Ambient

Space Choir Laraaji
Sylvia Plath reading Ariel
Immersion Ryo Murakami
Acétal Constructions Des Temps Modernes
Liquid Metal Machine Woman
Sirens Call Myra Davies / Beate Bartel
Celtfunk John T. Gast
Young Girls Surrender To Powder Vallmo
Fearlings Bonaventure feat Hannah Black
Raindance O Yuki Conjugate
Der Virus Im System Abu Ama
Black Rapids Boreal Massif
Ereškigal, Rise from your throne Herbst9
A Strange Wedding El Cartel Del Sangria
Kapkowa Księżyc

https://soundcloud.com/melodieblaison
https://www.instagram.com/melodieblaison/?hl=fr

La Mare Au Diable / Melodie Blaison

A live recording of the premiere of "asleep, forest, melody, path" for field recordings and live performance (2013), written for Greg Stuart. The field recordings were made in the Congaree National Park in 2012 and 2013. Greg assembled an ensemble of 30 local musicians for the concert, which took place on November 18, 2013, at the Columbia Museum of Art in South Carolina.
Performers: 
Cynthia Beavin, Alison Branham, Isaac Brockshus, Chris Buckman, Justin DuRant, George Fetner, Matt Fink, Cera Finney, Ellen Gardiner, Dan Gilmore, Dylan Gonzales,  Nathan Halverson, Jenie Hoffman, Katie Holaway, Peter Hoyt, Chris Johnson, Diane Kessel, Will Kroske, Hannah Lea, Alexi McHugh, Brenton O’Hara, Neil Pelfrey, Hannah Rilley, Nick Royals, Greg Stuart, Josh Thompson, Chau Tran, Jeff Vaughn, Dan Wolfe, Nick Wrobel

Recording: Chris Johnson and Greg Stuart
Mastering: Joe Panzner

asleep, forest, melody, path (for field recording and live performance, 2013)

Bassline Of Memory

"Fog", a study in suspended erosion.

Built from the same elements as “Murk” (https://soundcloud.com/subespai/murk), this piece introduces new details to move away from some of its more inaccessible traits, while pushing further into the decompositional framework I’ve been developing.

Rather than traditional stasis, "Fog" holds in a state of tension and drift, where nothing resolves and nothing rebuilds. It reflects on the dystopian present as a moment after collapse, haunted by futures that now feel irretrievable.

Photo by Federico Bottos on Unsplash: https://unsplash.com/photos/green-trees-on-mountain-under-white-clouds-during-daytime-obQacWYxB1I

dawn waves (super slowed)

The past feels heavier when it’s slowed

Nostalgia will be the death of me (Slowed + Reverb)

Deconstruction/1

The long awaited "SPAZI FUTURI" is RM's second LP for iDEAL and it is a massive, varied journey down one of Italy's most underrated electronic music composers. Riccardo Mazza is extremely skilled in making complex recordings where beats and atmospheres play naturally together. Mazza is also member of filth noise crew Lettera 22 which is a band we deeply love too. Edition of 300 copies. Design by Allon Kaye. Available SUMMER 2018!!!!!!!!!!!!!!!!!

RM - SONNO DROGATO (from "SPAZI FUTURI" iDEAL161 LP)

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

This is an early version of "Black White and Grey" (misspelled here) from the CD of the same name.  I hope you enjoy it.

Black, White and Gray

Premiere of the title track You, Only to be released on the Vaagner Summer Batch, July 1st 2019.

You, Only is a beguiling insight into the world of Turkish musician Ekin Üzeltüzenci and her debut release on Vaknar. 
The album features a series of musical tapestries which prominently include live instrumentation in tandem with Ekin’s own voice, all of which has been fed through a series of tape delays, giving the final outcome a brittle and reflective tone.

Track List:

A1 Ekin Fil - Hope
A2 Ekin Fil - Other, Others
A3 Ekin Fil - You, Only
A4 Ekin Fil - Arise
B1 Ekin Fil - Scar
B2 Ekin Fil - Incident Light

About Ekin Fil:

After a stint of initial tape only albums which included the aforementioned 'Heavy', Ekin Fil went on the produce 4 albums for the Helen Scarsdale Agency. She was awarded "Best Original Film Music" for her first Soundtrack "Kaygi" at SIYAD, 2017 and "Best Film Music" for the Soundtrack of "Korfez - The Gulf" at Türkisches Film Festival in Frankfurt, 2018.
This year she released an LP of separate songs titled KOMA on the Stockholm based imprint Possible Motive.

https://soundcloud.com/vaagner
https://soundcloud.com/ekin-fil

Premiere: Ekin Fil - You, Only [Vaknar]

A Field of Social Tension, taken from the forthcoming album Unabled Form by Li Yilei. Pre-order now at https://www.ltrrecords.com/buy/unabled-form-lp

Unabled Form

A Field of Social Tension

Li Yilei - A Field of Social Tension

Guest mix for faitiche's radio show on LYL - Temple of Faitiche, Nº20, 27 March 2020 

https://lyl.live/episode/temple-of-faitiche-20/

Hanno Leichtmann – Selbstbespiegelung
Else Marie Pade – Syv Cirkler
Andrés Lewin-Richter – Study No. 1
Fracture Mechanics – Pendentive
Katrine Ring – Den Politiske Håndvask 1
Boris Hegenbart – Wasser Studie
Marja Ahti – Chora
Hideki Umezawa – Still | Steel
Marcus Schmickler – Wabi Sabi (Part 4)
Boris Hegenbart – Wasser Studie
Nicola Ratti – Bn2
Daniel Majer – Tu Lip
Jan Jelinek – Framework 10 (Remix)
Mads Emil Nielsen – Buchla Sketch
Riviera Tape Stash – Strong Arm Baby
Ahnnu – Dovetail
Boris Hegenbart with Stephan Mathieu – S Anode M
David Moss – Terrain 3
James Sey / James Webb – Book Of Imaginary Wavelengths: Book 5
Mads Emil Nielsen – Framework 3 – 3
Andrew Pekler – Tuanahe

https://faitiche.de/blog/2020/03/25/temple-of-faitiche-march-2020

Temple of Faitiche 20 - guest mix

Please contact Daniel Jorgensen for licensing inquiries. Third parties must obtain proper licenses prior to any usage of the musical works contained herein which are considered to be protected musical works.

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asleep, forest, melody, path (for field recording and live performance, 2013)

Michael Pisaro

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