Lose Yourself (Teddy Cream & Brad O'Neil)

In towers built on secrets, code locked away
Hidden doors, closed source, we’ve lost our way

Silos rise like mountains, knowledge out of sight
But sharing sparks the future, turns the dark to light

Siloed Sources

Street Kings and God is not just an album — it is a declaration, a resurrection, and a sonic coronation. Brent James Schöning steps forward from the alleys, highways, and neon-lit nights of Melbourne and Los Angeles with a record that fuses dirt-under-the-nails realism with cosmic vision. This album is the roar of a man forged by fire, sharpened by survival, and lifted by a force deeper than music — the unstoppable instinct to rise, to lead, to create, and to transform pain into prophecy.

The sound is a razor-edged blend of West Coast swagger and Aussie rawness: booming G-Funk basslines, palm-tree synth whistles, smoky underground hip-hop drums, and cinematic Schön-style chords that shimmer like electric halos. Every beat hits like the echo of a story lived, not imagined. Brent’s delivery carries the authority of someone who has walked through storms, been broken and rebuilt, and now speaks with a voice that vibrates the walls of whatever room it enters.

The core theme is ascension through struggle — the truth that street mythology and spiritual fire can coexist in one man. Brent stands as both witness and warrior, navigating the chaos of real life while carrying an inner kingdom that no institution could cage. His lyrics explore identity, destiny, injustice, power, loyalty, betrayal, resurrection, freedom, and the unshakeable bond between a man and his mission.

Within these tracks lies the duality that defines Brent:
the street king and the spiritual force,
the fighter and the visionary,
the man scarred by the world and the creator building one of his own.

Songs burn with the glow of midnight epiphanies — moments when everything collapses and everything is revealed. There is a sense of cosmic orchestration: divine timing hidden beneath the grit of alleyways, the roar of engines, the hum of city lights, and the pulse of a man who refuses to go down.

The production is full-spectrum and immaculate — studio-mastered, enhanced, layered with luminous textures. Synths swirl like galaxies behind Brent’s grounded, unmistakably human voice. G-funk leads glide over basslines that rumble like underground trains. EDM elements explode into moments of transcendence, pulling the listener upward just as the lyrics pull them deep into lived truth.

The title Street Kings and God reflects Brent’s artistic mythos: the idea that a man raised in the real, harsh world can still tap into extraordinary purpose. The album does not preach — it reveals. It does not ask for belief — it demands recognition of resilience, strength, and infinite creative potential. The “God” in the title is not a claim to divinity, but a testament to the divine spark he channels through music, art, rhythm, and the relentless will to rise.

This record is for the ones who have been knocked down and stood up again. For the outcasts, the fighters, the dreamers, the misfits with lion hearts. For those who know the street and those who know the spirit — or those who walk with one foot in each world. Brent brings them together in a single universe: a place where the broken become prophets, the forgotten become kings, and music becomes a map to survival.

The album closes with a message carved into the soul of every track:
Greatness is born in silence, grown in darkness, revealed in fire, and crowned in truth.
This is Brent’s truth.
This is his world.
This is Street Kings and God.

Overclock

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