Klassik

MAHLER, Gustav
Symphony #5 in C sharp minor - 4. Adagietto, sehr langsam

Gustav Mahler - Symphony #5 in C sharp minor - 4. Adagietto, sehr langsam

Johann Pachelbel – Pachelbel Canon In D - Solo Piano (Cannon, Kanon)

This music is performed by Matthew Biddulph... I do not own the songs that I play, but constructive criticism is always welcome .

Thankyou, 

Matthew

Largo (from Xerxes)- George Frideric Handel

The Scarlet Letter  Original Motion Picture Soundtrack

Agnus Dei (based on ADAGIO for Strings) (Album Version)

Herbert von Karajan - Adagio

J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String"

Le Fabuleux destin d'Amélie Poulain (Bande originale du film)

Comptine d'un autre été, l'après-midi

Master and Commander: The Far Side of the World

I. Prélude

Romantic Favorites for Strings

Fantasia on Greensleeves

Fantasia on a Theme by Thomas Tallis

Romantic Favorites for Strings (Expanded Edition)

Adagio for Strings, Op. 11

Sheku Kanneh-Mason

Fauré: Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano)

Meditation

J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air

Lucio Dalla-Caruso

Exam Study Music - Best Homework Songs for Studying and Deep Concentration

Orchestral Suite No. 3 in D Major, BWV 1068: II. "Air on the G String"

Written in 1890, Debussy's Reverie was one of his first solo piano works to make an impact. Even at this early stage in his career, when he was still working out what kind of composer he wanted to be (he was apparently a fervent debater when it came to Wagnerism), it's clear to see traits of that signature Debussy sound.

However, the young Debussy had not quite developed the style and tricks that would earmark him as one of his generation's most notable talents. There are no fireworks here, no sudden explosions in texture that would come to characterise his later works - this is more of a meditation, the perfect precursor to exploring those later works.

The gently repetitive theme that opens the work feels like a descent into sleepy dream-world (as the title suggests), and as the textures become ever richer the dreams only become more lush and addictive. A fantastic early sign that this Debussy fellow was one to watch…

Source:

ClassicFM
http://www.classicfm.com/composers/debussy/music/debussy-reverie/

Retailers:

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Napster
https://us.napster.com/artist/claude-debussy/album/claude-debussy-the-essential-collection

Tidal
https://listen.tidal.com/album/26275698

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
www.youtube.com/c/indypoprecords

Claude Debussy - The Essential Collection

Rêverie, L.68

Tidal

My Twisted Valentine

Waltz No. 2 from Jazz Suite No. 2 (From “Eyes Wide Shut”)

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Clair de Lune

Clair de Lune - Debussy

Franz Schubert - Ave Maria (A&S)

Para-Noja - Hass

Bonjour à toutes et à tous !  
voici aujourd'hui une présentation de "Prélude à l'après-midi d'un Faune" composé en 1894 par le fameux compositeur Claude Debussy.

Extrait : "Prélude à l’aprés-midi d’un Faune" interprété en 2010 par L'orchestre radio- symphonique de Paris dirigé par Loïc Bertrand.

Clair De Lune

Prélude à l'Après-midi d'Un Faune - Claude Debussy

Klassik

Michaela und Ulli