The texas notes are amazing 
Une très belle piece entre l’ amérique et l’europe

Great track that perfectly captures the emotional depth of emigrants. Very atmospheric! 🎶❤️🎶

The sense of space you've created in this piece is quite remarkable. A beautiful, evokative soundscape, Michele!

Spring 2025

Ma fille quand elle avait 20 ans a passé 2 mois en hôpital psychiatrique . Les paroles de la chanson sont le reflet de ce dont elle se souvient et notre ressenti quand on allait la voir . Philippe a su retranscrire en musique toutes les étapes psychologiques par lesquelles elle et nous , ses parents sommes passés. Merci à Thibault pour les passages en anglais qui apportent une intensité incroyable au titre .  
My 20-year-old daughter spent 2 months in a psychiatric hospital. The song's lyrics reflect what she remembers and how we felt when we went to see her. Philippe was able to transcribe into music all the psychological stages she and we, her parents, went through. Thanks to Thibault for the English passages, which bring an incredible intensity to the track.  
Compositeur : Philippe SEGUINARD  Auteur mélodiste : Guillaume DULER   Chant et arrangements couplets anglais : Thibault DERACHE



Lyrics:
I live without really existing
I swim in a sea of darkness
My heart is a mass of scars
I wrap my body in dark veils

Je me sens silence dans ce malaise hanté
Je vis sans présent je n'ai plus d'avant d'après
Ces voix qui me tourmentent
Et me cueillent les fleurs d'un mal
Me poussent dans de lentes
Rondes abyssales

Je suis un fantôme dans un corps naufragé
J'accroche ma raison aux crochets de mes vivants
Les yeux ouverts d'angoisses
Sur l'amour de mes parents
Leur peine qui m'enlace
Me transperce violemment

Mes nuits à errer en habit de papier
Dans des couloirs morts d'ennui à perpétuité
J'ai peur dans ce grand vide
Qui me brûle comme un démon
Comme un trop long suicide
Dépression sans horizon

Des silhouettes blanches ombres en apesanteur
Dansent autour de moi interrogent mes douleurs
Mes mots restent en prison
Dans l'enfer de mes pensées
Mon esprit tourne en rond
Sur une route damnée

The anguish of my fears is a painful gear
That will crush me that will kill me
The hurricane of meds and my life is in shreds
That will crush me that will kill me

My mind is going on board on my drunkness ship
I only wanna take an easy and quiet trip
I wanna stay the course to avoid all the storms
On the ocean of my hours I want to stay in the norms

The anguish of my fears is a painful gear
That will crush me that will kill me
The hurricane of meds and my life is in shreds
That will crush me that will kill me

I live without really existing
I swim in a sea of darkness
My heart is a mass of scars
I wrap my body in dark veils

I feel silence in this haunted malaise
I live without present I have no before or after
These voices that torment me
And pick the flowers of an evil
Push me into slow
Abyssal rounds

I'm a ghost in a shipwrecked body
I hang my reason on the hooks of my living
Eyes open with anguish
On the love of my parents
Their grief embracing me
pierces me violently

My nights wandering in paper clothes
In dead corridors of perpetual boredom
I'm afraid in this great emptiness
That burns me like a demon
Like too long a suicide
Horizonless depression

White silhouettes weightless shadows
Dance around me, question my pain
My words remain in prison
In the hell of my thoughts
My mind spins in circles
On a damned road

The anguish of my fears is a painful gear
That will crush me that will kill me
The hurricane of meds and my life is in shreds
That will crush me that will kill me

My mind is going on board on my drunkness ship
I only wanna take an easy and quiet trip
I wanna stay the course to avoid all the storms
On the ocean of my hours I want to stay in the norms

The anguish of my fears is a painful gear
That will crush me that will kill me
The hurricane of meds and my life is in shreds
That will crush me that will kill me

© Philippe SEGUINARD / Guillaume DULER Juillet 2023
Thibault DERACHE:
https://soundcloud.com/user-313022683?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

M.E..N...T....A.....L     (  Feat Thibault DERACHE ) TRANSLATED

Cover picture: Albert Bierstadt, "Emigrants Crossing the Plains" (1869): an oil on canvas painting of emigrants on their way to Oregon, inspired by a fifty-wagon train of German emigrants who crossed Bierstadt's path during his 1863 expedition.

Although it is very difficult to estimate the total number of European emigrants, it is thought that from the beginning of the 19th century to the middle of the 20th century, around 30 million people left Europe for the United States.

I reworked in the last days on this not particularly original piece, whose first draft is from 2018.
Femal vocals courtesy by La Boutique Studios Dakar; harmonica by Dust Bowl - Vintage Country.
Composed by Michele Ansani (2018-2025).
Posted on SoundCloud: 2025, March 26

Their American dream *

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
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[ Twitter ]
https://twitter.com/NegaPhone

Youtube

Invader

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpany, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. 
  At that point, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham (Eclectic Collective)

Mental Health Day$

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see


I was struck by an article in the Guardian 10 years ago about a woman who used to hang out and work with the Rolling Stones in the 60s and the article was about adapting to old age while having nostalgia for such a potent time in her life. For this recording I had to change one word - 70 to 80. Musically it needed to be rhythmic but melancholic: something you got from major and minor seventh songs in the mid 70s as disco kicked in



YESTERDAY’S PEOPLE

Yesterday’s people used to party, party, party
Yesterday’s people were so cool so cool so cool

There was a girl her skin so fresh and fine
There was a guy as smooth as a dark red wine
They were out there in a happening era
Face to face so close and nearer
Photogenic and oh so bold
But that generation has all grown old

In 69 it was crazy zany time
In London town all that music going down
Young people travelling - free love happening
Beautiful people philosophizing
Mary Jane twilight in the Mediterranean
That generation they’ve all grown old

If you’re talking to an 80 year old guy
Remember he - was Mr cool way back in time
Try to imagine the face much younger
The yearning soul hormonal hunger
Suite Judy blue eyes young people dancing
That generation they’ve all grown old


Yesterdays People

We are having too much fun with these cover songs! This blues-inspired ballad has been covered by everyone from Sting to Stevie Ray Vaughan. 

Music Production & Photo by Thomas Mierkiewicz @user-297959700 Lemonbrew
Guitar solo by mugwump nazz 
Vocals by Kate Stanton 5/9/2025

Written by Jimi Hendrix 1967
Well, she's walking through the clouds
With a circus mind that's running wild
Butterflies and zebras and moonbeams
And her fairy tales
That's all she ever thinks about
Riding with the wind
When I'm sad, she comes to me
With a thousand smiles, she gives to me free
"It's alright" she says, "It's alright"
Take anything you want from me, take anything
Anything
Fly on, little wing

Little Wing (with Lemonbrew)

We flush our toilets and it flows into the sea
We go down to the beach and we swim happily
We take our trash and we toss it in a can 
The garbage truck takes it away and where it goes – no one gives a damn
Every day we throw more trash into the pile
Disposable packaging never goes out of style
Every day we exist, we generate more junk
We buy stuff we don’t need, and it ends up the dump
They say one person’s trash is another person’s treasure
But I don’t think used plastic straws are going to give anybody pleasure
They say the average Tom Dick or Harry and even if you’re a girl named Jane
You’re probably walking around with a teaspoon of microplastic in your brain
I separate my paper and plastic into separate bins 
But sometimes I wonder if I’m accomplishing anything
Thousands of years from now, if humans have gone extinct
And aliens dig up our trash, I wonder what they’ll think
Our art and music will be gone but our trash will linger on
The stuff we threw away will be all that’s left of humanity
There’s so much trash in the world today
You’d think by now we’d have found a better way
Civilizations rise and civilizations fall 
And the trash be leave behind will be a gift to future generations from us all
Every year we kick the can farther down the road
Causing more damage to this planet that we’ ve been bestowed
Some people  will tell you don’t worry everything is fine
We’ ve gotta cut the regulations so we can help the bottom line
When you share a bed with a partner they say it’s best to hold in your gas
But when it comes to our stinking trash, we give ourselves a pass

Trash

The train to nowhere has no end
As far as you can see around the bend
There always is another curve
Another chapter to the story
So we can continue to pretend
Not to see how our story ends

We try so hard to never see
The end of tracks go on endlessly
We hear them rumble beneath our feet
We feel the sway in perfect time
An effect for every cause we find
Creates our end in harmony

A life of storms with wind and rain
Teaches us to weather pain
There is no sense to lie and blame
Hardships on bad timing
The train that I am riding
Is my story just the same

The Train To Nowhere

Epic Cinematic Soundtrack Orchestral like for a movie...

"Light in the D@rkness" Epic Cinematic

Sailing Away

Once again, enormous thanks to @stefankraft_music for adding his magnificent orchestration & arrangement to my piano music, making it much more beautiful in every way! 

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Stefan Kraft

Again (Ft. Stefan Kraft)

"Those who don't believe in magic will never find it." - Roald Dahl

“He does not despise real woods because he has read of enchanted woods; the reading makes all real woods a little enchanted.” - C.S. Lewis, On Stories: And Other Essays on Literature

The Enchanted Hour

'In An Altruistic Manner' An Alternative Acid Jazz track.

Dont Smudge The Ink

In An Altruistic Manner

* Personal Music projects:

     - Gonzo J. Francès: Alternative songs

     - Morosgovanyi: Experiments with noise and FX

     - DJ: next upcoming...


* Other bands or parallel projects in link section

Thanks for stopping by. Listenings & comments are very appreciate it.

Contact: gonzojfrances@gmail.com

Salut i soroll!

Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun. I’ve been here for at least 10 years, but only recently have I started using the platform for something other than just external digital storage.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect. And yet, I think that lately I’ve learned to do something a bit more - and better - also thanks to greater commitment.
My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals — usually in several versions, some of which eventually disappear because they’re simply unlistenable.

Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.
Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/

Their American dream *

Michele Ansani

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