Name: Music for Airports 1/1 - Brian Eno (arrangement) by Michael Sterling Smith in Ambient
Duration: 10 min 54 s
Description: This is a live recording of an arrangement I did of Brian Eno's Music for Airports 1/1 for guitar, piano, vibraphone, and alto saxophone.

This piece is very well done with a lot of depth and imagination.

must listen for working or creating something...truly peaceful music

Love this, especially since it is live. Reposted it, which I seldom do. Need I say more?

try to listen this 3 times. extremly boring)

Ambient

This is a live recording of an arrangement I did of Brian Eno's Music for Airports 1/1 for guitar, piano, vibraphone, and alto saxophone.

Music for Airports 1/1 - Brian Eno (arrangement)

OKADA - Vulnerability

Piano M 7964 3:00 04-08-2025

A solo piano journey through Mike Oldfield’s The Songs of Distant Earth.

This interpretation weaves Let There Be Light, Supernova, and Magellan into a single performance — a quiet tribute to both Oldfield’s music and Arthur C. Clarke’s vision of our planet as one small, fragile home against the backdrop of the stars.

"It is not easy to see how the more extreme forms of nationalism can long survive when men have seen the Earth in its true perspective as a single small globe against the stars."
— Arthur C. Clarke, The Songs of Distant Earth

— Bastien DiArgos

Let There Be Light - Supernova - Magellan (Radio Edit)

In instrumental version of a track from my forthcoming album, "(For Now We See)Through A Glass Dimly". Set for release in March 2016, the full track features the words of Paul Morley spoken by Dutch musician Jan Van Den Broeke. The track also features electronic details by Richard Talbot (Marconi Union).

Little Emblems Of Eternity (Instrumental)

from the original soundtrack of the same name released by Matthew Cooper on Temporary Residence Limited 2011

Some Days Are Better Than Others

~ IIKKI 006 ~

music : Aaron Martin
photography : Yusuf Sevinçli 
album/book : Touch Dissolves
duration : 35.17 mn
date : July 2018

edition : 
vinyl : limited to 300 copies hand numbered + hand sealed 
cd : limited to 200 cd (glass mastered) hand numbered + handcrafted
book : limited to 500 copies hand numbered + hand stamped

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pre-order : June 21th, 2018 / official release : July 12th, 2018

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All music by Aaron Martin. Recorded from March 6, 2018 to April 13, 2018 in Topeka, Kansas.

Mastered by James Plotkin in April 2018
Artwork by Yusuf Sevinçli
Design by Sprflxgrfzm

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Links :

http://aaronmartin.bandcamp.com
http://www.yusufsevincli.com
http://www.iikki-books.com

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℗ & © 2 0 1 8 - I I K K I - I I K K I 0 0 6

Aaron Martin - Touch Dissolves (album preview)

A "mashup" of Taylor Deupree's song "Northern" with Eluvium's song "Repose in Blue"


A Northern Repose (Taylor Deupree + Eluvium)

Jon Hopkins piano version of Modern Driveway by Luke Abbott

Modern Driveway (Jon Hopkins piano version)

Madeleine Cocolas - Hartigan Blue Bathers

1631 Recordings is proud to release the original score for the indie documentary “The Man Behind The Microphone” composed by Tom Hodge and Franz Kirmann.

Directed by Claire Belhassine and produced by Claire de Lune Films and Roast Beef/Nutopia, The Man Behind The Microphone starts from a very personal story (the British director found out by chance in her early 30s that her grandfather was a legend of Tunisian music, the ‘Frank Sinatra’ of Tunisia) and turns into a family saga and a reflection on the nature of fame, culture, heritage and homeland.

Tom Hodge and Franz Kirmann have worked collaboratively over the past 10 years and have released three albums together under the guise of their post-classical/electronic moniker Piano Interrupted. This is their  second soundtrack together, having composed the score to BBC One series McMafia earlier this year.

The Man Behind The Microphone took several years to complete and Kirmann & Hodge were involved early on, sketching compositions loosely inspired by some of Hédi Jouini’s own music. Sometimes they would sample a small musical phrase from his old recordings or write harmonies and chords in a relative key to use as a starting point for their pieces. Their score echoes the melancholy and investigative nature of Claire Belhassine’s quest for her grandfather and the mysterious and fragmented aspects of the story.

Kirmann’s vaporous electronics and Hodge’s ghostly piano and clarinet lines are mixed with earthy analog synth basses and a string quartet provided by the London Contemporary Orchestra. The soundtrack is a melancholic and dreamy journey over 9 pieces, oscillating between post classical, minimalist and ambient music.

“There is a real sense of culmination about this soundtrack. In one way way it is our very first score, as it started long before McMafia. But even more so, you might say it is simultaneously our first and last Piano Interrupted record, or our very first collaboration even. Our album Two By Four was strongly influenced by our work on the prototype of this film and the sound of Papa Hedi. Yet because of the longevity of this film project, our combined musical voice has been profoundly altered by our work on our other two Piano Interrupted albums, as well as the four hours of score we wrote for McMafia. Here we are, full circle.”

www.1631recordings.bandcamp.com

The Man Behind The Microphone

Tom Hodge & Franz Kirmann - Ghost Of My Grandfather

From the upcoming Deaf Center album "Low Distance"

Low Distance

Deaf Center - Movements / The Ascent

Taken from the upcoming album 'For Victoria' released through Fluid Audio: 31.08.19.

Audio: Pepo Galán
Vocals: Sita Ostheimer
Mastering: Rafael Anton Irisarri at Black Knoll Studio (NY)
Design: Daniel Crossley

Mailing list:
www.fluidaudio.bigcartel.com/mailing-list

For Victoria

Pepo Galán - Abstract Dream With Haines

Balmorhea - Settler (Eluvium Remix)

A Walk

Eluvium - Defibrillator

Michael Sterling Smith is a composer based in San Diego, CA. Michael has a PhD in music composition from the University of North Texas.

Music for Airports 1/1 - Brian Eno (arrangement)

Michael Sterling Smith

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