uncle dave

Doctor Buzzard and Original Savanna Band

Samuelle -so You Like what You See (Remix Dj Marclei)

Keni Burke: Risin' to the top by 3leven

- Brooklyn Players  Hypnotized

Disco - Temper - No Favors (A Snowlion Extended Remix) (H.Q.) - 1984.                                                                                                                                                                                                                        Phonographic Copyright ℗ – MCA Records, Inc.
Published By – Unitonic Music.                                                                                                                                                                                                                                                                                                       Credits – Anthony Malloy, Cleveland Wright III. Engineer – Martin Bisi
Lacquer Cut By – Tone (Tony Bridges).
Producer – Anthony Malloy, Cleveland Wright III
Written-By – Malloy (Anthony Malloy), Wright (Cleveland Wright III).                                                                                                                                                                                                                                   Recorded On A Denon VL12 Turntable With An Ortofon Concorde Mk II Club Cartridge and Stylus And Using A Denon Prime 4 Mixer. No Copyright Infringement Intended. Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of "fair use". I am making such material available for the purpose of criticism, comment and news reporting which constitue the "fair use" of any such copyrighted material provided for in Section 107 of the U.S Copyright Law. Not withstanding the provision of Section 106 and 106A, the fair use of a copyrighted work purposes such as criticism, comment and news reporting is not an infringement of copyright. All songs belong to the artists. All tracks used in this mix are to promote the artists talents. For Listening Entertainment Only.The only way to show your true love for music, is to share with the universe. I hope you enjoy this mix. Credits Given To All The Artists And Recording Companies In This Mix.

Temper - No Favors

1. What You Need - Soft House Company
2. Instinctual (Vocal Def Mix) - Imagination
3. Whistle Song - Frankie Knuckles
4. Rock With You (Frankie's Favorite Club Mix) - Michael Jackson
5. Shake Your Body (House Shaker Version) - Jeanette Thomas
6. Ride The Rhythm (Instrumental Remix) (Mixed by Frankie Knuckles) - Marshall Jefferson feat. Kevin Irving
7. Ride The Rhythm - On The House with Marshall Jefferson
8. You Used To Hold Me - Xavier Gold
9. Let No Man Put Asunder (Frankie Knuckles Mix) - First Choice
10.Pieces (Sound Factory Mix) - Revoked 
11. Din Daa Daa - George Kranz
12. The Pressure (Frankie Knuckles Classic Mix) - Sounds Of Blackness
13. I'll Be Your Friend - Robert Owens
14. Baby Wants To Ride - Frankie Knuckles
15. No Way Back (Inst) - Adonis
16. I Feel Love - Donna Summer
17. Don't Leave Me This Way -  Harold Melvin & The Blue Notes
18. Love Hangover (Frankie Knuckles Remix) - Diana Ross
19. Love Hangover (Knuckles Tribal Hangover) - Diana Ross
20. Can You Feel It - Fingers Inc
21. Tears - Satoshi Tomie and Frankie Knuckles feat Robert Owens

Live At No Limits w/Dj Spinna R.I.P. Frankie Knuckles! 4.3.14  Part 2

Gang Starr - Work (Instrumental)

Old school disco Funk styles
Lyrics song by Sas 

-Number 1

[Verse]
You are my number one
My shining sun
My only 1
(Ooh-yeah!) My only one
My only one
You light the night
You make it right
(Ooh-ooh!) Every time
Every time

[Chorus]
My number one
my 1 and only
Make my heart beat
Beat so boldly
You are my everything
My sweet dream
(Ooh-yeah!) My heaven sent
My endless gleam

[Verse 2]
In your arms
I’m safe
I’m free
(Ooh-ooh!) Where I’m meant to be
Meant to be
Your love's the rhythm
I’m the melody
Together we’re the perfect symphony
symphony 

[Chorus]
My number one
my 1 and only
you Make my heart beat
Beat so boldly
so boldly 
You are my everything
My sweet dream
(Ooh-yeah!) My heaven sent
My endless gleam

[Bridge]
Every step
Every move
We groove in time
(Ooh!) Together we shine
Oh
We shine
No one else
No one else
Just you and me
Forever our love
Endlessly

[Chorus]
My number one
my 1 and only
Make my heart beat
Beat so boldly
You are my everything
My sweet dream
(Ooh-yeah!) My heaven sent
My endless gleam
my sunshine

Number_1

Malcolm McLaren and The World's Famous Supreme Team - "Buffalo Gals" - Duck Rock
Malcolm McLaren and The World's Famous Supreme Team - "She's Looking LIke a Hobo" - Double Dutch 12"
World's Famous Supreme Team - "radio show excerpt" - WHBI, April 13, 1983
Malcolm McLaren and The World's Famous Supreme Team - "World's Famous" - Duck Rock
Malcolm McLaren and The World's Famous Supreme Team - "D'Ya Like Scratchin'" - Double Dutch 12"
World's Famous Supreme Team - "radio show excerpt" - WHBI, October 1982
Malcolm McLaren and The World's Famous Supreme Team - "Punk It Up" - Duck Rock
Malcolm McLaren And The Ebonnettes - "Double Dutch (New Dance Mix)" - Double Dutch 12"
Tambours Royaux - "Ingoma" - Burundi Musiques Traditionelles
Bow Wow Wow - "C30 C60 C90 Go!" - 7"
Bow Wow Wow - "Go Wild in the Country" - I Want Candy
World's Famous Supreme Team - "radio show excerpt" - WHBI, June 18, 1982
Malcolm McLaren and The World's Famous Supreme Team - "Hey DJ" - 12"

The Long Rally with Scott McDowell 
playlist: http://www.wfmu.org/playlists/shows/35388
playlist index: http://wfmu.org/playlists/MD
scottm@wfmu.org

Malcolm McLaren megamix

Millie Jackson - This Is It

Kwick - I Can't Help Myself (Extended)

The Joneses - Sugar Pie Guy (Part 1 & 2), ©1974 Mercury 7'' 73614, 120.7 BPM

Get Used To It (The Tom Moulton Mixes)

I Don't Know Why I Love You (A Tom Moulton Mix)



With initial DJ support from the likes of Alex Niggeman, Roberto Rodriguez, Steve Huerta, Moodymanc, Lovebirds and more, Frankfurt based artist Matthias Vogt returns to Large for his 3rd release and this one sparkles like fine metal. Your Love is our title track- a luscious deep tech groove packed full of emotion and tension and featuring a lead vocal from Matthias himself. To add some fuel to this already simmering fire, we have asked the red hot duo Kyodai to drop in with a remix. The two brothers from Berlin create a masterpiece here laced with live percussion, live piano and their trademark warm, melodic sweeps. This EP finishes with yet another treat- the dreamy, Detroit influenced creation entitled Testament. Definitely one for the purists among us!

Pre-order on iTunes

Matthias Vogt-Testament (Original Mix) 96 kbps preview

Out now...

http://www.traxsource.com/title/213301/let-me-live-incl-spiritchaser-mix

DJ Dealer & Rashaan Houston - Let Me Live - Spiritchaser Remix

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


Doctor Buzzard and Original Savanna Band

Michael O'Harro

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