The final release of 2007 for Archipel brings about Michel Lloyd's "Rêve Analogue" which is an exceptionally detailed and highly rhythmic work of seven pieces in total. 
"Autobahn" switches on the ignition with warm and hypnotic style which takes the aurally syncopated scenic route in an elastically stretched manner.Title track "Rêve Analogue" is a heavy set slab of gooey plasticine contortion set to a rigid rhythm and mentally skewed melodies. "Koordinatepunkten" solidly drives on with pseudo-motorik precision locking the listener into tightly wound hypnosis. "Abbrechen" continues growing in phases of rhythm in a synchronized shower of caustic aural mercury rain."Bi-Polaire" is more bright eyed and upbeat with its seductive melody bending and twisting around itself in a flurry of lysergic candy floss snow. "Éolienne" is again on the upswing with bendy swirling melody and warped ambiences wrapping themselves tightly in a bundle of glowing fluid glass."Forgive Me" closes things off with a frantically warm, candy coated melody inset with a slowly distorted introverted monologue.The release is now for free, but if you want to support the artist and get a hi-resolution mp3, you can buy it at http://www.beatport.com/release/reve-analogue/90187 

Bi-Polaire

Forgive Me

The final release of 2007 for Archipel brings about Michel Lloyd's "Rêve Analogue" which is an exceptionally detailed and highly rhythmic work of seven pieces in total. 
"Autobahn" switches on the ignition with warm and hypnotic style which takes the aurally syncopated scenic route in an elastically stretched manner.Title track "Rêve Analogue" is a heavy set slab of gooey plasticine contortion set to a rigid rhythm and mentally skewed melodies. "Koordinatepunkten" solidly drives on with pseudo-motorik precision locking the listener into tightly wound hypnosis. "Abbrechen" continues growing in phases of rhythm in a synchronized shower of caustic aural mercury rain."Bi-Polaire" is more bright eyed and upbeat with its seductive melody bending and twisting around itself in a flurry of lysergic candy floss snow. "Éolienne" is again on the upswing with bendy swirling melody and warped ambiences wrapping themselves tightly in a bundle of glowing fluid glass."Forgive Me" closes things off with a frantically warm, candy coated melody inset with a slowly distorted introverted monologue.The release is now for free, but if you want to support the artist and get a hi-resolution mp3, you can buy it at http://www.beatport.com/release/reve-analogue/90187

Abbrechen

Koordinatenpunkten

Rêve Analogue

Schönen Abend (Jesse Somfay Remix)

v/a artists
electronic washroom vol.2
insectorama#005

A compilation with many artists from all over the world.
with sounds from pure minimal to techhouse to deep techno.
wonderfull tracks of one compilation.


Idylle

Sailor's Wet Dream

Michel Lloyd moved from Quebec City to Montreal at the turn of the millennium. In electronic music, he found a means of expression that matched his personality and enabled him to free his creative spirit. Drawing inspiration from the visual arts as well as the urban pulse and other stimulating sounds found in his newly adopted metropolis, he launched his music-making career with a longtime respected peer Pheek on his label Archipel. Within the first week of its release, his debut album, Rêve Analogue, quickly climbed to the top 20 minimal chart on Beatport. Enthralled by the burgeoning Montreal electronica scene, he started hanging with a number of DJs, and their influence led him to refine the aesthetics of his compositions. Falling into the minimal techno genre, his compositions are textured, beat-driven hookfests, the true dimensions of which are best experienced live. The years 2007 to 2009 have been particularly fecund for him. His work has been met with consistent acclaim and drawn regular performance invitations to perform at some of the most respected local events, including Montreal's own Mutek Festival, Piknic Électronik and most recenlty NYE Kiss N Fly, Confessions and the monthly FLEX night at Circus Afterhours.

Michel Lloyd

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