The Best of Bublé

Fly Me to the Moon

Me and Mrs. Jones

Sway

Feeling Good

L O V E

Haven't Met You Yet

Everything

Part of a collection of recordings used in a typical afternoon performance to create a relaxed atmosphere. Perfect for a wedding ceremony, drinks reception or meal.

My Future

秋の夜にゆったりと流れる音楽

Silver Gleam on Fallen Leaves

A version of Do Nothing Till You Hear From Me by Robbie Williams
Vocals by me, IanS.

Do Nothing Till You Hear From Me

Beyond the Horizon

Late Night Jazz

get the girl some ice for those hot fingers!

Jazz Girl

A fresh spin on classic swing, Swing, Wink, Repeat is a flirtatious jazz collection where charm meets groove. From accidental crushes at midnight grocery aisles to the bounce of a morning jog and the barista who stirs more than just espresso, these songs bring everyday moments to life — with wit, sass, and syncopation.

Told through sharp lyrics, snappy rhythms, and toe-tapping brass, each track captures a vignette of unexpected romance, teasing encounters, and the unspoken magic in chance meetings. Whether it’s “The Wink That Broke the Deal” or “Sugar in My Coffee, Spice in My Day,” this album celebrates the playful push-and-pull of modern love — all set to the swing of a well-dressed beat.



Wrong For Me (But Right Tonight)

He doesn’t knock. He doesn’t shout. He lays foundations—and bodies—where no one’s looking.

“Vinny the Builder” reimagines the swagger of Mack the Knife for a darker, sharper generation. With slick jazz-pop swing, punchy brass, and lyrics that smile while they threaten, this modern mob anthem walks the fine line between fear and envy.

Vinny isn’t just a name in the street.
He’s the reason no one digs too deep.

Vinny the builder

Subscribe to my YouTube channel: www.youtube.com/@rfviolao
Discover more jazz classics and creative arrangements by visiting my website: ricardofarao.com

“Misty” is a jazz standard written and originally recorded in 1954 by pianist Erroll Garner. He laid it down as an instrumental on July 27, 1954 for his album Contrasts in a classic 32-bar form .

Garner composed the melody at altitude—reportedly while flying, inspired by the view of clouds and thoughts of his wife—and, unable to write music notation, committed it to memory until he could record it later with his trio.

In 1959, lyricist Johnny Burke added words, transforming “Misty” into a vocal ballad. That same year, Johnny Mathis’s rendition on his album Heavenly reached No. 12 on the U.S. Pop Singles chart and became Mathis’s signature song.

The tune gained cinematic fame in 1971, when it underpins the score of Clint Eastwood’s directorial debut Play Misty for Me, in which a radio DJ is repeatedly implored—“play Misty for me”—by an obsessed fan.

Over the decades, hundreds of artists have made “Misty” their own. Icons such as Ella Fitzgerald, Sarah Vaughan and Frank Sinatra have recorded it, cementing its status as one of the most beloved standards in both instrumental and vocal jazz.

Misty - Erroll Garner

Money Money(1)

Devoted Papi and Husband, Keeper of The Great American Songbook, Sex Symbol, Humble Canadian, Future Winner of @NBCTheVoice and Sex Symbol. #TeamBublé

The Best of Bublé available September 27!

L O V E

Official Michael Buble

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