beautiful track ! .... and I like the artwork - looks like an early anticipation of AI art :-)

such a floating and hovering sound, subtile beat, wonderful piece

Great soundscape between the percussion and traditional instruments it's really filled with life! 👍

wooow i like the guitarsounds and the accordeon..

molto accattivante e piena di effetti...decisamente ben fatta✌💯⏰✨⚘🥂✨☕⚒☕⚒☕⚒💥⭐💥⭐💥⭐💥🔥✅🔥✅🔥✅🔥🔥✅

words and music K Gennery

For my darling wife who, at the best of times, does a difficult job within our National Health Service. Throw in the covid madness and that very same job becomes almost impossible.

Lyrics:
I don't know how you do the job you do,
the responsibility of seeing it through.
Pressure from all sides,
looking out for the welfare of buildings and lives.

If I were to spend one day in your shoes,
(shoebie doobies, ooh shoebie doobies)
by mid afternoon Im sure I would have blown my fuse.
(Bang, Bang, Pop, Pop, BOOM!)
There'll be blood and guts everywhere,
as I explode and take them all out.

Ooh, ooh, ooh, ooh,Take them all out.

There'll be blood and guts everywhere,
as I explode and take them all out.

This songs to say Im so very proud of you,
and to confirm the fact I never want to borrow your shoes.
Cause I don't wanna do any time,
reflecting on my crime, of taking them out.

Ooh, ooh, ooh, ooh,
Take them all out
(gotta get away, gotta get away)

Take them all out

take em all out

You Can Come Crying - Foster & Lloyd (Rough)

Another track that floated unfinished in the digital recorder (and my) memory for a few years, changed several times (only the piano and bass parts remained the same). At first I wanted to do something similar to the opening themes of 1960s TV football programmes; then, by adding and subtracting parts and instruments, it reminded me of Viennese Kaffeehäuser from the early 1900s. Perhaps because of the many overlapping strings: here seem to be many people talking, some even alone. Since this impression does not displease me, I decided to end the long agony of the piece.

Cover image: Moriz Jung, Gespräch zwischen Stummen (1907), Met Museum (NY).

------

Composed by Michele Ansani (2015-2024)
Posted on SoundCloud: 2024, July 18.

Kaffeehaus (a dialogue of the deaf) *

First version here: https://soundcloud.com/michele-ansani/ulysses-and-the-sirens
For the final draft I employ the same audio file, just adding a bit of guitar, percussions and vocals.
Lyrics and sirens song courtesy of Mainstream Eurodance.
Cover picture: John William Waterhouse, "Ulysses and the Sirens" (1891), National Gallery of Victoria, Melbourne.

Lyrics

Baby I loved you 
more than words can say 
I need you 
like fire needs a flame 
now I'm breaking I'm waiting 
to hear you say my name

------

Composed by Michele Ansani (2017-2022-2024).
Posted on SoundCloud: 2024, August 5.

Ulysses and the Sirens (final draft) *

Let go, breathe deep, in the crisp, cool air, Autumn's lesson: be here, be aware.

Autumn's Descent

Tes yeux
Ta voix
Le son
De tes pas

Je me demande
Pourquoi
Je suis pas
Avec toi ce soir

Sans tes bras
Autour moi
On se vois plus
Je me sens nu

Je t'entends pas
Je t’écoute plus
Je n’en peux plus 
Je m’en fous

Je reste
Tu sors
Je me mens
Tu m’ignores

C’est qui
L’autre   
C’est moi
Ou le paramour

Regarde
Ton corps
Il est fixé 
Dans la photo du

Premier moment où
On se voit
Où on se touche
Où on s’entend 

Je la touche
Je la repare
Je la copie
Je la remplace
Connaitre toi
C’est le meme
De connaitre
Un corp mort

Echanger l’un
Pour l’autre
N’est rien
Que poursuivre la vie

La bouffe
Le sexe
Se trahir
S’epanouir

Paramour part II

Borrowed Time

full of good emotion...why not try another sphere
dreaming of better world

Love For Life

Surfers like Us ….. composition and all guitar parts 

Dedicated to Håkan (Well), Josh Clary and J.J. Terrell

Hello! Here we go (demo)

Really need to learn the Sanford and son theme

Forgotten Moments

Light Up My Soul

I am an university professor of history who enjoys playing (guitar and piano/keyboard) and composing: unpretentious, just for fun. As a consequence, the most of my recordings (made with KorgD8 / Audacity and also Reaper now, for MIDI and the Spitfire Audio sound libraries) are handcrafted and largely imperfect.
My stuff consists of old songs (all wrote in the past century; here are only those I have redone in these last years) and old and new instrumentals (usually in various versions, some of which are removed at some point because they're unlistenable). 
Thank you in any case for stopping here to listen to something; in the description area you can find often explanatory notes or lyrics translations.

Here I found a community of great musicians and songwriters and a lot of beautiful music to listen to; you can be sure that any liking, commenting or reposting by me is a consequence of careful listening to the tracks. Obviously, for this very reason, I am not interested in collecting free ‘likes’ without real listening. I will not answer any messages from possible promoters: the number of followers does not interest me in the slightest. 
By popular demand (well, exclusively my daughter's — she says it's the "cooler" platform), I'm finally starting to put some of my stuff on Spotify too...

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' domestic performance here: https://www.instagram.com/michele_ansani/

Ulysses and the Sirens (final draft) *

Michele Ansani

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