Beautiful, whistling and singing are fully integrated. Also love those throaty snarls :)

Track from the album 'Zijn'.

I have recorded the acoustic guitar in my home-studio with the doors open, you can hear some background noises like birds, cars in the distance. I have added a drone to the recording and a strange delay which sampled fragments from the recorded guitar and randomly give it back.

About the album:
I have continued to work with A=432Hz tuning, exploring the possibilities of sustained sounds. I have been working towards an even more static atmosphere than on my previous albums.

I'm very interested in the role of time in this kind of music. The sounds have a different effect and meaning depending on how long they last. To me, the music becomes a vehicle to accomplish a meditative state.

released November 15, 2021

Instruments used on this album: Acoustic guitar, Acoustic guitar with ebow, Sustainer guitar, Soma Lyra 8 synth.
Recording, Production, Photography and Design: Simon van Weelden
© Geluidenfabriek, 2021

Oorsprong

take it how you will since nothing seems to change just how you feel
cry yourself to sleep fighting to get you and I in sync
we cancel out our joy as every bitter conflict permeates 
there's no choosing right when the only sure things are mistakes
you're turning inside out trying to get me to break through
best I can do 
is predict that I'll disappoint you
let time prove
if you have the nerve for my bitter boy groove

Bitter Boy Groove

Dreisig

uplands

Geometry #01

Musique de chambre

Blooming guitar tone experiments with an open tuning & new strings.

Enjoy!

Magnolias in bloom on Westbourne Grove, London W11.

Being in Bloom

DSI MoPho, Waldorf Streichfett + Alesis Philtre, Korg Volca FM, Ensoniq ESQ-M

Linger

Emblectysm

Movement 11 from my 2020 exhibition 'La morte mi troverà vivo' (death will find me alive). I dont know where to start or finish with the story of this piece - if you want the long version please go to bandcamp https://nomatesensemble.bandcamp.com/album/la-morte-mi-trover-vivo  there 3 essays on the exhibition in the notes and of course the whole work which is 90 minutes long. This piece for Intonarumori was the starting point for the show, written and recorded to be played at Luigi Russolo's grave as a form of 'calling ' to his spirit. La morte mi troverà vivo is a kind of sonic seance where i composed music as an evocation and used occult number theory to manipulate field recordings to capture what i term an 'imagined response from the spirit world'. The work was made in Italy July/August 2019 and exhibited in Hobart Tasmania in Jan/Feb 2020. I will post visual links and more info at a stage, though of course its a sound installation (i managed to get the whole room to softly rumble with speakers installed out of site in the walls and under the floor)so there isn't heaps to see. :) Thank you all, sorry to ramble !!

Piece For 3 Intonarumori (La morte mi troverà vivo  - mov. 11)

and it comes like a piece of light through the dust, for solo bass clarinet.
Premiered by Chuck Furlong.
Verdant Vibes Concert Series, December 2020.

Read more about the piece: https://micheleabondano.com/2020/11/24/and-it-comes-like-a-piece-of-light-through-the-dust/

You can buy the score on Babel Scores: https://www.babelscores.com/catalogs/instrumental/5470-and-it-comes-like-a-piece-of-light-through-the-dust

and it comes like a piece of light through the dust (2018-20) | Michele Abondano

Website: www.micheleabondano.com
Scores: https://www.babelscores.com/MicheleAbondano

Profile picture by Camilo Pachón, Stiftung Künstlerdorf 2023

and it comes like a piece of light through the dust (2018-20) | Michele Abondano

Michele Abondano

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