Musique où s'entremêle joliment les cordes et le piano, et où plane une certaine mélancolie. Écoute agréable !

Lovely. I enjoyed this a lot. Even got my guitar out to play along. Wonderfully composed and executed. You have such a delicate playing style, I love it. Well done.

Love this for it's Imperfections Michele...Natural🙏🎶✨

According to the story of Buzz Aldrin during his trip to the moon his vision of "fireflies" through his cockpit.....! Thanks for your listen ! : )                                              Sounds of perfect landing : https://soundcloud.com/blink-twice-archival/sets/ark-dambient-open-collab

LUNAR

Autumnal strumming, full (as usual) of imperfections.
I've been turning around this track for years, hope I've put a stop to it.
What is not guitar or bass, is only crowding of thoughts and voices in the head of the sitting man.

Cover picture: Jack Vettriano, 'The Weight' (2010)

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Music by Michele Ansani (2018-2024)
Posted on SoundCloud: 2024, November 3

Thoughtfulness (final version) *

as fooling moles

The axolotl called Julio Cortazar watches the aquarium observers (including that one who resembles Julio Cortazar). The previous draft here (I tried now to improve the central part): https://soundcloud.com/michele-ansani/this-is-them-final-draft. 
The sister track ('This is us') here: https://soundcloud.com/michele-ansani/this-is-us 
Here the short backgroundstory: https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html
Picture is from Pietro Corrao.

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Composed by Michele Ansani (2022-2024)
Posted on SoundCloud: 2024, November 19

This is them (final version) *

Full of imperfections.
To all piano (and music) teachers.

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Composed by Michele Ansani (2024)
Posted on SoundCloud: 2024, November 28

Song for Sonni

RPR05_75

настоящая, а не виртуальная бас-гитара, похоже, мне весь подход к музыке поломала ) // A real bass guitar, not a virtual one, seems to have completely changed my approach to composing music )

остановка

There are many versions and different traditions of the story of the Magi and about their journey. And about their origin. Pictured on the cover is a drawing found in the 'Catalan Atlas,' a map of the world dated to the late 14th century. Pictured here are the three kings. The caption reads: “This province is called Tarshish, from which came the Three Wise Kings, and they came to Bethlehem in Judaea with their gifts and worshipped Jesus Christ, and they are entombed in the city of Cologne two days journey from Bruges.”
But where was the city (or the country) called Tarshish (Tarsis, Tharsis), whose king was already mentioned in Psalm 72?
No one, exactly, knows.

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I recorded the guitar part in 2018, when bought a Guild (my Washburn had become mute ...), so the track has a lot of noise and imperfections. Then there were several attempts to organize the piece and arrange it. This could be the last one. It came rather long and slow. But long and slow was also that improbable (and hardly true) journey - perhaps one could imagine it by closing the eyes and listening to the music.

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Composed by Michele Ansani (2018-2024).
Bansuri is courtesy of Aaroh; female vocals of Function Loops.
posted on SoundCloud: 2024, December 31

Traveling from Tarshish to Bethlehem * 🎧

Notturno is a piece that captures the quiet magic of moonlit landscapes and the deep emotions hidden in the darkness. This relaxing cinematic piano music invites you to pause, reflect, and lose yourself in the beauty of the night.

Music Video:
https://youtu.be/3JKZnA8hjGA

Notturno

031 Oxymoronic

Giorni

I am an university professor of history who enjoys playing (guitar and piano/keyboard) and composing: unpretentious, just for fun. As a consequence, the most of my recordings (made with KorgD8 / Audacity and also Reaper now) are handcrafted and largely imperfect. My stuff consists of old songs (all wrote in the past century; here are only those I have redone in these last years) and old and new instrumentals (usually in various versions, some of which are removed at some point because they're unlistenable). 
Thank you in any case for stopping here to listen to something; in the description area you can find often explanatory notes or lyrics translations.

Here I found a community of great musicians and songwriters and a lot of beautiful music to listen to; you can be sure that any liking, commenting or reposting by me is a consequence of careful listening to the tracks. Obviously, for this very reason, I am not interested in collecting free ‘likes’ without real listening. I will not answer any messages from possible promoters: the number of followers does not interest me in the slightest. 

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

Song for Sonni

Michele Ansani

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