mark Tester - Oblivion Rhythms Revisited (Moon Glyph, 2021)
arc rae - Taiko (Mystery Circles, 2025)
kent watari - SHAKKEI (Mystery Circles, 2025)
Brad Fuller & Hal Canon - Beginner Race (From the 1984 arcade game Marble Madness by Atari Games)
Lullatone - Sun Routine (Mystery Circles, 2025)
Tatsuro Murakami - Stunning Fragility (Mystery Circles, 2025)
Hiroshi Ebina - A Sewing Kit She Left (Mystery Circles, 2025)
Field Recording - Solaria Piano A (Captured in Tokyo, 2023) 
Iu Takahashi - Lotus (Regional Attraction, 2021)
Go Outside - Mink (Self Released, 2025)
Cool Maritime - Spring (Leaving Records, 2016)
Almanacs - Coyote Blanco (Mystery Circles, 2022)
The Vernon Spring - SK-1 (Lima Limo Records, 2021)
Yumi Iwaki - Lamp Until You Sleep (Muzan Editions, 2024)
Ryan J Raffa - And Back Around Again (Aural Canyon, 2021)
Dorian Concept - J Buyers (Acoustic Version) (Brainfeeder, 2020)
Nicolas Maldonado & Susan Pineda - Tea House Garden (Self Released, 2024)
H. Takahashi - Emerald (Dauw, 2022)
Unwound - Pardon My French (Kill Rock Stars, 1995)

- Selector -
Mystery Circles
@mystery-circles

adventures in SOUND
synth music / lo-fi / ambient / beats / sound design / textures / etc / etc / etc /\/\/\/\/\/

est. 2017

- Artwork -
www.instagram.com/loid0001/

#34 - Meanderings - by Mystery Circles

Raymond Scott - Bufferin : Memories
Excepter - Shots Ring
Carter Tutti Void - 4-f 2 3
Download - Mother Sonne
Dead Can Dance - Frontier
Coil - Love's Secret Domain
Circuit Des Yeux & Claire Rousay - Sculpting the Exodus
The Ephemeron Loop - Psychonautic Escapism (Cold Alienation)
Tim Hecker - Virginal I
Romance - Breathless
Eric Chenaux - Just As The Tide Was Flowing
Jane Weaver Septieme Soeur - A Circle and a Star
Faun Fables - Eyes Of A Bird
Drcarlsonalbion - Hackney Iliad
Demen - Ambur

defluxit flos

Gray Acres has always been a space for subtlety and restraint, distinct from the denser, more cinematic atmospheres of Hotel Neon. Where that project often explores process, technique, and narrative arcs, Gray Acres tends to be produced "in the moment" and stays still. It lets you think for yourself. Soft Erasure especially embraces that characteristic stillness.

This is the first full-length Gray Acres album since 2021’s “Dreams and Phantoms.” It’s a project that came together slowly with an intentionally light touch…more about dissolving sounds than constructing them. Subtraction vs. addition.

The title Soft Erasure came about as we noticed a recurring quality across the recordings: a sense of tangible things like guitars, pianos, and strings fading, softening, and slipping just out of reach as we shaped and processed them. The music feels like it’s constantly on the verge of vanishing, or being gently wiped away into an indistinct atmosphere. That idea of erasure not as violence, but as gentleness, decay, or transformation, felt like the right metaphor to latch on to. It speaks to memory, distance, and time, and how all of those forces shape and reshape our perception of sound and self.

Musically, this album is built mainly from resampled acoustic instruments: delicate piano lines, sustained strings, frozen and looped guitar textures. Much of the source material was recorded clean, then stretched, blurred, and layered until it became something abstract…like an impression of a song, or a half-remembered phrase. In some ways, we were trying to find the most washed-out and ephemeral version of each sound. The result is a record that is designed less for narrative and more for immersion.

If you’ve followed this project before, I think you’ll hear a natural continuation of its aesthetic. But if you’re new to Gray Acres, this is a great entry point. It’s music that tries not to demand attention, but rewards those who tune in closely for a while.

Gray Acres - Soft Erasure
Music by Andrew & Michael Tasselmyer
Mastered by Alex at Quiet Details

Gray Acres - Vestige

M Linnen (b. 1970), experimental recordist, film-music composer, quiescent musician, soporific sound designer, & sadsack, has crafted strange, slow music since before the turn of the century

Linnen composed four feature film scores (w/ David Wingo), performed in numerous arcane bands - Monroe Mustang, the Pilot Ships (w/ the late great Brian McBride), & several other even more maligned and obscure projects

01 Daylight Saving 3.13.22 - (master)

dmlinnen

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